Diss.--Bern. / Vita. Includes bibliographical references.

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La présente thèse de doctorat étudie les apports réciproques entre l’expérience juridique et l’expérience littéraire de Carlo Goldoni. En fait, avant de se consacrer entièrement à sa carrière de dramaturge, à l’âge de quarante et un an, l’auteur a exercé les métiers de greffier et d’avocat, après avoir suivi des études dans le domaine du droit. Cette recherche se compose de trois parties. Dans la première partie, on a restitué le contexte juridique et social dans lequel a œuvré le dramaturge : pour ce faire, on s’est attardé dans un premier temps sur le parcours juridique de Goldoni, étudiant d’abord et professionnel du droit après. Ensuite, on a traité de la singularité du système juridique vénitien, élément indispensable pour mesurer la compétence dont l’auteur fait preuve en la matière dans ses comédies. Dans la seconde partie, on a analysé les thèmes juridiques et sociaux formant une constante de l’œuvre de l’auteur. On a ainsi constaté une présence marquée du droit du commerce et des successions, ainsi que du mariage et des problèmes qui l’accompagnent. Dans chaque chapitre, on a étudié la question de droit concernée, en la replaçant dans le contexte juridique vénitien de l’époque et en mettant en évidence le lien direct existant avec les comédies choisies comme base de notre analyse. La troisième partie, enfin, est consacrée aux éléments de rhétorique judiciaire qu’on retrouve dans les répliques de certains personnages des comédies de l’auteur. Les deux chapitres, qui composent cette dernière section, proposent des exemples de représentants de la société civile, qui se servent de la loi pour revendiquer ou défendre leurs droits.L’hypothèse d’un engagement politique de Goldoni au moyen du droit, posée comme fondement de cette recherche, se trouve confirmée par l’utilisation que fait l’auteur de ses compétences dans le domaine juridique pour soumettre à ses contemporains des problèmes d’actualité, sur lesquels le dramaturge se prononce au moyen de sa création artistique. / This graduation thesis examines the mutual contribution between the legal experience and the literary experience of Carlo Goldoni. Before devoting his entire career as a playwright, when he was 41 years old, the author worked as a clerk and lawyer, after having undertaken law studies. This study consists of three parts. In the first part, the legal and social environments in which the author worked were recreated and to that end, the focus was in the first instance on Goldoni’s legal career, first as a student and later as an expert of law. Subsequently, an in-depth analysis was made on the peculiarities of the Venetian legal system, essential element necessary in order to value the abilities that the author showed on the matter in his comedies. In the second part, we examined the legal and social themes that represented a permanent feature in the work of the author. Thus, an important presence of commercial and inheritance laws were found, as well as those of marriage and related problems. In each chapter, the related legal problem was examined, setting it back in the Venetian legal context of the time and by highlighting the direct existing link with the comedies chosen as a basis of our analysis. The third part is finally focused on the elements of judicial rhetoric that can be found in the lines of certain characters of the author’s comedies. The two chapters that make up this last section suggest examples of representatives from the civil society who make use of law in order to claim or defend their rights. The hypothesis of a political commitment by Goldoni by means of the use of law, laid down as a basis of this research, can be confirmed by the use the author’s use of his abilities in the legal field in order to submit to his Contemporaries current problems over which the playwright expresses himself by means of his artistic creation.

Esta dissertação apresenta ao público um desconhecido escritor imigrante italiano da São Paulo de 1900. Durante sua vida em São Paulo, Giuseppe Salerio trabalhou como dentista na Av. São João no centro da cidade, quando ela mostra ao país seu grande potencial para ser a maior e mais industrializada cidade do Brasil. Un ammalato per forza, uma comédia em um ato. Esse trabalho possui muitos aspectos do teatro do imigrante italiano em São Paulo. A dissertação quer mostrar alguns valores da arte dos imigrantes, depois de momentos difíceis na terra natal: a Itália. Também será apresentada uma tradução e análise de Un ammalato per forza. A análise leva em conta as leituras feitas pelo autor, bem como a influência de Carlo Goldoni. / This work seeks to present to the public an unknown Italian immigrant writer in São Paulo in the 1900\'s. During his life in São Paulo, Giuseppe Salerio worked as a dentist in the Av. São João, downtown, when the city was beginning to show what it would be in the future: the biggest and the most industrialized city in Brazil. Un ammalato per forza is a comedy in one act. This work reveals many aspects of the Italian immigrant theatre in São Paulo. This study wants to discuss some merits of the immigrants\' art, after a very difficult life in their country: Italy. Besides there is a translation and an analysis of Un ammalato per forza. The analysis considers readings done by the author, as well as the influence of Carlo Goldoni on his work.

Esta dissertação apresenta ao público um desconhecido escritor imigrante italiano da São Paulo de 1900. Durante sua vida em São Paulo, Giuseppe Salerio trabalhou como dentista na Av. São João no centro da cidade, quando ela mostra ao país seu grande potencial para ser a maior e mais industrializada cidade do Brasil. Un ammalato per forza, uma comédia em um ato. Esse trabalho possui muitos aspectos do teatro do imigrante italiano em São Paulo. A dissertação quer mostrar alguns valores da arte dos imigrantes, depois de momentos difíceis na terra natal: a Itália. Também será apresentada uma tradução e análise de Un ammalato per forza. A análise leva em conta as leituras feitas pelo autor, bem como a influência de Carlo Goldoni. / This work seeks to present to the public an unknown Italian immigrant writer in São Paulo in the 1900\'s. During his life in São Paulo, Giuseppe Salerio worked as a dentist in the Av. São João, downtown, when the city was beginning to show what it would be in the future: the biggest and the most industrialized city in Brazil. Un ammalato per forza is a comedy in one act. This work reveals many aspects of the Italian immigrant theatre in São Paulo. This study wants to discuss some merits of the immigrants\' art, after a very difficult life in their country: Italy. Besides there is a translation and an analysis of Un ammalato per forza. The analysis considers readings done by the author, as well as the influence of Carlo Goldoni on his work.

This thesis explores the lives and works of Carlo Gozzi and Carlo Goldoni. Specific emphasis is placed on their feud, positions in society, the motivations behind their theatrical styles, and the ways they used theatre to either attempt to maintain the status quo (Gozzi) or strive for social change (Goldoni). Contrary to previous studies, this study suggests that Goldoni tried to influence the world around him, rather than merely reflect it. This study examines the above through the lens of several twentieth century theories including semiotics, structuralism, and the avante-garde. The contents of this work are essential to anyone seeking biographical information, doing dramaturgical research or producing one of their plays, and those investigating the ways theatre has been used to incite change and create an atmosphere of social equity. This work demonstrates that theatre can, has been, and should be actively used to influence that change.