This thesis sought to explore the lifeways of second-millennium AD inhabitants of Great Zimbabwe through the analyses of material objects housed in museums. Great Zimbabwe comprises walled stone enclosures and non-walled settlements covering approximately 720ha. A number of data acquisition techniques, such as desktop survey, analyses of museum collections, supplementary field survey and excavations, were employed to collect relevant datasets to address the research questions. The sampling strategy adapted for this research enabled the study of material objects from different components making up Great Zimbabwe. The main conclusions drawn from this study are as follows: (i) Within varying temporal scales, the nature and distribution of local and imported objects are largely similar across the site; (ii) chronologically and typologically speaking, there is evidence that different parts of the site were occupied and abandoned at different times; and (iii) based on the similarities in material objects and associated production debris and infrastructure, it is likely that different components were self-sufficient units. This study has underscored the significance of existing collections in developing new interpretations of Great Zimbabwe's past lifeways, thereby motivating for the need for similar work to understand the hundreds of similar settlements scattered across southern Africa.

Great Zimbabwe was the centre of an ancient Shona state from AD1200- 1700. It is known for its magnificent architecture and involvement in long-distance (intercontinental) and local (inter-regional) trade. In this society, cattle were vitally important in social, economic and political spheres. However, the origins and herd management strategies of cattle from Great Zimbabwe have never been explored using empirical evidence, although researchers have proposed seasonal transhumance between upland and lowland regions. In this thesis, measurements of 87Sr/86Sr, δ 18O, δ13C and δ15N profiles in serial samples of tooth enamel and dentine from 27 archaeological cattle teeth enable investigation of several aspects of cattle procurement and management. Taken together, the isotope measurements show that cattle at Great Zimbabwe came from a broad geographical area. Some cattle were raised (for the first year of life) less than 40kms away from Great Zimbabwe, most were raised in the lowveld of the country between 40 and 120kms south of the site and some may have moved between the two areas. Cattle fed mainly on C4 grass throughout the period from AD1300 to 1600, although some also consumed limited amounts of browse. Heterogenous δ 13C profiles indicate that animals derived from different environments, and that calves were born at different times of year. This study emphasises the advantages of using multiple isotopes to extract maximum information from archaeological tissues. In combination with the distribution of material culture, particularly from sites coeval with Great Zimbabwe, this study contributes to our understanding of the flow of key resources within the Zimbabwe state, enhancing knowledge of relationships between sites and regions. This study emphasises how economically connected the landscape was during the thriving of the Zimbabwe state. It makes a significant contribution to our hitherto very limited knowledge of the flow of regional (as opposed to imported) commodities. Future work should target lesser studied Zimbabwe-type sites in southern Zimbabwe to further explore interactions and relationships between hinterland sites and their centres.

This study investigates the current discourses of Great Zimbabwe by analysing traces of colonial terminology within present-day literary illustrations. The aim is to identify western ideas and perspectives still dominant within the discourses and explore its implications. By conducting research on how Great Zimbabwe is being illustrated today within academic literature as well as more popular texts, the study demonstrates the role and power of discourse in relation to questions regarding who is authorized to write history and define heritage. Special focus is placed on discourse’s implications on the perception of reality and identity within a context heavily tainted by colonialism. This investigation is a pilot study which hopes to encourage further research on the representation of heritage sites that are vulnerable to political discourses. / Studien undersöker den nuvarande diskursen kring Stora Zimbabwe genom att identifiera och analysera spår från den koloniala terminologin inom dagens litterära illustrationer. Syftet är att urskilja dominanta västerländska idéer och perspektiv inom diskursen och granska dess inflytande. Genom att undersöka hur Stora Zimbabwe illustreras inom dagens akademiska och mer populära litteratur kan studien demonstrera diskursens roll och maktposition, vilket leder till frågor om vem som bär på rätten att definiera historia och kulturarv. Speciellt fokus har lagts på diskursens påverkan vad gäller hur människan uppfattar verkligheten och hur identiteter formas inom den koloniala kontexten. Underökningen är en förstudie som hoppas kunna uppmuntra vidare forskning som behandlar representationen av kulturarv som formats och påverkats av politiska diskurser.

The intention of this thesis is to examine the possibility of seeing mythology and ritual as sources for understanding spiritual, symbolic and spatial structures in architecture. Mythology and ritual are used as sources of creativity for examining a culture's architecture and as a way to understand the creative and cultural processes informing an architectural record. Central Great Zimbabwe is used as a case study for examining this. Karanga ethnography has not previously been considered as a source for interpreting Great Zimbabwe. However, historical evidence documented in this thesis shows that the Karanga were the creators and occupiers of Great Zimbabwe. The study pursues the need expressed by P. 1. Sinclair to consider the mythology of the region as an informative tool to understanding the symbolic values inherent in the landscape of settlement dynamics and symbolic structures; ...one might expect such aspects of material culture as architectural style and settlement layout, organisation and decorative motifs as well as a choice of subsistence needs to be strongly influenced larger scale expressions ofsymbolic values... exist in the expressions of kingship and power Further illustrations might include the associations of the granite mountains found throughout the plateau margins with the widespread distributions ofstone buildings. The mythology of the region has been little considered from this point ofview (Sinclair, P. 1987: 159). The study sets out to test Sinclair's observation by examining whether the Karanga symbolic values sourced from the mythology and ritual practices of the region may be reflected in the settlement dynamics and spatio-symbolic expression of Central Great Zimbabwe. Parts of the study examine Thomas Huffman's fieldwork, documentation and methodology. As the most prolific documenter on Great Zimbabwe, with the most recent interpretations, Huffman's findings are rec.orded and discussed in detail and his hypothesis for domba (initiation centre) function for the Great Enclosure is tested against the information evident in Karanga mythology and ritual. Since his hypothesis is widely criticised by his colleagues, this criticism is also included in this study as an informative tool to contextualise this field of research and outline the current ethno-archaeologica1 debate concerning the function of the Great Enclosure. This dissertation takes a different approach to that of Huffman and therefore the outcome of this study deviates from that of Huffman's. lIDs study adopts a synchronic approach to history while HufIman's methodology is a structuralist one and takes a more diachronic approach. Since both approaches are necessary in this field of study, the synchronic approach here is seen as a way of contributing new information and interpretation to the field. The intention of the thesis is not to suggest an 'answer' to the 'mystery' of Great Zimbabwe, but to offer possibilities and to recognise that this is merely one approach in a very complex, interactive and dynamic research field. In any qualitative study area, research should lead to still further research and should not be considered to be leading to the 'answer' to a 'problem'. Therefore, this study explores a wide range of disciplines such as sociology, anthropology, psychology, philosophy, religion, history and archaeology in order to broaden and deepen the study. Architecture is neither a science nor an art but sits comfortably between the two domains. It is therefore an interactive discipline and is marked by a divergent flow of creativity. Rather than taking a convergent approach, which is marked by a structuralist need to solve problems, this study approaches research in a divergent way, where the grappling with the 'problem' itself is seen as a process leading to discovery and possibility rather than to an 'answer'. The study therefore does not examine Karanga mythology as a way to answer the 'mystery' of the stone ruins, nor to provide proof or evidence for an archaeological hypothesis. It is rather a study towards examining ways in which mythology and ritual can be used to broaden and deepen an understanding of symbolism and meaning in architecture. A method of inquiry which validates the diversity of views and documentation in this field of study is validated by this dissertation and is seen as a valuable way of approaching the history of architecture in Southern Africa at this particular time, where African society is itself undergoing transformation as it reinterprets its past in a 'de-eolonised' African context. For that reason, interpreting Great Zimbabwe based on local ethnography is seen as a valuable way offurther validating African creativity and local origin. We can no longer afford to view history one-dimensionally. We need to learn to accept different grounds and more than one belief system. Examining Karanga mythology and ritual is considered in this study as a new way of seeing and interpreting historical artifact in order to expose the creative domain of discovery. This approach is relevant to the paradigmatic shifts being made in Southern Africa and globally, where society is discovering new ways of seeing itself and concentrating more on its processes than on its products. Society is becoming more tolerant of other perspectives and we need to consider how we can learn more about our society both past and present within the context of so many changing paradigms. The results of the proposed investigations for this study as outlined above are documented summatively in Part 5, Chapter 9 and generally in the Conclusion at the end of the study. / Thesis (M.Arch.)-University of Natal, Durban, 2000.

This study explores representation and use of indigenous heritage constructs with a view to identifying implications thereof for the quality and relevance of heritage education practices in post colonial southern Africa. Framed within a critical hermeneutic research paradigm under-laboured by critical realist ontology, the study was conducted using a multiple case study research design. The data collection protocol was three-phased, starting with a process of contextual profiling, within which insights were gained into discourses shaping the constitution and orientation of heritage education practices at the Albany Museum in South Africa, the Great Zimbabwe Monument in Zimbabwe and the Supa Ngwao Museum in Botswana. The second phase of data collection entailed modelling workshops in which educators engaged in discussion around the status of heritage education in post apartheid South Africa. This highlighted, through modelled lessons, some of the tensions, challenges and implications for working with notions of social transformation and inclusivity in heritage education. The third phase of data collection involved in-depth interviews. Twelve purposively selected research participants were interviewed between 2010 and 2011. Data generated across the study was processed and subjected to different levels of critical discourse analysis. Besides noting how heritage education in post colonial southern Africa is poorly framed and under-researched, this study revealed that current forms of representing indigenous heritage constructs are influenced more by socio-political discourses than the need to protect and conserve local heritage resources. The study also noted that the observed heritage education practices are oriented more towards addressing issues related to marginalisation and alienation of indigenous cultures and practices, than enhancing learners’ agency to manage and utilise local heritage resources in a more sustainable ways. Based on these findings the study recommends re-positioning heritage education within the framework of Education for Sustainable Development (ESD). ESD acknowledges both issues of social justice and the dialectical interplay between nature and culture; as such, it may allow for representation and use of indigenous heritage constructs in ways that expand current political orientations to include sustainability as an additional objective of heritage education. Given that little research focusing on heritage education has been undertaken within southern Africa, the findings of this study provide a basis upon which future research may emerge.

At least eight soapstone carvings of birds furnished a shrine, Great Zimbabwe, in the 19th century. This large stonewalled settlement, once a political and urban centre, had been much reduced for four centuries, although the shrine continued to operate as local traditions dictated. The Zimbabwe Birds were handed down from a past that has only been partially illuminated by archaeological inquiry and ethnography, as has the site as such. This thesis publishes the first detailed catalogue of the Birds and attempts to reconstruct their provenance at the site based on the earliest written accounts. A modern history of the Birds unfolds when the European settlers removed them from the site in dubious transactions, claiming them as rewards of imperial conquest. As the most treasured objects from Great Zimbabwe, the fate of the Birds has been intertwined with that of the site in a matrix of contested meanings and ownership. This thesis explores how the meanings of cultural objects have a tendency to shift and to be ephemeral, demonstrating the ability of those in power to appropriate and determine such meanings. In turn, this has a bearing on ownership claims, and gives rise to an “authorized heritage discourse” syndrome.   The forced migrations of the Zimbabwe Birds within the African continent and to Europe and their subsequent return to their homeland decades later are characterised by melodramatic episodes of manoeuvring by traders, politicians and theologians, and of the return of stolen property cloaked as an amicable barter deal, or a return extolled as an act of generosity. International doctrines that urge the return of cultural property are influenced by Western hegemonic ideologies. Natural justice is perverted, as stolen property acquires a (superior) significance in its new context, which merits the extinction of the original provenance. This leaves “generosity” and goodwill as the promises of the future, holding the fate of one Zimbabwe Bird still kept in exile in South Africa.

The present study investigated imagery and visualisation characteristics of undergraduate students’ thinking processes in learning selected concepts of mathematical analysis. The aim was to discover the nature of images evoked by these undergraduate students and the role of imagery and visualisations when students were solving some selected problems related to mathematical analysis. The study was guided by the theory of registers of semiotic representations. Psychological notions on imagery were also fused to cater for a cognitive approach to the study. A sample of 50 undergraduate mathematics students participated in the study. The researcher employed both quantitative and qualitative methods. Before the main study, a pilot study was conducted to account for the reliability and validity of the research instruments. The data were collected through use of a cognitive test that was composed of 12 tasks with items selected from mathematical analysis. These tasks were specially designed to capture the variables of imagery and visualisations. A structured interview was also conducted as a follow-up to the results of the cognitive test. The study found that visual images were noticeable in the thinking processes of undergraduate students in solving problems related to mathematical analysis. The nature of the visual images evoked by the students varied from person to person. The nature of these images was also determined by the nature of the task. The most common types of imagery were diagrams, prototypes and symbols. On rare occasions the students also evoked metaphoric images. It was also observed that these images were used for illustrative purposes and to spark the idea for a proof. It was also interesting to note that some images were used to discover the limit of a converging series. The results confirmed the need to use visualisation with caution, especially when treating concepts which involve infinity. The study recommends that instructors of mathematics should encourage visual thinking in the learning and teaching of mathematical analysis. Knowledge of the students’ concept images helped the researcher to understand the nature of the learning difficulties of the students. Further research should focus on the strengths and weaknesses of visual-mediated learning and also on the relationship between creativity and visual thinking. / Mathematics Education / D. Phil. (Mathematics, Science and Technology Education (Mathematics Education))