Seto Kit Yee Shirley. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2005-2006, design report." / Includes bibliographical references (leaf 93). / Thesis Statment --- p.4-15 / Theory --- p.16-18 / History --- p.19-23 / Events --- p.24-32 / Land --- p.33-42 / Place --- p.43-48 / Final Design --- p.49-91 / Bibliography --- p.92-93

Ho Chui-ming. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2001. / Includes bibliographical references (leaves 210-223). / Abstracts in English and Chinese. / List of Plates --- p.i / Abstract --- p.iii / Acknowledgements --- p.v / Introduction The Quest for the Agency of Street Sleepers --- p.1 / Chapter Chapter One --- Literature Review and Theoretical Framework --- p.9 / Chapter I. --- Reading Street Sleepers: To Review the Past Studies --- p.9 / Chapter II. --- Center and Margin: To Approach the Operation of Power --- p.24 / Chapter III. --- Domination and Resistance: To Bring the Human Agency Backin --- p.26 / Chapter IV. --- From Spatial Resistance to Spatial Formation --- p.31 / Chapter V. --- From Identity Formation to Unfixing the Body --- p.35 / Chapter Chapter Two --- Methodology and Contexutualization --- p.40 / Chapter I. --- A Qualitative Research on Street Life --- p.40 / Chapter II. --- Triangulated Methods: Ethnography and Non-Reactive Method --- p.41 / Chapter III. --- The Profile of the Subjects --- p.48 / Chapter IV. --- Contextualizing the Study and Locating the Researcher --- p.53 / Chapter V. --- The Context: Yaumatei --- p.55 / Chapter Chapter Three --- Persistence of Street Sleeping: Beyond Housed/ Non-housed --- p.69 / Chapter I. --- Home Ownership --- p.70 / Chapter II. --- Rental System in Private Market --- p.73 / Chapter III. --- Public Housing --- p.77 / Chapter IV. --- Shelter and Hostel for Street Sleepers --- p.80 / Chapter V. --- Rehabilitation Program for Substance Users --- p.84 / Chapter VI. --- Open Space --- p.86 / Chapter VII --- Concluding Remarks: Beyond Housed/Non-housed --- p.91 / Chapter Chapter Four --- Producing a Livable Space: A Space of Resistance --- p.95 / Chapter I. --- A Production of Space: The Spatial Arrangement --- p.95 / Chapter II. --- A Space of Resistance: The Spatio-social Relations --- p.111 / Chapter III. --- Concluding Remarks: Marginal Space and Livable Space --- p.135 / Chapter Chapter Five --- Narratives of Identity: Fixing and Unfixing the Body --- p.139 / Chapter I. --- The Construction of Social Identities --- p.139 / Chapter II. --- The Multiplicity of Self Narratives --- p.144 / Chapter III. --- Concluding Remarks: Negotiating Identities in Everyday Life --- p.159 / Chapter Chapter Six --- Conclusion --- p.163 / Epilogue --- p.173 / Appendix A The Profile of the Subjects --- p.176 / Appendix B The Alternative Map of Yaumatei --- p.189 / Appendix C The Benches and the Chairs in Yaumatei --- p.206 / Appendix D Glossary --- p.207 / Bibliography --- p.210

Brian John Hooper. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. / Includes bibliographical references (leaves 118-149). / Abstracts in English and Chinese. / Preface --- p.iv / Introduction --- p.vi / Chapter Chapter One: --- """The Matrix and Fusion in Hong Kong Anglophone Literature""" --- p.1 / Chapter Chapter Two: --- """The Matrix and its Malcontents in Acheson's Flagrant Harbour´ح" --- p.39 / Chapter Chapter Three: --- """Lee's Running Dog´ح" --- p.65 / Chapter Chapter Four: --- """Mo's Signifying Monkey King""" --- p.76 / Conclusion --- p.106 / Bibliography --- p.109

Lam Tin Cho Eric. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report." / Includes bibliographical references. / Chapter 001 --- ACKNOWLEDGEMENTS / Chapter 002 --- INTRODUCTION / DESIGN OBJECTIVES / Chapter 003 --- PROJECT NATURE / SITE/CONTEXT / CLIENT & USER PROFILE / Chapter 004 --- DESIGN CONCEPTUALIZATION / Chapter I --- [ HYPOTHESIS & TESTING ] / Chapter STAGE 1: --- TRANSLATION [SPACE SEARCHING] / Chapter STAGE 2: --- TRANSFORMATION 1 [PLACE MAKING] / Chapter STAGE 3: --- TRANSFORMATION 2 [PROGRAMMING MAPPING] / Chapter II --- [BUILDING DESIGN] / Chapter STAGE 4: --- CULTURE EMBASSY / MISSION / PROGRAMMING / Chapter STAGE 5: --- A BOX OF RE-UNION / Chapter 005 --- APPENDICES / PRECEDENTS / BIBLIOGRAPHY

by Chu Wing Ki. / Thesis submitted in: July 1997. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Filmography: leaves 216-219. / Includes bibliographical references (leaves 204-215). / Chapter Chapter 1. --- Introduction: Contemporary Nostalgia Films Understood in the Colonial Context of Hong Kong / Chapter I. --- opular Culture as an Arena ofublicarticipation --- p.2 / Chapter II. --- opular Culture and Colonialism --- p.14 / The Ambivalence of Colonialism --- p.14 / """Status-quo Imaginary"" as the Manifestation of Colonial Ambivalence" --- p.17 / Chapter i. --- Hong Kong in the late 60s --- p.21 / Chapter ii. --- Hong Kong in the 70s --- p.24 / Chapter iii. --- Hong Kong in the 80s and 90s --- p.30 / Popular Culture Understood in the Colonial Context of Hong Kong --- p.35 / Chapter III --- The Contemporary Mode of Nostalgia as Mediation of Colonialrocess --- p.38 / Nostalgia Films Understood inost-Colonial Context -- The Ambivalence of History --- p.38 / Chapter i. --- Nostalgia Films not Targetted towards the Rediscovery of History --- p.40 / "The Appropriation of History as a ""Laughable"" Other" --- p.43 / "The Substitution of History by ""Style""" --- p.47 / Chapter ii. --- Nostalgia Films' Evocation of a Free-Floating Signifier of Hong Kong Historical Identity --- p.50 / Nostalgia Films as a Context-Specific Articulation --- p.56 / Nostalgia Films as a Form of Disavowal --- p.59 / Outline of the Coming Chapters --- p.61 / Chapter Chapter2. --- Nostalgia and History --- p.66 / Chapter I. --- Rouge --- p.66 / The Construction of Nostalgic Effects --- p.67 / "“Sense of Loss"" as Identity Formation" --- p.72 / "Theast as a ""Split Object"" of Identification" --- p.75 / Pessimism as a Collective Empowerment --- p.84 / Chapter II. --- Center Stage --- p.88 / Interrogation of History --- p.89 / Pessimism as Empowerment -- Reification of History --- p.93 / The Ambivalence of History --- p.100 / Chapter III. --- Days of Being Wild --- p.103 / Interrogation of History:History and Subject Formation --- p.103 / """Internal Colonization"" and Fatalism" --- p.113 / "The Image of “Innocence""" --- p.116 / Conclusion --- p.121 / Chapter Chapter 3. --- Nostalgia and Urban Space --- p.124 / Chapter I. --- Nostalgia as a Critique of Urban Space --- p.124 / Chapter II --- Chungking Express --- p.131 / "Old Chinese Apartment as Site of “Re-enchantment""" --- p.133 / "The “Urban Spectacle"" -- Old Chinese Apartment as Reified Spatial Construct" --- p.140 / Chapter i. --- "The Traversed Space of ""Contemporariness"" and ""Pastness""" --- p.140 / Chapter ii. --- "The ""Openness"" of Old Chinese Apartment" --- p.147 / Old Chinese Apartment -- An Expression of Nostalgia? --- p.155 / Chapter III. --- "He ´ةs a Woman and She ´ةs a Man, C'est La Vie Mon Cheri，He and She" --- p.158 / "The “ Urban Spectacle""" --- p.158 / Chapter i. --- ositive Human Qualities --- p.158 / Chapter ii. --- A Historical Sense oflace --- p.163 / Chapter iii. --- Interior Design -- The Assertion of Urban Spirit of Change --- p.165 / Chapter iv. --- "Socially and Culturally ""Marginal"" Characters" --- p.167 / Urban Status-quo Imaginary and Cultural Identificationin Hong Kong --- p.170 / Old Chinese Apartment as Reified Spatial Construct --- p.174 / Chapter i. --- Thearadox of Attraction and Anxiety A Discourse ofrogress --- p.174 / Chapter ii. --- The Inscription of the Imperative of Advancement intohysical Surrounding --- p.179 / Chapter iii. --- "The “Urban Spectacle"" of Social Differences ""Cloaked"" Gestures of ´ب´بSubversion""" --- p.181 / Conclusion --- p.191 / Chapter Chapter 4. --- Conclusion: Nostalgia -- The Ambivalence of History --- p.194 / Chapter I. --- Optimism andessimism as Identity Formation --- p.194 / Chapter II --- The Commercialization of Nostalgia --- p.197 / Bibliography --- p.208 / Filmography --- p.220 / Appendix I-IX

by Ku Ho Kwan Lisbeth. / Thesis submitted in: September 1997. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Filmography: leaves 117-119. / Includes bibliographical references (leaves 109-116). / List of illustrations --- p.vii / Chapter I. --- Introduction --- p.1 / Chapter 1. 1 --- Articulating Hong Kong History / Identity --- p.1 / Chapter 1.2 --- Identity through Mass-Cultural Mediation --- p.10 / Chapter 1. 3 --- Using Popular Culture --- p.18 / Chapter II. --- The Locality of Culture: A Contextual Analysis of Cantonese Cinema in Hong Kong --- p.32 / Chapter 2.1 --- The Emergence of Local Consciousness through Three Decades of Cantonese Cinema (From the 30s to the 50s) --- p.32 / Chapter 2. 2 --- Youth Film and Its Historically Specific Audience --- p.38 / Chapter 2. 3 --- Reading Youth Film -- A Purple Stormy Night (紫色風雨夜) --- p.55 / Chapter III. --- Mass Mediated Images of Women --- p.64 / Chapter 3. 1 --- Connie Chan Po Chu and Josephine Siao Fong Fong as Desired Cultural Images --- p.66 / Chapter 3. 2 --- Identification and Commodification --- p.81 / Chapter IV. --- Conclusion --- p.92 / Chapter 4.1 --- The Ordinary and the Extraordinary-- Siao Fong Fong and the Self-Image of Hong Kong People in the 90s --- p.92 / Chapter 4.2 --- Mediating Cultural Identity with Cultural History of Hong Kong --- p.102 / Bibliography --- p.109 / 中文電影目錄 --- p.117 / Appendix --- p.120

Lee Chun Wing John. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 169-181). / Abstracts in English and Chinese. / Abstract --- p.1 / Acknowledgements --- p.3 / Chapter Chapter 1: --- Introduction --- p.6 / Chapter Chapter 2: --- Literature Review and Methodology --- p.13 / Theories in Social Movements --- p.13 / High-risk Activism --- p.20 / Collective Identity and Personal/Individual Identity --- p.22 / Frame Analysis and Identity --- p.29 / Sources of Data --- p.31 / Chapter Chapter 3: --- Who are They? --- p.36 / The Emergence of the Hong Kong Identity --- p.37 / Phase One --- p.42 / Phase Two --- p.46 / Phase Three --- p.51 / Phase Four --- p.57 / Phase Five --- p.62 / Phase Six --- p.66 / Summary --- p.69 / Chapter Chapter 4: --- Who are We? --- p.71 / What is Collective Identity? --- p.72 / A Common Objective --- p.75 / Negotiation --- p.80 / Consciousness: Rule of Law? --- p.84 / Consciousness: Rights --- p.86 / Affection Developed through Interaction --- p.92 / Lack of Unity --- p.98 / ´بSaiWan´ة --- p.100 / Summary --- p.103 / Chapter Chapter 5: --- Who am I? (I) --- p.107 / Social Identity Theory and Social Movements --- p.108 / Relative Deprivation --- p.114 / Illegitimate Inequality --- p.120 / Views on Outgroups --- p.120 / Movement Not the Best Option --- p.123 / Fighting for Individual Status Improvement? --- p.127 / Chapter Chapter 6: --- Who am I? (II) --- p.131 / Identity Theory --- p.132 / A 'Child' Identity --- p.136 / Psychological Centrality --- p.139 / Commitments --- p.142 / Changes after Participation --- p.145 / Summary --- p.147 / Chapter Chapter 7: --- Conclusion --- p.150 / Why They Participated? --- p.150 / Why Some of Them are so Committed? Why Some of them Want to Quit? --- p.153 / Politics and the Right of Abode Movement --- p.156 / Implications --- p.159 / Identity Politics? --- p.163 / Appendix --- p.167 / Bibliography --- p.169

by Lai Ming. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 66-73).

Ma Lai Yee. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 105-109). / Abstracts in English and Chinese. / Acknowledgements --- p.i / Abstract (English version) --- p.ii / Abstract (Chinese version) --- p.iii / Chapter Chapter 1 --- Introduction / Political use of the Internet: Utopian or distopian? --- p.1 / Virtual communities and social movements --- p.4 / Chapter Chapter 2 --- Political and Technological Landscape in Hong Kong / Chapter I) --- Political Background / The Handover of Hong Kong to China in1997 --- p.7 / The Tradition of Pro-democracy movement in Hong Kong --- p.8 / The 1 July Rally in2003 --- p.9 / Chapter II) --- Technological Background / Internet Penetration in Hong Kong --- p.11 / Chapter Chapter 3 --- Review of Literature / Chapter I) --- "Internet, Uses and Gratifications and political effects" / The Uses and Gratifications Approach: Theoretical assumptions --- p.14 / Uses and Gratifications and the Internet --- p.15 / Gratifications and Political media use --- p.17 / "Internet usage, Gratifications and Political effects" --- p.19 / Chapter II) --- "Social movement, collective identity and the Internet" / Social Movements in contemporary social context --- p.23 / Collective Identity in Social Movements --- p.26 / Identity Formation in Computer-mediated Communication --- p.28 / The Internet as a Social Movement Medium --- p.30 / Chapter Chapter 4 --- Cyberactivism in Hong Kong / 1 July Protest and Cyber Activism in Hong Kong --- p.36 / The Case: Yumkung.com --- p.38 / Chapter Chapter 5 --- Methodology / Research Design and Sampling --- p.44 / Survey Sample Profile --- p.45 / Content Analysis --- p.46 / Textual Analysis --- p.47 / Measurements of variables --- p.48 / Analytical Procedures --- p.50 / Chapter Chapter 6 --- Results and Interpretations / Gratifications of Yumkung.com from Survey --- p.52 / Gratifications of Yumkung. com from Content Analysis --- p.54 / Collective Identity from textual Analysis --- p.60 / Correlational Analysis of Collective Identity --- p.71 / Predictors of Collective Identity --- p.74 / Correlational Analysis of past political participations --- p.77 / Predictors of past political participations --- p.80 / Correlational Analysis of intentions for future political participations --- p.82 / Predictors of intentions for political participations --- p.85 / Chapter Chapter 7 --- Discussions and Conclusions / Uses and Gratifications and its Theoretical Contribution --- p.88 / Collective Identity Formation in Yumkung.com --- p.92 / Political Participations among Participants in Yumkung.com --- p.94 / Theoretical and Practical Implications --- p.99 / Chapter Chapter 8 --- Limitations and Suggestions for Future Research --- p.102 / References --- p.105 / Appendix 1 Questionnaire --- p.110 / Appendix 2 Coding Guide of Content Analysis --- p.115 / "Appendix 3 Invitation letter to Mr. Paul Lin, Yumkung.com's Webmaster" --- p.117