Magdalena Rudenschöld (born 1766, died 1823) was a woman in Swedish history, who lived a turbulent life. As a young woman she was employed at the Swedish court and got to know the king of that time, Gustaf III, and she became the mistress of one of his closest deputies, Gustaf Mauritz Armfelt. After the killing of Gustaf III, a temporary government was formed. This was a regency that was put there on behalf of Prince Gustaf Adolf, since he was not yet of age to run the country. The commission to conduct this temporary government was given to Duke Carl, who was the dead king’s brother. King Gustavus III’s former employees and Officers were after the king’s death, opposed by the temporary government, and they were moved to other assignations. Among these former employees and Officers a discontent arose and a few of them, among others Rudenschöld and her friend Armfelt, started to discuss and plan for a change in the governance of Sweden. The planning was mostly done through correspondence. Several of those who took part in this correspondence, was later sentenced for trying to overthrow the Swedish government. One of the sentenced people was Magdalena Rudenschöld. The purpose of this treatise, has been to examine the role and actions of Magdalena Rudenschöld in the Armfelt conspiracy and also to compare the court records to the sentence she received. Rudenschöld was convicted of treason against the king and kingdom. The results show that Rudenschöld’s conviction for being part of treason against king and kingdom was correct, and that she had made no attempt to stop the conspiracy plans. On her part she had mediated letters between people and she had offered to help, for instance by travelling to Russia to speak for their cause. Rudenschöld’s penalty was hard. She was imprisoned for about two years, after having been publicly pilloried. As she was released from prison, Duke Carl provided her a property on the Swedish island Gotland, and she was not permitted to leave it for still some time. The fact that two members of the temporary government was part of the court that sentenced her, probably contributed to the harsh punishment. However, it has to be born in mind that this was how the judicature was organised at the time being. The treatment of Rudenschöld upset the public at the time of the trials - a lady-in-waiting who were pilloried and ended up in prison was very unusual. The fact that the affair was given characteristics of romanticism as Rudenschöld’s intimacy with the married man Armfelt was made public, and that the affair is even more complicated since the conductor of the temporary government - Duke Carl - previously had been in love with Rudenschöld, makes this story linger for posterity.

This study seeks to illuminate the Swedish propaganda effort during the first years of Swedish participation in the Napoleonic wars, known as the Pomeranian War (1805-1807) in Swedish historiography. This is accomplished by analysing the reporting off the Swedish war effort in the official newspapers Stockholm Post-tidningar and Inrikes tidningar with a model of wartime propaganda previously put forward by Anna Maria Forssberg. The sources used, classified as “official Swedish war reporting”, are the published materials written either explicitly by official Swedish sources or other texts from an entirely Swedish perspective. A classification motivated by the heavy press regulations and state censorship of the late Gustavian era. The study covers the entirety of the period of Franco-Swedish warfare in northern Germany up to and including the evacuation of Swedish forces from Rügen in September 1807 but ends before the formal conclusion of peace in 1810. During this period several other important themes besides the fighting are covered in the official propaganda. These include a conflict with Prussia in 1806 and the Swedish alliances with Russia, Britain and, later, Prussia. The role of the image of the king in the authoritarian Gustavian political system and the way that the propaganda tries to paint a positive picture of Swedish military endeavours, mostly setbacks, with great emphasis on the preservation of military honour is also discussed.

I uppsatsen undersöks hovbildhuggaren Johan Tobias Sergels teckningar av samtida föräldraskap från 1700-talets andra hälft – en dramatiskt föränderlig period i Sveriges och Europas historia, präglad av upplysningsfilosofins omvälvande framväxt. Flertalet teckningar skildrar Sergels egen familj, och kung Gustav III i relationen till sonen och tronarvingen Gustav (IV) Adolf. Genom bildanalyser med stöd i en semiotisk begreppsapparat, samt analys av Sergels samtid, utforskas teckningsmotivens betydelser och hur de kan förstås i den historiska kontexten. Undersökningen visar hur två tydligt definierbara teman återkommer i Sergels teckningar (ömhet, intimitet och fysisk interaktion och pedagogik och utbildning), och hur motiven kan förstås som uttryck för upplysningsfilosofiska idéer om föräldraskap och familjelycka. Särskilda bildelement kan tolkas som tecken för strömningens progressiva moder- och faderskapsideal, som uttryckts av bl.a. upplysningsfilosofen Jean-Jacques Rousseau i Émile ou de l’education (1762), och återkommer i läroboken Barnabok (1780), tillägnad den då tvåårige Gustav (IV) Adolf. Undersökningen visar också hur Sergels skildringar av den egna familjen och det kungliga faderskapet, kan betraktas som konstnärliga tolkningar av då rådande familjeförhållanden. Ett urval brev till och från Sergel, samt tidigare forskning, styrker bilden av att Sergel, hans sambo Anna Rella och kung Gustav III praktiserade föräldraskap i linje med centrala upplysningsfilosofiska värden.