Thesis (M.A.)--University of Hong Kong, 1989. / Also available in print.

余若曦. / "2001年8月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 204-221) / 附中英文摘要. / "2001 nian 8 yue" / Yu Ruoxi. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 204-221) / Fu Zhong Ying wen zhai yao. / 緒論 --- p.1-11 / Chapter 第一章´Ø --- 南宋初年遣金使者 / Chapter (一) --- 南宋初年之遣金聘制度 --- p.12-17 / Chapter (二) --- 南宋初年遣金使者 / Chapter (i) --- 仗節不屈 --- p.17-22 / Chapter (ii) --- 不辱君命 --- p.22-25 / Chapter (iii) --- 宋金和議之插曲 --- p.26-28 / Chapter (iv) --- 談判以成就和議 --- p.29-30 / Chapter (v) --- 孰忠？孰降？宇文虛中疑案 --- p.30-33 / Chapter (三) --- 南宋朝野對遣金使之看法 --- p.32-35 / Chapter (四) --- 小結 --- p.35-36 / Chapter 第二章´Ø --- 洪皓生平考 / Chapter (一) --- 經略四方志氣高 --- p.37-38 / Chapter (二) --- 雄辯縱橫爲使才 --- p.38-42 / Chapter (三) --- 先留冷山後徙燕 / Chapter (i) --- 洪皓與完顏希尹家族之關係 --- p.42-45 / Chapter (ii) --- 洪皓與南宋之關係 --- p.4547 / Chapter (iii) --- 洪皓與大金之關係 --- p.47-49 / Chapter (四) --- 仗節南還始返家 --- p.49-52 / Chapter (五) --- 受讒害而屢眨官 --- p.52-57 / Chapter (六) --- 忠義之聲貫萬世 --- p.57-60 / Chapter 第三章´Ø --- 《松漠紀聞》之硏究 / 版本 --- p.61-62 / Chapter (一) --- 金國女真源流 / Chapter (i) --- 女真簡史 --- p.62-67 / Chapter (ii) --- 金國始祖完顏函普事蹟 --- p.67-69 / Chapter (iii) --- 金世系簡介 --- p.69-71 / Chapter (二) --- 金滅遼之始末 / Chapter (i) --- 生女真反遼的原因 --- p.71-73 / Chapter (ii) --- 金滅遼之經 過 --- p.73-78 / Chapter (iii) --- 叛降不常 --- p.79-86 / Chapter (三) --- 金初宗室與宮廷鬥爭 / Chapter (i) --- 金太祖派系 --- p.86-91 / Chapter (ii) --- 金太宗派系 --- p.91-92 / Chapter (iii) --- 金熙宗之立 --- p.92-96 / Chapter (iv) --- 首次宮廷鬥爭之犧牲者一完顏宗翰 --- p.96-100 / Chapter (v) --- 第二次宮廷鬥爭之犧牲者一完顏宗磐、完顏宗雋及完顏昌 --- p.100-105 / Chapter (vi) --- 第三次宮廷鬥爭之犧牲者一完顏希尹 --- p.106-109 / Chapter (四) --- 女真風俗文化 / Chapter (i) --- 婚姻習俗 --- p.110-114 / Chapter (ii) --- 襲遼宋之俗 --- p.114-119 / Chapter (iii) --- 其他風俗 --- p.119-121 / Chapter (五) --- 金代女真刑法考 --- p.122-127 / Chapter (六) --- 金熙宗朝政制改革 / Chapter (i) --- 熙宗朝政治制度改革之內容 --- p.127-138 / Chapter (ii) --- 熙宗朝政治制度改革之漏弊 --- p.138-142 / Chapter (iii) --- 禮制改革 --- p.142-150 / Chapter (七) --- 金代科舉考 / Chapter (i) --- 科舉之程序與內容 --- p.150-156 / Chapter (ii) --- 進士及第者之仕途 --- p.156-159 / Chapter (八) --- 金統治下的諸族 / Chapter (i) --- 回鵲 --- p.159-165 / Chapter (ii) --- 嗢熱 --- p.165-168 / Chapter (iii) --- 渤海 --- p.168-175 / Chapter (iv) --- 黃頭女真 --- p.175-178 / Chapter (v) --- 盲骨子 --- p.178-181 / Chapter (九) --- 會寧歸程記 --- p.181-184 / Chapter (十) --- 小結 --- p.184-185 / 結論´Ø《松漠紀聞> 之時代意義 --- p.186-193 / 附表一 ´Ø建炎元年至紹興十二年(1127-1142)南宋遣金使者表 --- p.194-197 / 附表二 ´Ø《松漠紀聞》之史料性質 --- p.198-199 / 附圖一 ´Ø洪皓使金之路程 --- p.200 / 附圖二 ´Ø會寧歸程記(第一程至第二程) --- p.201 / 附圖三´Ø會寧歸程記(第三程至第四程) --- p.202 / 附圖四´Ø會寧歸程記(第五程) --- p.203 / 參考書目 --- p.204-221

none

Yes / Ancient Chinese herbal texts as far back as the 4th Century Zhou hou bei ji fang describe methods for the use of Qing Hao (Artemisia annua) for the treatment of intermittent fevers. Today, the A. annua constituent artemisinin is an important antimalarial drug and the herb itself is being grown and used locally for malaria treatment although this practice is controversial. Here we show that the ancient Chinese methods that involved either soaking, (followed by wringing) or pounding, (followed by squeezing) the fresh herb are more effective in producing artemisinin-rich extracts than the usual current method of preparing herbal teas from the dried herb. The concentrations of artemisinin in the extracts was up to 20-fold higher than that in a herbal tea prepared from the dried herb, but the amount of total artemisinin extracted by the Chinese methods was much less than that removed in the herbal tea. While both extracts exhibited potent in vitro activities against Plasmodium falciparum, only the pounded juice contained sufficient artemisinin to suppress parasitaemia in P. berghei infected mice. The implications of these results are discussed in the context of malaria treatment using A. annua infusions.

英冠球. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 93-94). / 附中英文摘要. / Ying Guanqiu. / Lun wen (zhe xue shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves 93-94). / Fu Zhong Ying wen zhai yao. / Chapter 第一章： --- 儒學與歷史之間 --- p.1 / Chapter 一、 --- 引言：中國傳統學術的一本性與中國傳統心靈對歷史的重視 --- p.1 / Chapter 二、 --- 先秦儒家對歷史的基本態度 --- p.7 / Chapter 三、 --- 哲學與歷史之間 --- p.14 / Chapter 四、 --- 本論文的目的與結構 --- p.20 / Chapter 第二章： --- 明道的歷史觀 --- p.23 / Chapter 一、 --- 引言：儒家歷史觀的特質 --- p.23 / Chapter 二、 --- 明道對唐虞三代之崇尚 --- p.30 / Chapter 三、 --- 明道論唐虞三代之微意及對漢唐之態度 --- p.36 / Chapter 四、 --- 稽古而不泥於古：總結「倒退論」與「復古論」解釋之不當 --- p.45 / Chapter 第三章： --- 明道的史學思想 --- p.50 / Chapter 一、 --- 爲何治史´ؤ´ؤ明道論史學活動的目的 --- p.50 / Chapter 二、 --- 何謂史學´ؤ´ؤ明道論史學活動的本質 --- p.59 / Chapter 第四章： --- 思入風雲變態中´ؤ´ؤ明道論人生實踐的歷史性 --- p.69 / Chapter 一、 --- 引言：本章問題之提出 --- p.69 / Chapter 二、 --- 「理一分殊」的睿識 --- p.71 / Chapter 三、 --- 明道論人生踐履的時代性與處境性：「識時」與「時中」 --- p.77 / Chapter 四、 --- 明道論「理一分殊」原則 --- p.83 / 參考書目 --- p.93

溫偉耀. / 稿本(電腦打印本) / Thesis (Ph. D.)--香港中文大學歷史學部, 1990. / Gao ben (dian nao da yin ben) / Includes bibliographical references (leaves 233-246). / Wen Weiyao. / Thesis (Ph. D.)--Xianggang Zhong wen da xue li shi xue bu, 1990. / 凡例 / Chapter 第一章 --- 序論：關於二程子的硏究 --- p.1 / Chapter 一. --- 民國以來二程子思想硏究的發展 --- p.3 / Chapter (甲) --- 中日戰爭以前的二程硏究 --- p.4 / Chapter (乙) --- 由抗戰至六零年代的二程硏究 --- p.8 / Chapter (丙) --- 牟宗三的《心體與性體》及其影響 --- p.11 / Chapter (丁) --- 八零年代二程研究的發展 --- p.16 / Chapter 二. --- 綜論二程硏究的問題及本論文的寫作立場 --- p.22 / Chapter 第二章 --- 程明道即「一本」言工夫之義理格局 --- p.32 / Chapter ´ؤ. --- 引言：「一本」之境界 --- p.32 / Chapter 二. --- 「一本」境界之内涵與義理格局 --- p.39 / Chapter (甲) --- 「一本」論作為一種圓頓的觀照境界 --- p.40 / Chapter (1) --- 通過「本體」統攝「存在」從把持本源的統攝意向破分別相的境界 --- p.40 / Chapter (2) --- 即「存在」即「本體」---絶對圓融之觀照境界 --- p.50 / Chapter (乙) --- 「一本」論作為一種極度簡單化的生命情調 --- p.61 / Chapter 三. --- 達至「一本」境界之工夫 --- p.72 / Chapter (甲) --- 體悟-境界的提昇、意識的轉化 --- p.74 / Chapter (乙) --- 漸悟漸修-「誠、敬、憤獨」的把持工夫 --- p.84 / Chapter 第三章 --- 程伊川之致知與涵養工夫 --- p.92 / Chapter ´ؤ. --- 引言-伊川工夫論之一般性格 --- p.92 / Chapter 二. --- 伊川格物窮理致知工夫之疑難 --- p.95 / Chapter (甲) --- 「格物窮理致知」的道德實踐意義 --- p.95 / Chapter (乙) --- 疏解伊川「格物、致知」工夫的偏差 --- p.100 / Chapter (1) --- 將伊川「格物窮理」工夫類比於近代西方的科學歸納法 --- p.101 / Chapter (2) --- 將朱熹的「格物致知」論套入伊川的理解之中 --- p.105 / Chapter (3) --- 伊川「格物致知」工夫的不同層次 --- p.112 / Chapter 三. --- 伊川「格物、致知」之現象學與存有論的詮釋 --- p.117 / Chapter (甲) --- 通過讀聖賢典籍去提昇自己的道德生命 --- p.117 / Chapter (1) --- 讀書與道德生命的提昇 --- p.119 / Chapter (2) --- 對聖賢典籍的再體驗 --- p.125 / Chapter (乙) --- 體察歴史人物經歷以把握為聖之道 --- p.129 / Chapter (1) --- 讀史與道德生命的提昇 --- p.130 / Chapter (2) --- 對歷史的具體解悟 --- p.136 / Chapter (丙) --- 居敬集義-透過待人接物的生活去提昇自己的道德生命 --- p.141 / Chapter (1) --- 待人之道與道德生命的提昇 --- p.146 / Chapter (2) --- 接物之道與道德生命的提昇 --- p.154 / Chapter (3) --- 「敬」作為涵養的工夫 --- p.173 / Chapter (丁) --- 觀天地萬物氣象而感應德性生命之義理 --- p.181 / Chapter (1) --- 觀物察己的本體學根據 --- p.182 / Chapter (2) --- 觀物察己的工夫 --- p.195 / Chapter (3) --- 再論「聞見之知」與「德性之知」 --- p.204 / Chapter 第四章 --- 視域與觀照：二程子工夫論之會通 --- p.209 / Chapter 一. --- 對二程同異的不同立場 --- p.210 / Chapter 二. --- 二程所鋪陳的成聖之道 --- p.215 / Chapter (甲) --- 從二程生平經歴看二人之學術關係 --- p.215 / Chapter (乙) --- 程伊川的轉向 --- p.219 / Chapter (1) --- 伊川貫通「未發」與「已發」的工夫見解 --- p.219 / Chapter (2) --- 視域與觀照：伊川的「修」與「悟」 --- p.227 / Chapter (丙) --- 修-悟-把持 --- p.230 / 參考資料選輯 --- p.233 / Chapter ´ؤ. --- 二程生平著作古籍原典 --- p.233 / Chapter 二. --- 民國以來直接論二程的著作（按寫作先後排列） --- p.234 / Chapter 三. --- 中文、日文參考書目 --- p.238 / Chapter 四. --- 外文參考書目 --- p.241

溫帶維. / 論文(博士)--香港中文大學, 1999. / 參考文獻 (p. 173-175) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Wen Daiwei. / Lun wen (bo shi)--Xianggang Zhong wen da xue, 1999. / Can kao wen xian (p. 173-175) / Zhong Ying wen zhai yao.

Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.

Les principales techniques de spatialisation sonores sont pour la plupart orientées vers la reproduction de sources ponctuelles, l’étendue reste un sujet peu exploré. Cette thèse défend l’idée que les sources étendues sont pourtant des objets expressifs pouvant significativement contribuer à la richesse des pratiques de spatialisation, notamment en musique. Nous décomposerons cette thèse en trois hypothèses. La première, auditive, postulera que les sources étendues sont pertinentes perceptivement. C’est-à-dire qu’elles offrent la possibilité de faire varier de nouveaux attributs sonores et que l’auditeur est sensible à ces variations. La seconde, analytique, proposera que la polarisation des techniques de spatialisation les plus courantes vers la source ponctuelle n’est qu’arbitraire et que d’autres modèles de sources peuvent être considérés. La troisième, opérationnelle, suggèrera qu’il est possible de créer des outils permettant aux compositeurs de manier et de s’approprier les sources étendues à des fins musicales.Pour valider ces hypothèses, nous formaliserons les propriétés auditives et musicales de ces sources puis nous proposerons des méthodes concrètes pour les analyser et les synthétiser. Ces travaux seront considérés dans le cadre de la bibliothèque HOA, un ensemble d’outils de spatialisation de bas niveau que nous avons spécialement fondé à des fins d’expérimentations. Nous décrirons les spécificités de cette bibliothèque. Nous verrons notamment comment son architecture et ses différents modules permettent d’ouvrir l’ambisonie à de nouvelles pratiques éloignées du concept de ponctualité. / Mainstream spatialization techniques are often oriented towards the reproduction of point sources; extension remains a relatively unexplored topic. This thesis advocates that extended sources are yet expressive objects that could contribute to the richness of spatialization practices, especially in the field of music. We’ll decompose this thesis in three hypotheses. A perceptive one, who postulates that extended sources are perceptually relevant, i.e., that they offer the possibility of varying new sound attributes and that the listener is sensitive to these variations. An analytical one, who proposes that the most common spatialization techniques focus to point sources is arbitrary and that other source’s models can be considered. And an operational one, who suggests that it’s possible to create tools for composers so they can handle and musicalize extended objects. To confirm these hypotheses, we’ll formalize the auditory and musical properties of extended sources and we’ll propose concrete methods for their analysis and synthesis. This work will be considered as part of the HOA library, a set of low-level spatialization tools we’ve founded for the purpose of experimentation. We’ll describe the specificities of this library and see how its architecture and its different modules allow the generalization of ambisonics to new practices away of punctuality.

Quan Ji-Hao is a Chinese contemporary composer who has created significant musical works of different genres. His work includes symphonies, chamber music, and piano pieces. His style combines Chinese ethnic music with Western composition techniques, with unique results. This thesis aims to give a pedagogical perspective by analyzing the musical and technical challenges of Quan Ji-Hao's piano suite Long and Short (1984), offering a practical practice method and introducing the fusion of Eastern and Western musical elements. This piece offers pianists an opportunity to explore diverse cultures and deepen musical understanding. Chapter 2 provides a brief biography of the composer, his music style, and the origin of the title of the piano suite Long and Short (1984). Chapter 3 offers a structural analysis of the suite to give an overall impression to the reader. Chapter 4 explains the musical challenges of contemporary harmonies in this suite, comparing them to similar ideas in works of Western composers and offering suggestions for teaching them. Chapter 5 analyses the technical challenges in the work as well as offering teaching suggestions. Chapter 6 includes practice methods to improve accuracy in performance and maintain a stable tempo.