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二程敎育思想之比較硏究 =: A comparative research on educational thoughts of Cheng Hao and Cheng Yi. / Comparative research on educational thoughts of Cheng Hao and Cheng Yi / Er Cheng jiao yu si xiang zhi bi jiao yan jiu =: A comparative research on educational thoughts of Cheng Hao and Cheng Yi.January 1988 (has links)
廖英慶. / 據手稿本影印. / Thesis (M.A.)--香港中文大學. / Ju shou gao ben ying yin. / Includes bibliographical references (leaves 145-149). / Liao Yingqing. / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 第一章 --- 緒論 --- p.4 / Chapter 第一節 --- 本文的研究動機和目的 --- p.6 / Chapter 第二節 --- 本文的研究方法及步驟 --- p.12 / Chapter 第三節 --- 本文的資料來源 --- p.18 / Chapter 第二章 --- 二程的思想背景 --- p.25 / Chapter 第一節 --- 二程思想的歷史背景 --- p.26 / Chapter 第二節 --- 二程思想的學術淵源 --- p.39 / Chapter 第三節 --- 二程的性格及道德取向的差異 --- p.44 / Chapter 第四節 --- 本章結語 --- p.48 / Chapter 第三章 --- 二程教育思想的哲學基礎 --- p.53 / Chapter 第一節 --- 明道的義理規模 --- p.53 / Chapter 一 --- 明道的本體論──道,一本也 --- p.53 / Chapter 二 --- 明道的工夫論──學者須先識仁 --- p.55 / Chapter 第二節 --- 伊川的義理規模 --- p.60 / Chapter 一 --- 伊川的本體論──心如穀種 --- p.60 / Chapter 二 --- 伊川的工夫論──涵養須用敬,進學則在致知 --- p.62 / Chapter 第三節 --- 明道和伊川哲學思想之異同 --- p.65 / Chapter 一 --- 關於天道、天理之體悟不同 --- p.65 / Chapter 二 --- 關於心、性、情之體悟不同 --- p.66 / Chapter 三 --- 關於實踐工夫之體悟不同 --- p.67 / Chapter 第四節 --- 本章結語 --- p.71 / Chapter 第四章 --- 二程教育思想之比較 --- p.74 / Chapter 第一節 --- 明道教育思想之體系 --- p.75 / Chapter 一 --- 明道的教育目的和效用 --- p.75 / Chapter 二 --- 明道的教育內容 --- p.80 / Chapter 三 --- 明道的教育方法 --- p.86 / Chapter 第二節 --- 伊川教育思想之體系 --- p.97 / Chapter 一 --- 伊川的教育目的和效用 --- p.97 / Chapter 二 --- 伊川的教育內容 --- p.101 / Chapter 三 --- 伊川的教育方法 --- p.106 / Chapter 第三節 --- 明道和伊川教育思想之異同 --- p.120 / Chapter 一 --- 教育的目的和效用方面 --- p.120 / Chapter 二 --- 教育的內容方面 --- p.121 / Chapter 三 --- 教育的方法方面 --- p.122 / Chapter 第四節 --- 本章結語 --- p.125 / Chapter 第五章 --- 二程教育思想的現代意義 --- p.135 / Chapter 第一節 --- 道德教育的重建 --- p.135 / Chapter 第二節 --- 知識系統的建立 --- p.138 / Chapter 第三節 --- 師道尊嚴之重整與師生關係之改善 --- p.140 / Chapter 第四節 --- 讀書方法的啟示 --- p.142 / 主要參考書目 --- p.145
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Made in China : -En kvalitativ studie om samhällskritiken i Peking-den hopfällbarastaden, Waste Tide och The Three-Body ProblemBergström, Theodor January 2022 (has links)
Uppsatsen analyserar tre kinesiska science fiction-böcker: Hao Jingfangs Peking-den hopfällbara staden (2012), Chen Qiufans Waste Tide (2013) och Liu Cixins The Three-Body Problem (2008). Syftet med studien är att undersöka vilken typ av samhällskritik som finns i verken. Uppsatsen syfte har besvarats genom att tolka verken utifrån en litteratursociologisk textanalys i kombination med begrepp från klassteori och narratologi. Resultatet visar attPeking-den hopfällbara staden och Waste Tide ger uttryck för kritik mot social ojämlikhet irelation till klassamhället. I Waste Tide finns även kritik mot miljöförstöring i relation till teknologisk framväxt. I The Three-Body Problem finns det en humanistisk kritik mot hur människor fick lida under kulturrevolutionen i Kina.
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戴震反程朱思想之研究胡健財, HU, JIAN-CAI Unknown Date (has links)
本論文之研究,旨在檢討戴震反對程朱思想的意義,以澄清戴震對程朱思想的誤解,
並評估戴震哲學的價值.參考文獻以戴震《原善》、《緒言》、《孟子私淑錄》、《
孟子字義疏證》以及《戴震文集》為主.(上述各項,係以里仁書局重新標校之《戴
震集》為底本)又後人之論述戴震思想及其反程朱之相關論著,亦儘量加以參考.研
究方法則就戴震批評程朱的三個層面:形上學、心性說、工夫論,分別處理.處理方
法是:首先說明戴震的批評意見,其次介紹戴震的思想,最後是對戴震的批評加以檢
討.
本論文全一冊,計十萬餘字,分六章十四節.第一章是緒論,說明本文的研動機、方
法與宗趣,並考察前人的研究意見,以及說明本文所依據的資料等.第二章介紹戴震
的思想淵源、哲學著作、治學精神,以及戴震與程朱的關係;其次,則是分析戴震反
程朱思想的背景,以作為本文的研究基礎.第三章說明戴震對程朱「理氣論」的批評
,介紹戴震「理存於氣」的主張,並檢討他反對程朱「理氣論」之得失.第四章說明
戴震對程朱「心性說」的批評,介紹戴震「血氣心知」的主張,並檢討他反對程朱「
心性說」之得失.第五章說明戴震對程朱「工夫論」的批評,介紹戴震的「工夫論」
,並檢討他反對桯朱「工夫論」之得失.第六章是結論,檢討戴震反程朱思想的意義
,以及評估戴震哲學的價值.
透過本論文之研究,可知戴震對程朱思想的批評,是出於誤解;但無可平認,程朱思
想有其嚴峻的一面,因而有過度抑制情欲的流弊;戴震哲學的價值即來自對情欲的肯
定,而其缺失,卻也因此而產生.
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南北朝民間樂府之研究金銀雅, JIN, YIN-YA Unknown Date (has links)
本論文約九萬字,根據宋郭茂倩所撰「樂府詩集」,選出南北朝樂府中採諸民問者五
百四十七首,而立要部分則分兩大方而進行討論。
一為外緣的研究:首章研究其產生、盛行之社會背,景凡分自然環境、政治因素、經
濟條件以及社會風尚。次章則從文學潮流著手,討論其與民間文學、音樂文學、文人
文學之關係。
二為內在研究:首章先探討其音樂性,凡分曲名、樂器與曲調、唱法、節奏與旋律之
美等。第二章論表現藝術,凡有意象之特、色修辭技巧,分別右以討論。第三章則以
其所表現的世界為主,分別研析南朝庶民的愛情觀、北朝庶民對戰爭的反省、南北朝
婦女的形象以及南北朝人民的生活狀態等。
結論則總結其特色,並論述其對後代的影響,肯定它在中國文學史上的價值。
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明儒郝敬(1558-1639)之儒學志業及其對清代經學之影響. / Confucian career of Hao Jing (1558-1639) and his influence on Qing dynasty classical learning / CUHK electronic theses & dissertations collection / Ming ru Hao Jing (1558-1639) zhi ru xue zhi ye ji qi dui Qing dai jing xue zhi ying xiang.January 2012 (has links)
本文旨在研究明儒郝敬之經學業績及其經學巨作《九經解》對清初經學之興起,對理學到經學的典範轉移所起的全面而決定性的影響。本文是從思想史角度研究郝敬經學之發生及其動力。 / 以掛冠歸家、閉戶解經為標誌,郝敬的生涯被劃分成了前後兩個完全不同的階段。前經學時期作為士大夫的郝敬,其志趣乃是為政與文人生活。在他完成解經後,我們可以看到他的種種轉變:由早年的喜好佛道而轉向對佛老的激烈批判,從而區別於晚明盛行的三教合一論者;與此一體的是他重整作為儒家禮教重心的喪、祭二禮;他由早年的仰慕李贄而轉向激烈批判李贄。這些都可視為批評異端的行為。而就儒學內部而言,他亦由早年的喜好理學而轉向對之作全面的系統性批評,批評其中所參雜的佛學。他的走向全面解經亦同時意味著對於朱子經學的全面性批判,他反對將《大學》、《中庸》從《禮記》中單獨抽出而與《論語》、《孟子》合為《四書》,欲以《九經》的架構取代朱子的理學建構下的《四書五經》的架構。郝敬所做的這一層層的破的工作,最後,是要回到孔子及其原典《論語》那裡。將這些選擇性行為合而觀之,可視為他對“純化儒學之追求,這點正是後來清學之追求所在。這些討論亦顯示經學這一知識樣態乃是儒學的整體性變化的一部分。 / 郝敬經解既區別于理學解經之追求“宗旨,亦區別于漢儒解經之重在訓詁,是要在宋儒解經與漢儒解經之外,建立另一新的解經系統。他批評後世儒者解經“專執典要,而強調“不可為典要,又強調“識、“辨,由此形成其作為群經辨偽之集大成之解經特色。這同時也帶來他的經解既富創辟,同時又有臆斷的特色。 / 郝敬經解極大影響了復社的陳子龍(1608-1647)、朱鶴齡(1606-1683)、朱朝瑛(1605-1670)、錢澄之(1612-1694)、陳啟源(?-1689)等。它對黃宗羲(1610-1695)、黃宗炎(1616-1686)兄弟由心學轉向經學起了決定性作用,黃氏甬上講經會正是讀郝敬經解。郝敬經學更影響黃宗羲的下一代人,如門人萬斯大(1633-1683)、萬斯同(1638-1702)兄弟以及與他們交遊的閻若璩(1636-1704)、姚際恒(1647-約1715)、毛奇齡(1623-1716)、胡渭(1633-1714)、朱彝尊(1629-1709)這一活躍在京師北京的清初經學最重要的文人圈。萬斯大評價郝敬 “窮經者盡宗之,一語道出了郝敬經學在當時的“宗師位置。而被清儒視為清代經學開山者的閻若璩、胡渭之立說乃直接出自郝敬。從郝敬的經學到清初的經學辨偽,可以看到清學是從晚明內部自然產生出來的,郝敬對於清學的發生所起的作用比顧炎武(1613-1682)、黃宗羲、閻若璩、胡渭等更直接、更早,也更全方位。 / 在清初,《康熙字典》、御撰各經的傳說,以及其他種種御制、欽定著作都大量引用郝敬之說。清初私塾課本對於各經的解釋都收有郝敬的東西,可以看出郝敬對於清代從國家、士人到民間私塾各個層面的全面影響。由郝敬對於晚明、清初經學的全方位影響,直至持續影響到雍正以至乾隆初年近百年這些眾多的材料證明:由於郝敬《九經解》的出現,清人所謂明人無學無經學之說可休矣。郝敬以一人之偉力,以其《九經解》全面開啟了清代經學。 / 郝敬既全面批評朱子,又激烈批評鄭玄關於《三禮》的訓詁,尤其是其攻鄭玄,終於使得郝敬之經著雖然影響了各個層面的學問,而受其影響者的著作反被大量收入於《四庫》,其中有的亦被視為清學之開山,而郝敬的經學著作卻沒有一本收錄於《四庫》,都只在存目,趨於湮沒。郝敬經學在後世湮沒的另一個原因則是乾嘉家法,即新的學術典範的出現以及愈來愈嚴厲化的典範展現。 / This thesis studies the comprehensive influence of the Ming Dynasty Confucian Hao Jing's study of the Confucian classics and his great work Jiujing jie (Interpretation of Nine Classics) on the characteristics of early Qing study of Confucian classics, which reveals a paradigmatic shift from the learning of Neo-Confucianism prevailing in the Ming. / It begins with a detailed study of Hao Jing’s career as a Confucian scholar-official. Hao Jing's career is divided into two rather different stages, marked by his resigning office and returning home for study of the Confucian classics. In the earlier stage, he was a scholar-official, devoted to governmental affairs but also living parts of a life of a man of letters. He changed in many aspects after he completed his work on re-interpreting the Confucian classics. One notable change is his strong criticism of Buddhism and Daoism, thus delineating himself from the advocacy of the syncretism of “three religions of Confucianism , Daoism and Buddhism that prevailed in the late Ming Dynasty. As a result , he proposed restructured funeral and sacrifice etiquettes that were the center of Confucian rituals. He gave up his admiration for Li Zhi, the late Ming critic of traditional values and conformities, but criticized him sharply. As for the study of Confucianism , Hao Jing no longer loved Neo-Confucianism as he did in his early years. Relatedly, he launched systematic criticism of Buddhist elements in Neo-Confucianism. His total involvement in re-interpreting the Confucian classics also meant his all out criticism of Zhu Xi’s Neo-Confucianism. He was against the separation of the Daxue (The Great Learning) and the Zhongyong (The Doctrine of the Mean) from the Liji (Book of Rites) and their subsequent merge with The Confucian Analects and The Mencius to form the Sishu (The Four Books). He proposed to replace the structure of Sishu wujing (The Four Books and Five Classics) under the Neo-Confucian framework established by Zhu Xi by a structure of Jiujing (Nine Classics). The originality of Hao Jing can be traced to the personality of Confucius and his words in The Confucian Analects. Hao Jing’s words and deeds can be considered as reflections of his pursuit of “purified Confucianism, which was what mainstream Qing Confucian scholarship was seeking for. Hao’s classical discourses reveal a solid part of the overal changes in Confucianism of Ming and Qing times. / Different from Neo-Confucian pursuits of doctrinal “tenets (zongzhi)and Han Confucian exegesis that highlights annotation of words in ancient books, Hao’s interpretations of the Confucian classics were intended to establish a new system of classics exegesis. While criticizing later Confucians for “insisting on fixed standards in interpreting the classics, he stressed that Confucians should be capable of “understanding the truth of the classics and “distinguishing the falsification of classical texts. He is a master of that. But that also led to his novel but arbitrary interpretations of the classics. / Hao Jing's classical exegesis exerted tremendous influence on many members of the Fu Society (a noted literary society in late Ming Dynasty), such as Chen Zilong(16081647), Zhu Heling(1606-1683), Zhu Chaoying(16051670), Qian Chengzhi(1612-1694) , and Chen Qiyuan (?-1689). He also had huge impact on Huang Zongxi(1610-1695)and his brother Huang Zongyan(1616-1686)in their deemphasizing the philosophy of the mind and advocacy of studying the Confucian classics. Huang often read Hao's exegesis at gatherings of reading classics(jiangjinghui) in Yongshang. He even influenced Huang Zongxi’s disciples, like Wan Sida(1633-1683) and his brother Wan Sitong(1638-1702) as well as their friends like Yan Ruoju(1636-1704), Yao Jiheng (1647- about 1715) , Hu Wei(1633-1714)and Zhu Yizun(1629-1709), who were active in scholarly circles with interests in classical studying in Beijing in the early Qing Dynasty. Wan Sida commented Hao this way: " Those who endeavor to delve into the classics all revere him as a master". The scholarly achievements of Yan Ruoju and Hu Wei, founder of classical studies of the Qing Dynasty, also owed much to the works of Hao. This then points to the origins of early Qing approach to classical scholarship in the late Ming. In the Ming-Qing transition, Hao played a role that contributed more directly and comprehensively than that of Gu Yanwu(1613-1682),Huang Zongxi, Yan Ruoju and Hu Wei. / In the early Qing, the imperially-sponsored Kangxi Dictionary, the classical commentaries the Kangxi emperor authored, and many other works attributed to the emperors or sanctioned by them, quoted liberally from Hao's works and cited a multitude of his views and points.Hao’s interpretations on the classics were even included in the textbooks of private schools. Hao's widespread influence ranged from the state level to the general public. His influence on classical study continued until the reign of Yongzheng and early period of Qianlong. Because of the impact of Hao’s scholarship for nearly 100 years, we have strong evidence to consider the Qing Dynasty criticism that "Ming Dynasty lacked classical scholarship groundless. Hao's Interpretation on the Nine Classics, which ushered in Qing style classical study, bore relevance to classical scholarship from the Tianqi and Chongzhen periods of the Ming to the Qianlong period of the Qing a century-long period. / The ebbs of Hao Jing’s influence was due to a paradigmatic change in the heydays of the Qianlong-Jiaqing periodlate 18th century to early 19th century. Hao Jing criticized Zhu Zi roundly, and attacked Zheng Xuan's exegesis of the Three Rites violently.Thus he offended the ideological orthodoxy and the scholarly orthodoxy. As a result, many of his works were excluded from copying into the Siku Quanshu (Complete Library of the Four Branches of Chinese Works). They were only catalogued with abstracts critical of their contents. Eventually they were forgotten by later generations. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 謝茂松. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 464-488) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Xie Maosong. / Chapter 第一章 --- 郝敬經學與明清學術轉型之重釋 --- p.5 / Chapter 第一節 --- 引言 --- p.5 / Chapter 第二節 --- 明清學術轉型研究 --- p.10 / Chapter 一 --- 梁啟超:清學為對宋明理學之反動 --- p.10 / Chapter 二 --- 錢穆:晚明從“個別經驗轉向“共同經驗 --- p.12 / Chapter 三 --- 馬克思主義史學:清代考證學開山的認定 --- p.17 / Chapter (一) --- 侯外廬:考證學的開山 --- p.17 / Chapter (二) --- 嵇文甫:晚明心學與古學 --- p.19 / Chapter 四 --- 近期研究進路 --- p.22 / Chapter (一) --- 余英時:內在理路說 --- p.22 / Chapter (二) --- 林慶彰:回歸原典與群經辨偽 --- p.24 / Chapter (三) --- 龔鵬程:晚明的復古·經學·博雅傳統 --- p.25 / Chapter (四) --- 艾爾曼、包弼德:累積式研究方法 --- p.27 / Chapter (五) --- 周啟榮、張壽安、伊東貴之:儒家禮教主義的興起 --- p.28 / Chapter (六) --- 王汎森:講經會與清學發生 --- p.34 / Chapter 五 --- 以郝敬為視點梳理明清學術轉型研究 --- p.38 / Chapter 六 --- 小結 --- p.44 / Chapter 第三節 --- 郝敬研究回顧 --- p.47 / Chapter 一 --- 郝敬經學研究 --- p.47 / Chapter (一) --- 郝敬《尚書》學研究 --- p.47 / Chapter (二) --- 郝敬著作考與郝敬《詩經》學研究 --- p.51 / Chapter (三) --- 郝敬《四書》學研究 --- p.52 / Chapter 二 --- 郝敬哲學研究 --- p.54 / Chapter 第四節 --- 郝敬經學:事實、影響與遺忘 --- p.57 / Chapter 第二章 --- 前經學時期郝敬的治政表現與經世關懷 --- p.60 / Chapter 第一節 --- 地方治政表現 --- p.61 / Chapter 一 --- 初仕嚴急與庭無滯事:縉雲與永嘉 --- p.62 / Chapter 二 --- “聖諭俗講:江陰 --- p.64 / Chapter 第二節 --- 朝政經世關懷:錢法、屯守、罷兵 --- p.82 / Chapter 一 --- 軍餉、錢法、屯田 --- p.85 / Chapter (一) --- 軍餉:挪移額稅 --- p.85 / Chapter (二) --- 錢法:《請行錢法疏》 --- p.88 / Chapter (三) --- 屯田 --- p.95 / Chapter 二 --- 屯守遼東:兼論《天山評》 --- p.101 / Chapter 三 --- 罷朝鮮兵與彈劾輔臣 --- p.110 / Chapter 四 --- 采珠、開礦、開店、增稅、籍沒家財 --- p.114 / Chapter 小結 --- p.115 / Chapter 第三章 --- 前經學時期郝敬的文人生活 --- p.119 / Chapter 第一節 --- 父師影響 --- p.119 / Chapter 一 --- 達士:父郝承健 --- p.119 / Chapter 二 --- 文苑領袖:師李維楨 --- p.131 / Chapter 第二節 --- 詩文、書畫、酒、游山、玄談 --- p.138 / Chapter 一 --- 寡交遊:初仕縉雲 --- p.138 / Chapter 二 --- 廣交遊:繼仕永嘉 --- p.139 / Chapter (一) --- 文人、山人、僧道 --- p.139 / Chapter (二) --- 鮑觀白:性命之學 --- p.147 / Chapter (三) --- 袁宏道:縣令生活的比較 --- p.149 / Chapter 第三節 --- 年輕官員的集會:京師生涯 --- p.150 / Chapter 第四節 --- 學作畫:江陰生活 --- p.169 / Chapter 第五節 --- 致仕生活:修園、作畫、好佛 --- p.172 / Chapter 一 --- 作畫、搜集青銅器 --- p.172 / Chapter 二 --- 拓展康樂園與禮佛 --- p.174 / Chapter 三 --- 萬曆皇帝:無盡的感念 --- p.176 / Chapter 第四章 --- 純化儒學的追求(一):佛老與李贄批判 --- p.177 / Chapter 第一節 --- 嚴儒、佛、道之辨 --- p.177 / Chapter 第二節 --- 重視儒禮與重新制禮 --- p.195 / Chapter 第三節 --- 李贄批判 --- p.207 / Chapter 一 --- 文本批判:郝敬《閑邪記》與李贄《藏書》 --- p.207 / Chapter (一) --- “狂狷論 --- p.211 / Chapter (二) --- “真聖人與“假道學 --- p.222 / Chapter (三) --- “奉佛法為陰符 --- p.226 / Chapter 二 --- 李贄批判的比較 --- p.233 / Chapter 第五章 --- 純化儒學的追求(二):全面批判理學與閉戶解經 --- p.238 / Chapter 第一節 --- 沉潛:閉戶解經 --- p.238 / Chapter 一 --- 念茲在茲:閉戶明經 --- p.238 / Chapter 二 --- 初涉經學:在永嘉 --- p.239 / Chapter 三 --- 閉戶注經:內在動力 --- p.242 / Chapter 四 --- 送《九經解》 --- p.246 / Chapter 五 --- 聲譽鵲起:《九經解》之刊刻 --- p.247 / Chapter 第二節 --- 說“不:對士人生活的反省與行為選擇 --- p.251 / Chapter 一 --- 不交官府 --- p.251 / Chapter 二 --- 不講學 --- p.255 / Chapter 三 --- 不作序、點主、墓銘 --- p.256 / Chapter 四 --- 庸常修身 --- p.260 / Chapter 第三節 --- 從佛老、理學到經學的轉變:《知言》與《時習新知》之比較 --- p.262 / Chapter 一 --- 《知言》與《時習新知》之異同 --- p.265 / Chapter 二 --- 《時習新知》的思想脈絡 --- p.269 / Chapter (一) --- 理學概念:轉換與超越 --- p.269 / Chapter (二) --- 理學批評 --- p.278 / Chapter (三) --- 辟佛道 --- p.291 / Chapter (四) --- 學惟《論語》為正宗 --- p.294 / Chapter (五) --- 時習新知 --- p.296 / Chapter (六) --- 古今學行與經解評議 --- p.297 / Chapter 第四節 --- 朱子與鄭玄經學的批評 --- p.300 / Chapter 一 --- 理學:對朱子經學的全面批評 p300 / Chapter 二 --- 訓詁:對鄭玄經注的批評 --- p.304 / Chapter 第五節 --- “溫柔敦厚:對道學政治文化的批判 --- p.308 / Chapter 一 --- 孔孟之道 --- p.309 / Chapter 二 --- 美刺與是非:《詩》與《春秋》 --- p.312 / Chapter 三 --- 《易》道用剛? --- p.317 / Chapter 四 --- 批評與調整:“溫柔敦厚 --- p.318 / Chapter 小結 --- p.324 / Chapter 第六章 --- 郝敬經解之要義 --- p.326 / Chapter 第一節 --- 《九經解》:順序與意義系統 --- p.326 / Chapter 第二節 --- 經解要義及其創辟 --- p.329 / Chapter 一 --- 《周易正解》:由《十翼》言象而“象意雙顯 --- p.329 / Chapter 二 --- 《尚書辨解》:辨《古文尚書》為偽 --- p.335 / Chapter (一) --- 《書序》非孔子作 --- p.336 / Chapter (二) --- 以古今文辭風格辨《古文尚書》之偽 --- p.336 / Chapter (三) --- 讀《書》首當考世代 --- p.339 / Chapter (四) --- 周公不殺管、蔡二叔 --- p.340 / Chapter (五) --- 以後世之徵引而證《古文尚書》為偽 --- p.342 / Chapter 三 --- 《毛詩原解》:詩序·詩志·美刺 --- p.343 / Chapter (一) --- 尊《詩序》 --- p.343 / Chapter (二) --- “辭與“志之間以及辟“淫奔說 --- p.345 / Chapter (三) --- 《詩》為萬世法戒 --- p.351 / Chapter (四) --- 風人 --- p.352 / Chapter (五) --- 風雅頌皆有正變 --- p.353 / Chapter (六) --- 詩者,聲音之道 --- p.354 / Chapter 四 --- 《春秋直解》:直其事而是非自見 --- p.354 / Chapter (一) --- 《左傳》非左丘明作 --- p.355 / Chapter (二) --- 批《春秋》三傳、宋胡安國《春秋》解 --- p.357 / Chapter (三) --- 《春秋》無凡例、無深刻隱語 --- p.358 / Chapter (四) --- 《春秋》直道而行,不以文字為褒貶 --- p.360 / Chapter (五) --- 《春秋》未嘗可五霸,未嘗貴盟會,未嘗與齊、魯 --- p.362 / Chapter (六) --- 未嘗黜秦、楚、吳、越為夷狄 --- p.364 / Chapter 五 --- 三禮 --- p.365 / Chapter (一) --- 《禮記通解》:會通禮家雜而多端之言 --- p.366 / Chapter (二) --- 《儀禮節解》 --- p.373 / Chapter (三) --- 《周禮完解》 --- p.377 / Chapter 六 --- 《論語詳解》與《孟子說解》 --- p.388 / Chapter (一) --- 《論語詳解》 --- p.388 / Chapter (二) --- 《孟子說解》 --- p.391 / Chapter 第三節 --- 郝敬經學特色 --- p.396 / Chapter 一 --- 解經“不可為典要 --- p.396 / Chapter 二 --- 集群經辨偽之大成:創辟與臆斷 --- p.399 / Chapter 第七章 --- 郝敬經學的影響 --- p.401 / Chapter 第一節 --- 同時代經學類型比較:以《大泌山房集》所見為例 --- p.401 / Chapter 一 --- 朱子經學系統 --- p.404 / Chapter 二 --- 北宋之經解 --- p.405 / Chapter 三 --- 從回向漢代到回向孔子 --- p.406 / Chapter 四 --- 與郝敬屬同類型的經解 --- p.407 / Chapter 第二節 --- 郝敬經學的後世影響 --- p.411 / Chapter 一 --- 郝敬經學在晚明的流傳與接受 --- p.411 / Chapter 二 --- 孔廟從祀議案的提出 --- p.416 / Chapter 三 --- 郝敬經學在清初的全面性影響 --- p.418 / Chapter 四 --- 主流派的曖昧:四庫館臣與新典範 --- p.428 / Chapter 五 --- 少數派的重視:章學誠與焦循之例 --- p.430 / Chapter 六 --- 郝敬經學在晚清民國的影響 --- p.431 / 小結 --- p.432 / Chapter 結論 --- p.433 / Chapter 附錄一 --- 郝敬的《請錢法疏》與顧炎武的貨幣主張之比較 --- p.449 / Chapter 附錄二 --- 前明知縣章聚奎詳請給事中郝敬從祀廟庭稿 --- p.458 / Chapter 參考文獻 --- p.464
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Playing cards with Cézanne : how the contemporary artists of China copy and recreateTan, Chang, 1978- 15 October 2012 (has links)
My dissertation investigates the concepts and techniques of “copying” and appropriation in contemporary Chinese art, which, despite its phenomenal growth, has seldom been credited as original. Critics either condemn the Chinese artists’ willingness to appropriate from others as a lack of individuality, or declare it as a peculiarly “Chinese” quality. This paper, instead, argues that the Chinese artists deliberately adopt such “copying” as a visual strategy, in order to reexamine the traditions they “borrowed”, to reflect on their own cultural status in the modern world, and to challenge the conventional concept of originality--namely, to show that originality is not created by irreducible individuality or mystified inspiration, but by the author’s choice as well as manipulation of contexts. This strategy, I argue, is essential to the proper evaluation and interpretation of contemporary Chinese artworks. The first two chapters of my dissertation focus on laying out the context from which this art grows. I review how the ideas, styles and institutional structures of western modern art were imitated, questioned and redefined by the Chinese artists, from 1978 to the present; I then examine the conceptual complexity of originality and “copying” in the theories of modernism, postmodernism, postcolonialism and in traditional Chinese art. The next two chapters focus on, respectively, calligraphy and photography in contemporary Chinese art, both of which contain the paradox between originality and “copying” in their very nature. The works of four artists, Xu Bing, Qiu Zhijie, Hong Hao and Zhao Bandi, are discussed in details. Xu's site-specific reproduction of “pseudo characters” manage to engage its targeted audiences, psychologically and physically; Qiu's obsessive yet futile copying of a canon of calligraphy returns the act of writing to its essence--a physical pursuit of one's spiritual state of being; Hong's photographic emulation of an ancient masterpiece suggests that painting may excel photography in its ability to portray a grand cityscape; Zhao’s simulacrum of pop culture paradigms enables him to evade political censorship, and to have an substantial yet ironic impact in a broader public sphere. Each of these works has made a unique contribution to the redefinition of artistic originality. / text
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Born of the North Wind: Northern Chinese Poetry and the Eurasian Steppes, 1206–1260January 2020 (has links)
abstract: Based on literary works produced by the multiethnic literati of the Jin dynasty (1115–1234), this dissertation examines Chinese conceptions of the Steppe world in the early years of the Mongol era (1206–1260). As I show, late Jin literati, who took arduous journeys in the Eurasian Steppes, initiated transcultural communications between the Chinese and Steppe worlds. Their writings encouraged more Chinese literati to reach out to the Mongols and hence facilitated the spread of the ideal Confucian-style governance to the Mongol empire. In general, I follow the approach of New Historicism in analyzing poetic works. Even though the Mongol conquest of China damaged many northern literary texts, materials surviving from the thirteenth century still feature a great diversity. I brought historical records and inscriptions on stela to study the social conditions under which these literary works were produced. This dissertation aims to contribute a new voice to the ongoing effort to modify the traditional linear understanding of the development of Chinese literary tradition. / Dissertation/Thesis / Doctoral Dissertation East Asian Languages and Civilizations 2020
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La traduction et la réception de Stendhal en Chine (1922-2013) / On the translation and reception of Stendhal in China (1922-2013)Kong, Qian 25 November 2014 (has links)
L’étude ici présentée porte sur l’histoire de la traduction et de la réception de Stendhal en Chine depuis les années 1920. Il s’agit de mettre en relief, par une approche comparatiste, les images nuancées du romancier et les caractéristiques de la réception de ses œuvres dans les différentes époques. En effet, les études sur Stendhal en Chine sont étroitement liées au contexte social et politique de la société chinoise. Le Rouge et le Noir, roman étranger qui connaît le plus de traductions chinoises, est considéré tantôt comme un chef-D’œuvre de la littérature réaliste, tantôt comme une « herbe vénéneuse » contre le Parti communiste. La réception de Stendhal en Chine reflète, dans une certaine mesure, celle de toute la littérature occidentale. Nous avons essayé de mettre en évidence les facteurs essentiels à la réception de Stendhal en Chine et les transformations des œuvres du romancier face à l’épreuve d’une culture et d’une société étrangères. / The study hereby presented tackles the history of the translation and reception of Stendhal in China since the 1920s. The aim is to point out, by the comparative approach, different images of the novelist and features of reception of Stendhal’s works in China during different periods. The study of Stendhal in China is closely associated with social and political contexts of China’s society. The Red and the Black, the most translated foreign novel in China, is sometimes considered as a masterpiece of realist literature, sometimes as a poisonous weed against the Communist Party. The reception of Stendhal in China reflects the whole history of reception of western literature to some degree. We have tried to reveal the essential factors for the reception of Stendhal in China and the transformation of his literary works during this experience in the foreign culture and society.
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二程弟子研究楊玉成, YANG, YU-CHENG Unknown Date (has links)
凡一冊,約二十萬字,分上下編。上編分二章,不分節,下編分三章十一節。主要內
容包括:上編,一為弟子述略,計百餘人。一為大事繫年,起北宋天聖九年,迄南宋
紹興二十三年,凡一二二年。下編思想研究,包括二主題:涵養與察識、窮理說、心
性論。資料來源除各家文集語錄外,復廣蒐散佚,稍為補亡。人物則以呂大臨、楊時
、謝良佐、胡安國為主,而兼及其餘。論述方式著重發展及比較,於各家思想必考明
其源流,參校其異同,以凸顯各家思想之特質,及思想史演進之過程,庶幾明瞭宋室
南渡前後,洛學發展之軌轍及概況。
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The Electric Era: Science Fiction Literature in ChinaReynolds, Hannah C. January 2019 (has links)
No description available.
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