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Tonalitet och harmonisk artikulation i Claude Debussys verk : om reception, harmonikteori och analys /Derkert, Jacob. January 1998 (has links)
Akademisk avhandling--filosofie--Stockholms Universitet, 1998. / Résumé en anglais. Bibliogr. p. 324-339.
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Tonale Dynamik : Theorie, musikalische Praxis und Vortragslehre seit 1800 /Thiemel, Matthias. January 1996 (has links)
Diss.--Freiburg im Breisgau--Albert-Ludwigs-Univ., 1994. / Bibliogr. p. 203-214.
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Épistémologie du concept d'harmonie dans les recherches scientifiques de KeplerRiverin, Céline January 2007 (has links)
Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal
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The formation and structural use of vertical constructs in selected serial compositionsFiore, Mary Emma, January 1963 (has links)
Thesis--Indiana University. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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The formation and structural use of vertical constructs in selected serial compositionsFiore, Mary Emma, January 1963 (has links)
Thesis--Indiana University. / Vita. Includes bibliographical references.
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A Case Study Evaluating the Performance of the NWP model HARMONIE in Simulating Convective Snowbands / Snökanoner över Östersjön och Bottniska Viken: En fallstudie över hur väl HARMONIE simulerar extrem nederbördJungefeldt, Louise January 2020 (has links)
Convective snow bands forming over the Baltic Sea can result in heavy precipitation along the Swedish east coast. Forecasting these events well is of great importance to prevent road traffic injuries, increased pressure at hospitals and cancelled bus traffic. This thesis project aims to evaluate the performance of the high-resolution non-hydrostatic convection permitting model HIRLAM ALADIN Reasearch on Mesoscale Operational NWP In Euromed (HARMONIE) in simulating convective snow bands. Its horizontal respresentation of precipitation rates, area, placement and timing was examined in a case study of two events. The case of 2007 during the 12-14th of November, formed over the Gulf of Finland and resulted in Nynäshamn receiving ≥ 55 mm precipitation during the 37 hours long event. Areas south of this precipitation maxima also recieved heavy precipitation. The second case, 21-23rd of March 2008, formed over the Gulf of Bothnia during north-easterly winds and resulted in a total precipitation of 10 mm at Gävle. The precipitation maxima was observed offshore, north of Gävle, with ≥ 16 mm precipiation in 34 hours. Convective snow bands were also observed over Vänern and Vättern in both cases. HARMONIE simulated convective snow bands well in terms of intensity, timing, placement and area, in both cases, compared to datasets from radar, radar with merged gauge data and separate observational data from weather stations. Areas south of the local maxima at Nynäshamn in the case of 2007 were however overestimated by a total of 10-15 mm, most likely due to a simulated shift in wind direction during some of the most intense hours. In the case of 2008 the model also captured weak convective snow bands at Vänern and Vättern accurately in terms of precipitation area, timing and accumulated precipitation. Further case studies of snow bands are however necessary to obtain a more comprehensive view of the performance of HARMONIE.
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Polemos est père de toutes choses : l'harmonie des contraires chez HéracliteDesharnais, Frédérique January 2006 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Contribution à l'étude des sociétés instrumentales populaires de Maine-et-Loire sous la Troisième République (1870-1914) : angers, Cholet, Saumur. / Contribution to the study of the popular instrumental societies of Maine-et-Loire under the Third Republic (1870-1914) : angers, Cholet, Saumur.Cambon, Jérôme 03 July 2009 (has links)
Cette étude sur les sociétés instrumentales d'Angers, Cholet et Saumur, participe à un vaste programme de valorisation des expressions musicales populaires du dernier tiers de XIXe siècle. Par leur nombre et leur dynamisme, les sociétés de Maine-et-Loire concourent activement à la diffusion de la pratique amateur sous la Troisième République. Il nous a paru nécessaire de situer les sociétés urbaines dans leur environnement général. Le Maine-et-Loire dispose en effet d'atouts indéniables pour s'affirmer comme un haut lieu de l'expression orphéonique. Notre réflexion se poursuit ensuite par une présentation historique et sociologique des principales sociétés instrumentales d'Anggers, Cholet et Saumur. Ces sociétés doivent en particulier leur incroyable vitalité à un engagement républicain. Un examen des pratiques et des répertoires musicaux complète l'ensemble. / This study on the instrumental societies of Angers, Cholet and Saumur, is part of a vast program of valuation of the popular musical expressions of the last third of the 19th century. By their number and their dynamism, the societies of Maine-et-Loire contribute actively to the spreading of the amateur practice under the Third Republic. It seemed necessary to place the urban societies in their general environment. Maine-et-Loire has undeniable assets to assert itself as the centre of the "orphéonique" expression. Our reflection continues then by a historical and sociological presentation of the main instrumental societies of Angers, Cholet and Saumur. These societies owe in particular their incredible vitality to a republican commitment. A study of the musical practises and repertoire complete the whole.
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The origins of Debussy's style /Clevenger, John Robert, January 2002 (has links)
Diss.--Philosophie--Rochester, N.Y., 2002. / Bibliogr. p. 1317-1331.
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L'harmonie selon Lamartine : utopie d'un lieu commun /Loiseleur, Aurélie, January 2005 (has links)
Texte remanié de: Th. doct.--Litt. et civilisation française--Paris 4, 2003. Titre de soutenance : L'harmonie selon Lamartine, dans sa poésie épique et lyrique (1820-1869) : utopie d'un lieu commun. / Bibliogr. p. 719-735. Index.
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