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Thesis (Ph. D.)--Miami University, 2005. / Includes bibliographical references (leaves 284-289).

區凱琳. / "2004年6月". / 論文(藝術碩士)--香港中文大學, 2004. / 參考文獻 (leaves 56). / 附中英文摘要. / "2004 nian 6 yue". / Ou Kailin. / Lun wen (yi shu shuo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (leaves 56). / Fu Zhong Ying wen zhai yao. / Chapter 一 --- 本事 --- p.1 / Chapter 1.1 --- 相刃相靡與肉身備忘錄 / Chapter 1.2 --- 藝術創作與藝術論述 / Chapter 二 --- 個人的座標 --- p.9 / Chapter 2.1 --- 藝術創作與日常生活 / Chapter 2.2 --- 個體痕跡與自身技術 / Chapter 2.3 --- 詮釋以外的寧靜 / Chapter 三 --- 手藝的故事 --- p.23 / Chapter 3.1 --- 非如此不可 / Chapter 3.2 --- 同是手藝人 / Chapter 3.3 --- 手藝的充盈 / Chapter 3.4 --- 時間與知識 / Chapter 3.5 --- 自身的書寫 / Chapter 四 --- 桎梏與逍遙(結論） --- p.51 / 參考書目 --- p.56 / 圖片來源 --- p.57

Thesis (M.A.)--University of Wisconsin, 1973. / Title from title screen (viewed Nov. 15, 2007). Includes bibliographical references (leaves 151-155). Online version of the print original.

Thesis (M.A.)--Ohio University, August, 2008. / Title from PDF t.p. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin, 1973. / Includes bibliographical references (leaves 151-155).

Exegesis (MA--Art and Design) -- AUT University, 2008. / Includes bibliographical references. Also held in print (111 leaves : col. ill. ; 22 x 30 cm.) in the Archive at the City Campus (T 746.92 WAL)

xiv, 98 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / The Mantaro Valley of Peru is known for its distinctive Andean villages whose residents specialize in a traditional craft that defines the community's identity: gourd carvers call Cochas Grande home; tapestry weavers reside in Hualhuas; and silversmiths forge traditional designs in San Jeronimo. As tourism to the region develops, travelers purchase these handicrafts as souvenirs to represent and remember a visit to Peru. John Urry suggests that tourists "gaze" on locals, causing them to reconstruct themselves in terms of the tourists' ideas of authenticity. Based on my fieldwork in the Mantaro Valley, I complicate Urry's argument by presenting a multifaceted approach analyzing the complex ways in which these women communicate their individual, familial, regional and national identities through the objects they create. I incorporate visual rhetoric and material behavior theories to suggest alternative ways-of-looking within tourism interactions that consider the relationships between the craftswomen, intermediaries and tourists. / Committee in Charge: Dr. Lisa Gilman, Folklore; Dr. Julianne Newton, Journalism and Communication; Dr. Carol Silverman, Anthropology

O trabalho apresenta uma reflexão acerca da aproximação entre o design e o artesanato. Para abordar esse contato, a pesquisa tem como objeto de estudo o encontro das bordadeiras de Passira (PE) com a moda nacional. O estudo expõe como esses dois campos se relacionaram e as repercussões dessa interação no trabalho das artesãs. Desse modo, analisa como os processos criativos e produtivos dialogam, além de compreender o que é gerado por meio dessa ligação. / This work presents a reflection about the approach between design and handicraft. To broach this relation, the research aims to study the encounter of Passira (PE) embroiders with brazilian fashion. The study exposes how these two fields are related and the repercussions of this interaction in the artisans work. Thus, analyzes how the creative and productive processes dialogue, besides understanding what is generated through that connection.

Thesis (Ph. D.)--York University, 2001. Graduate Programme in Environmental Studies. / Typescript. Includes bibliographical references (leaves 222-229). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ66359.