This thesis article analyzes Rodolfo Teófilo's novel "A fome" through the lens of ecofeminism, exploring the representations of gender and nature in Brazilian literature. The novel, set during a devastating drought in the Northeast, follows Manuel de Freitas and his family as they seek relief in Ceará. While existing criticism has focused on the novel's use of nature and masculinity, the portrayal of female characters and the connection between gender and nature representations have been overlooked. Ecofeminist theory offers a critical perspective to understand these dynamics, revealing the devaluation of women and nature in favor of men and human beings in the narrative. The novel inadvertently perpetuates this oppressive view, objectifying women and land as submissive entities open to domination, despite acknowledging their abundance and creative power. While "A fome" effectively depicts the horrors of drought and societal injustices, it misses the opportunity to explore the imbalanced, hierarchical binaries of men/women and human/nature. By embracing an ecofeminist approach, the novel could have delved into the intertwined discourses of environmental and gender justice, presenting potential for empowerment and positive change. This article emphasizes the need to interweave these discourses in Brazilian literature to create a more inclusive and equitable societal narrative.

This study examines the ways in which museums and memorials within South African society commemorate events of the past. Various examples of museums and memorials are chosen and identified according to the ways in which they embody postmodern or modern thought. Postmodern and modern museums are deconstructed according to various post-structural tenets so as to arrive at a broader understanding on how they are able to remain a continuously relevant and vital part of contemporary society. / Art History, Visual Arts and Musicology / M.A. (Art History)

This study examines the ways in which museums and memorials within South African society commemorate events of the past. Various examples of museums and memorials are chosen and identified according to the ways in which they embody postmodern or modern thought. Postmodern and modern museums are deconstructed according to various post-structural tenets so as to arrive at a broader understanding on how they are able to remain a continuously relevant and vital part of contemporary society. / Art History, Visual Arts and Musicology / M.A. (Art History)