Syftet med detta arbete är att undersöka om man med utgångspunkt i Steampunk-genren inom datorspel, kan göra en implementation av stereotypa High fantasy-element och hur det kommer att uppfattas av Steampunk-entusiaster. Kommer de överhuvudtaget att märka skillnaden och om så är fallet, hur pass stor inverkan tycker de att implementationen har? För att undersöka detta så skapades två karaktärskoncept, en man och en kvinna. Dessa karaktärer utrustades sedan med fyra uppsättningar karaktäristiska kläder och föremål från Steampunk-genren. Sedan lade jag till två stereotypa detaljer från High fantasyn på varje karaktär. Dessa koncept presenterades sedan för ett antal informanter som var insatta i ämnet Steampunk, i form av semistrukturerade intervjuer.

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High Fantasy is extremely popular, with publication and sales of High Fantasy titles outnumbering Science Fiction for thirty years, yet Fantasy is less respected by reviewers of the Speculative Fiction genre. One reason for this is that High Fantasy often fails to adequately address culturally or politically significant issues. Respected Science Fiction writers, such as Octavia Butler, on the other hand, use the issues such as discrimination and persecution on the basis of race and gender. In my exegesis I explore the ways in which High Fantasy has explored the problems of discrimination and persecution. In my novel, The T'En Exiles, I create a world populated by differently abled races. The ' ordinary ' people resent and fear the gifted people, who are less numerous and marginalised. Among the gifted there are those who are aware of mystical powers and those who can manipulate them; because of this a strict hierarchy has evolved. There is also a divide between the genders because the power of the females is expressed differently to that of the males. In The T'En Exiles I use the device of cognitive estrangement, a technique common in both Fantasy and Science Fiction, to examine discrimination and persecution. In particular in terms of how it affects individuals. In the exegesis I examine the ways in which issues of discrimination and persecution are dealt with in contemporary High Fantasy and Science Fiction, and the ways in which a more comprehensive and sensitive treatment of these issues in High Fantasy can address some concerns about the marginalisation of the sub-genre.