- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 20 of 2514 (0.011 seconds)| 11 |
Modernity, racism and subjectivity /Moran, Anthony F. January 1995 (has links)
Thesis (M.A.)--University of Melbourne, 1996. / Typescript (photocopy). Includes bibliographical references (leaves 93-95).
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Late Victorian and post-independence historiography of early nineteenth-century British reforms in India /Ramanath, Sumathi, January 2008 (has links)
Thesis (M.A.)--University of Texas at Dallas, 2008. / Includes vita. Includes bibliographical references (leaves 68-71)
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Criminal punishment and ideology in the People's Republic of China 1949-1976 /Chu, Fun-ling, Carlye. January 1994 (has links)
Thesis (M. Soc. Sc.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves i-iii).
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| 14 |
Criminal punishment and ideology in the People's Republic of China 1949-1976Chu, Fun-ling, Carlye. January 1994 (has links)
Thesis (M.Soc.Sc.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves i-iii) Also available in print.
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Playing for Change: the Crystallization of Time, Space and Ideology in a Music Video from Around the WorldEric, Dicaire 11 January 2019 (has links)
Online music videos have become a space for new cultural articulations. These articulations differ from one video to the next, as each instance mobilizes a particular set of production practices aimed at a specific purpose. From a theoretical standpoint, it is therefore challenging to qualify the broad cultural significance of these media objects. This thesis proposes a potential remedy to this issue, using a theoretical framework based on the theories of articulation, encoding/decoding, and crystallization to assess the cultural significance of an ideologically driven music video produced by Playing for Change—a not-for- profit organization with a mandate of uniting the world through music. These theories reveal how a cosmopolitan ideology is crystallized into the production practices of Playing for Change’s music video “One Love”.
Through this theoretical mobilization, I examine the plurality of identities distilled in the music video, since it functions as a political, economic, and ideological object. These identities are crystallized on multiple levels, leading us to question whether complex articulations of this type can ever fully be conceptualized. Ultimately, I argue that the burgeoning field of music video studies must continue exploring theoretical models in order to develop adequate tools for analyzing the various elements, including discursive constructions, which characterize these complex, yet valuable, cultural objects.
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French ex-communists and the problem of commitment 1944-1962Kofman, M. V. January 1985 (has links)
No description available.
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The moral imbecile : A study of the relations between penal practice and psychiatric knowledge of the habitual offenderWatson, S. January 1988 (has links)
No description available.
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Physical planning as an agent of ideology : An analysis of Qacentina, AlgeriaBrebner, P. A. January 1982 (has links)
No description available.
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Socialist development? : Economic and political change in rural West Bengal under the Left Front GovernmentWilliams, Glyn Owain January 1996 (has links)
No description available.
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Race and reaction : New Right ideology in Britain and the United StatesAnsell, Amy Elizabeth January 1994 (has links)
No description available.
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