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"Troll": dissertation on sexual identity comprising three componentsLotriet, Brett 07 March 2008 (has links)
ABSTRACT
This dissertation explores identity as its central theme. There are three components to the
dissertation. The first is the academic essay which explores identity through the
perspective of queer theory and proposes a three-dimensional conception of an “identity
cloud”. The second component is the creative essay which consists of ten chapters
towards a final novella entitled “troll”. The creative component’s central theme is the
lead protagonist’s struggle in assimilating the identities of “gay” and “addict” after
receiving a liver transplant. The third and final component is an essay detailing the
manner in which the creative and academic created and informed one another.
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Identity Politics in Local Markets: Comparing Immigrant Integration Outcomes in the ‘New’ EuropeMolles, Elitsa Vladimirova January 2015 (has links)
Thesis advisor: Gerald M. Easter / This dissertation explores the factors that influence immigrant reception and integration in new immigration spaces like Dublin and Madrid. Through the case studies of Poles and Nigerians in Dublin and Ecuadorians and Bulgarians in Madrid, the thesis provides a response to three research questions: 1) How do Western European receiving societies construct inclusion and exclusion of the immigrant?; 2) Why do immigrants belong or fail to fit in?; 3) How do inclusion-exclusion dynamics and immigrants’ perceptions affect incorporation outcomes? The project contributes to migration scholarship by emphasizing the understudied cultural and local aspects of incorporation and bringing immigrant agency back into the integration equation. The central argument is that culture and identity matter. While acknowledging the significance of material self-interest, social contact, or national policy regimes, the dissertation finds that identity characteristics, both those of the newcomers and their host societies, are primary in determining the welcome or rejection of different ethnic communities in receiving cities. Further, the study shows that migrants are agents who form their own perceptions of belonging or isolation on the basis of cultural identity. These perceptions determine the foreigners’ stake in the host context and what they do with the openings and closures they face. The thesis concludes that political, economic, and social incorporation outcomes are ultimately conditioned on the interplay between the inclusion-exclusion dynamics in the receiving context and the immigrants’ perceptions of welcome or rejection. Analysis of in-depth interviews, survey data, and relevant documents and legislation for all four case studies confirms the main argument. The comparison among European and non-European immigrants in Dublin and Madrid attests to the significance of culture and identity for integration outcomes and contributes to the broader understanding of immigrant incorporation in Europe and beyond. / Thesis (PhD) — Boston College, 2015. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Political Science.
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Being gay, being straight : an anthropological critique of Manchester's 'Gay Village'Darbyshire, Kevin John January 2008 (has links)
This thesis is an ethnographic study of an area in Manchester known as the 'Gay Village'. It explores the history and changes in the meaning of this term for the people who live and work in the Village, as well as for those who visit it for leisure. The Village was originally created by gay activists who emphasised being gay as the basis for having a separate gay community. However, since being incorporated into Manchester City Council's culture-led regeneration strategy the area now attracts large numbers of heterosexual male and female users. For many heterosexual Village users being gay attaches as much to 'things' that they feel able to engage with in the making of themselves, as much as what it attaches to persons through the way they define their sexuality. Within the Village previous assumptions about the authenticity of the categories 'gay' and 'straight' have been subjected to much debate. The aim of the thesis is therefore to subject current understandings of contemporary gay and straight sexuality to critical analysis and to explore how ideas about sexual identity may be changing in Britain in the first decade of the 21St century.
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Cultural Crossing and Diversity Ideologies: Three Essays on the Identity Politics of Cultural Accommodation and IntegrationCho, Jaee January 2017 (has links)
My dissertation explores people’s responses to cultural crossing, exploring when and why it is admired or admonished. One form of crossing is cultural accommodation, which occurs when a recently arrived foreign visitor behaves like a local, adhering to host-country norms of behavior rather than those of his/her heritage country. The second is cultural borrowing, which occurs when ideas from multiple cultural traditions are integrated into a product, performance or activity. I propose that people’s background beliefs about cultural differences (i.e., diversity ideologies) influence their evaluations of the actions of other people who cross cultures, as well as their own decisions to cross cultures.
My studies consider two well-studied diversity ideologies—colorblindness and multiculturalism. In addition, I also consider polyculturalism, a more novel ideology that, like multiculturalism, celebrates cultural differences. However, polyculturalism differs in that it embraces cultural change. I develop novel methods for empirically distinguishing consequences of the mindset of polyculturalism as opposed to classical multiculturalism.
In Chapter 1, I explore how diversity ideologies affect people’s acceptance of foreign visitors’ accommodation to the local culture. Multiculturalism, which holds cultural traditions to be separate legacies that should be preserved, was associated with negative evaluations of high accommodation. When polyculturalism (vs. multiculturalism) was experimentally primed, high accommodation was evaluated more positively. Further, I examine the underlying effects of diversity ideology on evaluations by focusing on trust judgments and find that multiculturalists’ distrust of high accommodators involves judgments of low ability and of identity contamination.
In Chapter 2, I develop the argument that diversity ideologies guide people’s first-person decisions about whether to accommodate when entering a new cultural context. Polyculturalism facilitated cultural accommodation and longer-term cultural adjustment by reducing concerns about contamination of heritage identity, whereas colorblindness and multiculturalism had no consistent effects.
In Chapter 3, I theorize and demonstrate that diversity ideologies also affect how people draw upon knowledge from foreign cultures in their problem-solving. Polyculturalism encouraged participants’ inclusion of foreign ideas when solving problems, which enhanced their creativity. However, colorblindness, which views ethnicity/culture as a mirage that is best ignored, inhibited participants’ incorporation of foreign ideas, thereby reducing creativity. No effect was found for multiculturalism.
Taken together, the chapters of my dissertation contribute to a more nuanced understanding of cultural crossing: when people do it, and when people admire or admonish others for doing so. Also, these empirical findings advance research on polyculturalism and spark future research questions.
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Canadian Cossacks: Finding Ukraine in Fifty Years of Ukrainian-Canadian Literature in EnglishLedohowski, Lindy Anne 19 January 2009 (has links)
Discourses of diaspora and transnationalism have begun to question previous traditional assumptions about the inevitability of ethnic assimilation by drawing attention to various kinds of hybrid identities, but I contend that, in contemporary Canadian literature, we cannot replace an outmoded model of eventual integration with an uncritical vision of ethnic persistence and hybridity. Much thinking about diasporic and ethnic identities suggests that, on the one hand, there are genuine marginalized identities worthy of inquiry and, on the other, there are symbolic ones undeserving of serious study. This dissertation focuses on the supposedly disingenuous or symbolic kinds of ethnic and diasporic identities, providing an analysis of Ukrainian-Canadian ethnic identity retention in a case study of second-, third-, and fourth-generation Canadians of Ukrainian descent who both read and write in English (not Ukrainian). Looking at Ukrainian-Canadian literature from 1954 to 2003, this dissertation argues: (1) ethnic identity affiliation does not necessarily dissipate with time; (2) ethnic identity in a hostland manifests itself as imagined ties to a homeland; and (3) lacking meaningful public and private recognition of ethnic group membership yields anxiety about subjectivity. I first argue that as multicultural policies drew attention to racial marginalization, Ukrainian-Canadian ethnic identity shifted from being an aspect of socio-economic disenfranchisement to becoming a hyphenated identity with links to Ukraine. I then suggest that in order to make that connection to Ukraine viable, writers attempt to locate Ukraine on the Canadian prairie as a substitute home-country. Such attempts give rise to various images Ukrainian-Canadian uneasiness and discomfort, primarily as authors struggle to account for First Nations’ prior presences on the landscape that they want to write as their own. Further, I analyze attempts to locate ethnic authenticity in post-independence Ukraine that also prove unsatisfactory for Ukrainian-Canadian subject formation. The many failed attempts to affix Ukrainian-Canadianness as a meaningful public and private identity give rise to unsettled and ghostly images that signal significant ethnic unease not to be overlooked in analyses of ethnic and diasporic identities. In these ways, this dissertation contributes to ongoing debates and discussions about the place of contemporary literary ethnicity in Canada.
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Canadian Cossacks: Finding Ukraine in Fifty Years of Ukrainian-Canadian Literature in EnglishLedohowski, Lindy Anne 19 January 2009 (has links)
Discourses of diaspora and transnationalism have begun to question previous traditional assumptions about the inevitability of ethnic assimilation by drawing attention to various kinds of hybrid identities, but I contend that, in contemporary Canadian literature, we cannot replace an outmoded model of eventual integration with an uncritical vision of ethnic persistence and hybridity. Much thinking about diasporic and ethnic identities suggests that, on the one hand, there are genuine marginalized identities worthy of inquiry and, on the other, there are symbolic ones undeserving of serious study. This dissertation focuses on the supposedly disingenuous or symbolic kinds of ethnic and diasporic identities, providing an analysis of Ukrainian-Canadian ethnic identity retention in a case study of second-, third-, and fourth-generation Canadians of Ukrainian descent who both read and write in English (not Ukrainian). Looking at Ukrainian-Canadian literature from 1954 to 2003, this dissertation argues: (1) ethnic identity affiliation does not necessarily dissipate with time; (2) ethnic identity in a hostland manifests itself as imagined ties to a homeland; and (3) lacking meaningful public and private recognition of ethnic group membership yields anxiety about subjectivity. I first argue that as multicultural policies drew attention to racial marginalization, Ukrainian-Canadian ethnic identity shifted from being an aspect of socio-economic disenfranchisement to becoming a hyphenated identity with links to Ukraine. I then suggest that in order to make that connection to Ukraine viable, writers attempt to locate Ukraine on the Canadian prairie as a substitute home-country. Such attempts give rise to various images Ukrainian-Canadian uneasiness and discomfort, primarily as authors struggle to account for First Nations’ prior presences on the landscape that they want to write as their own. Further, I analyze attempts to locate ethnic authenticity in post-independence Ukraine that also prove unsatisfactory for Ukrainian-Canadian subject formation. The many failed attempts to affix Ukrainian-Canadianness as a meaningful public and private identity give rise to unsettled and ghostly images that signal significant ethnic unease not to be overlooked in analyses of ethnic and diasporic identities. In these ways, this dissertation contributes to ongoing debates and discussions about the place of contemporary literary ethnicity in Canada.
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Mapping the Mixed Race Identity in Black White and JewishLiao, Kuan-hui 25 July 2007 (has links)
This thesis attempts to read Rebecca Walker's memoir Black White and Jewish as an investigation into the problematic of the social construct of race. It begins with an elaboration on the society's phobia about racial amalgamation owing to its potentiality to alter color boundaries, which are maintained through the manipulation of power. Born in a society where racial purity is highly postulated, Walker encounters an identity crisis that renders her double alienated and marginalized. What follows, thereby, is an examination of the identity formation of Walker as a mixed black and white individual, as well as a discussion of how racial hybridity may challenge essentialist racialization. With its fluidity and ambiguity, Walker's mixed race identity turns out to contest and further destabilize the immutability, stability, and homogeneity of essentializing racial categories. By cherishing the boundary-crossing capability a multiracial possesses, Walker could liberate herself from the shackles of the trauma of racism.
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American South, Post-Slavery Trauma, and William Faulkners Depression-Era FictionKuo, Yu-te 21 June 2008 (has links)
This dissertation means to examine Faulkner¡¦s Depression-Era fiction as a post-traumatic syndrome pervasive in the Southern psyche. I read Faulkner from a cultural triangulation of race, class, and gender in Yoknapatawpha. These triangular coordinates often close in on somewhere on the far horizon, in their relations with the Civil War and its aftermath. That is the way history insinuates herself into Faulkner¡¦s art. Opening with a chapter on The Sound and the Fury, I contend that the novel sets an eschatological scene for my investigation of its relation with the bulk of Faulkner¡¦s writing throughout the ¡¦30s. The Compsons¡¦ apocalyptic ¡§now,¡¨ 1929, is thoroughly checked for its temporal entanglement with the Confederate memories. How Faulkner¡¦s Great Depression contemporaneity laments over the Lost Cause gives us a topological context where the Confederate vestiges pop out at every corner.
In Chapter two, I will slash vertically into white ideology for another visage of the white South¡¦s trauma¡Xa class-aware orchestration of monologues in the apocalyptical ¡§now.¡¨ Who lies dying is a self-consuming question among the Bundrens. This is where Faulkner comes closest to the socio-economic issue in the 30s. In the analysis of As I Lay Dying, I will engage with Diaspora theories of cultural displacement, along with a Marxist elucidation of ¡§structure of feeling¡¨ to fully denote the submerged living standards of the poor whites in the Depression Era.
As for the third chapter, I will engage with the places in which the white Southern subjectivity itches¡Xrace and racism, and the dominant Yankee influence embodied by the Carpetbagger offspring Joanna Burden¡¦s unsuccessful taming of an ¡§interpellated¡¨ mulatto, Joe Christmas. The Diasporic depths in Faulkner¡¦s oeuvre carries on with all the cultural and identitarian others coming into the South to challenge the white supremacist in Light in August. Joe Christmas¡¦s wandering is not so much a victimization of racism, as he is a chameleon in identity relations inserted in a fanatical, politicized South¡Xa praxis around which different identities cite their own traumas.
Moving from a vicarious way to retell the stories in a time of loss and upheaval, the fourth chapter touches the per se of the South¡¦s historical trauma, the defeat in the Civil War and its aftermath. I investigate two variants in the South¡¦s collective reproduction of this traumatic origin: Absalom, Absalom! with its gothic chronotope that runs parallel with the progressive modernity, i.e., the milieu of Quentin¡¦s apocalypse now; The Unvanquished with a deconstructive lens to look at the southern cavalier fatherhood, namely, Bayard Sartoris¡¦ rejection to avenge his father in its ¡§An Odor of Verbena.¡¨ The former rejects Anderson¡¦s ¡§homogeneous empty time¡¨ and the latter bids farewells to the Cavalier past by an overdose of romanticism and then an abrupt reversal at the apogee of the romantic vision.
Concentrating on a self-therapeutic outlook on Faulkner and his South, I trace a symbolic economy of ¡§working through¡¨ in which Faulkner rehearses the Southern history by multiple overexposures of its trauma. It is also a project to tie Faulkner¡¦s own identity formation to a process of victimization in relation to these memories: his southern diasporic self in the 30s against the capitalistic centers of an intellectual New York and a commercial Hollywood. Faulkner embeds a humiliation in either vision. He is an epitome of the South¡¦s memories of loss and its concomitant pain.
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noneShu, Ming-Hsuan 10 September 2008 (has links)
none
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Narrating singularity and regionalism: the representation of identity and resistance in Gima Hiroshi's woodblockprintsLam, Ka-yan, 林家欣 January 2012 (has links)
This dissertation gives an aesthetic analysis on the selected woodblock prints of the Okinawan artist Gima Hiroshi concurrent with an exploration of the identity politics of the Okinawans. Deconstructing the historical circumstances of the archipelago, the contradictions and predicaments that the islanders have been struggling with from the trade era and annexation period, to the wartime, the U.S. occupation and the reversion to the Japanese state are portrayed in the war prints. With the constitution of a multi-vocal identity, a regionalist identity has been articulated. This regionalism is manifested in the artist’s prints about traditions, customs and everyday life in terms of folk dance, drum playing, craftsmanship, festivities, daily activities, agriculture, residential space and the practices related to nature. Following a thorough discussion of the visual texts is the elucidation of essentialism in contemporary Okinawan studies that identity politics is itself delimiting and institutionalizing in representation. Essentialist representations reinforce the dichotomy of the self/other structure that they can be more detrimental than explicit performative discourses. As a concluding argument, this essay finishes with a proposed alternative to essentialist literature – visual representations. The interpretative potentiality and transformative powers of art serve as a stepping stone for the third party to experience the experience of the Other, which challenges the presumptions imposed by the self/other narrative. In this process, the marginalized can be made visible. / published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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