Submitted by PPG Letras (letraspg@pucrs.br) on 2018-02-06T11:39:42Z No. of bitstreams: 1 Tese_NadjaVoss.pdf: 3725438 bytes, checksum: bfafd5360bdd935c77abbcbb31e2889a (MD5) / Approved for entry into archive by Caroline Xavier (caroline.xavier@pucrs.br) on 2018-02-07T13:19:51Z (GMT) No. of bitstreams: 1 Tese_NadjaVoss.pdf: 3725438 bytes, checksum: bfafd5360bdd935c77abbcbb31e2889a (MD5) / Made available in DSpace on 2018-02-07T13:24:31Z (GMT). No. of bitstreams: 1 Tese_NadjaVoss.pdf: 3725438 bytes, checksum: bfafd5360bdd935c77abbcbb31e2889a (MD5) Previous issue date: 2018-01-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This essay, which is the second volume of the thesis, deals with the analysis of the documents of process of the novel Dentro, by my authorship. It is a hybrid novel between literature and visual arts, inscribed in Liberature, a Polish movement where the wholeness of the book is fundamental. No longer is the author's role only the literary text, but all of the questions relating to the object book. In Liberature, images, typography, cover, bookbinding, etc., have as much authorial meaning as the linguistic and, for such, they should be taken care of by the author. This essay also includes the mapping of the Primordial Image ? a concept that I have being theorizing since 2012 ?, a fractal and rhizomatic gear, that is denominator of creation, within this hybrid work. Thus, the process of creating a hybrid, liberatic work that leads to the extreme of Liberature?s concept, encompassing the whole process under a singe person is analyzed. As so how this Primordial Image drives the creation, mainly in a liberatic creation which, as such, does not end with the linguistic, but extendsand unfolds in each gesture. / Este ensaio, segundo volume da tese, traz a an?lise dos documentos de processo da novela Dentro, de autoria pr?pria. Uma novela h?brida entre literatura e artes visuais, inscrita na Libertura, movimento polon?s onde a integralidade do livro ? fundamental. N?o ? mais papel do autor apenas o texto liter?rio, mas sim todas as quest?es acerca do objeto livro. Na Liberatura, imagens, tipografia, capa, formas de encaderna??o, etc., possuem tanta significa??o autoral quanto o lingu?stico e, por tal, devem ficar a encargo do autor. Este ensaio traz ainda o mapeamento da Imagem Primordial ? conceito que venho teorizando desde 2012 ?, uma engrenagem fractal e rizom?tica, denominadora da cria??o, no seio dessa obra h?brida. Assim, ? analisado aqui o processo de cria??o de uma obra h?brida, liber?tica, que leva ao extremo o conceito de Liberatura, abarcando absolutamente todo o processo sob uma ?nica pessoa. E, como essa Imagem Primordial conduz a cria??o, principalmente uma cria??o liber?tica que, por tal, n?o finda com o lingu?stico, mas se estende e descortina em cada gesto.