Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin--Madison, 1962. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

京都大学 / 0048 / 新制・論文博士 / 博士(理学) / 乙第12914号 / 論理博第1550号 / 新制||理||1591(附属図書館) / 32124 / (主査)准教授 本川 雅治, 教授 疋田 努, 教授 高橋 淑子 / 学位規則第4条第2項該当 / Doctor of Science / Kyoto University / DFAM

Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 418-440).

The tropical forests of Indochina harbor a suite of globally threatened tropical mammal species. These species are difficult to detect, and subsequently understudied. Noninvasive camera trapping was used to survey terrestrial mammals from a protected area in southeastern Lao PDR (Xe Sap National Protected Area). The presence-absence of four mammals (mainland serow Capricornis milneedwardsii, muntjac Muntiacus spp., macaque Macaca spp., and wild pig Sus scrofa) was modeled in an occupancy framework thereby accounting for detection probabilities. Our goals were to establish baseline occupancy data to assist with biological monitoring and to better understand the factors influencing the distribution of the target species. Naïve occupancy, or the proportion of sites at which the target species was detected, was 0.58 for muntjac, 0.55 for macaque, 0.38 for wild pig, and 0.30 for serow. True occupancy estimates (Ψ ± SE) from top-ranked models was 0.79 ± 0.21 for macaque, 0.74 ± 0.13 for muntjac, 0.51 ± 0.13 for wild pig, and 0.48 ± 0.18 for serow. The results underscore the importance of accounting for imperfect detection rates when studying rare or elusive species. I included two site covariates (forest type and distance to nearest village) in the occupancy models. Estimating occupancy as a function of site covariates improved model performance and provided insight into landscape-level factors that affect species occurrence. In the top-ranked models, serow occupancy was higher in hill evergreen forest (HEGF) than semi-evergreen forest (SEGF). Muntjac occupancy was higher in areas further from villages. Macaque occupancy was higher in areas closer to villages. Wild pig occupancy was higher in areas further from villages and in HEGF. I recommend using an occupancy framework to analyze occurrence data for difficult-to-study tropical mammal species. The results highlight the importance of Xe Sap NPA for large mammal conservation in the region. / text

The emergence of Indochina in the French imagination was articulated in both representational and institutional modes. Representation involves the transmission of colonial ideals through more obtuse means; that is, through literary texts, travelogues, exhibitions, film and advertising. However, these textual sites feed from and invest in a material situation, which was the institutional arm of colonialism. Indochina was institutionally articulated in cartographic maps and surveys, in the new social spaces of cities and towns, in architectural and technological forms, through social technologies of discipline and welfare and in cultural and religious organisations. The aim of this thesis is to analyse, across a number of textual sites, the representation and institutionalisation of Otherness through the politics of space in the French colony of Indochina, Indochine in this sense becomes a spatial discourse. The French constructed a mental and physical space for Indochina by blanketing and suffocating the original cultural landscape, which in fact had to be ignored for this process to occur. What actually became manifest as a result of this projection stemmed from the French imagination. Just as the French manipulated space, language also underwent the same process of reduction. The Vietnamese script was latinised to make it more 'useable' and ‘accessible’. Through christening the union of Indochina; initiating a comprehensive writing reform; and renaming the streets in the colonial cities, the French used language us another tool for 'making transparent'. Furthermore, the colonial powers established a communication and transport network throughout the colony in an attempt to materialise their fictive (artificial) vision of a unified French Indochinese space. The accessibility and design of these different modes of transport reflected the gendered, racial and class divisions inherent in the colonial establishment. At the heart of representing and institutionalising Indochina was the desire to control and contain. This characterised French imperial ordering of space in the city and the rural areas. In rural areas land was divided into small parcels and alienated to individuals or worked into precise grids for the rubber plantation. In urban centres the native quarter was clearly demarcated from the European quarter which functioned as its modern, progressive Other. The rationale behind this segregation was premised on European, nineteenth century discourses of race, class, gender and hygiene. Influenced by Darwinian and neo-Lamarkian theories of race, this biological discourse identified the 'working class', 'women' and 'the native' as not only biologically but also culturally inferior. They were perceived as a potential, degenerative threat to the biological, cultural and industrial development of the nation. In the colonial context, space was thus ordered and domesticated to control the native population. Coextensively, the literature which springs from such a structure will be tainted by the same ideas, and thus the spaces it formulates within the readers mind feed on and reinforce this foundation. Examples of gender and indigenous narratives which contest this imaginative, transparent topography are analysed throughout this thesis. They provide instances of struggle and resistance which undermine the ideal/stereotypical level of architectural and planned space and delineate an alternative insight into colonial spatial and social relations. The fictional accounts of European women and indigenous writers both challenge and reaffirm the fixity of some of these idealised colonial boundaries. In various literary, historical, political, architectural and cinematic discourses Indochina has been und continues to be depicted as a modern city and exotic Utopia. Informed by the mood of nostalgia, exotic images of Indochina have resurfaced in contemporary French culture. France's continued desire to create, control and maintain an Indochinese space in the French public imagination reinforces the multi-layered, interconnected and persistent nature of colonial discourse.

National historical memory in France has often given rise to violent polemic. Controversial episodes of national history, such as the Second World War and Algerian conflict, have attracted considerable attention. Yet despite its obvious importance as a particularly violent war of decolonization and precursor to the Vietnam War, the First Indochina War (1946-54) has largely been ignored. In the context of decolonization and the beginning of the Cold War, however, Indochina offers a unique example of the complex relationship between event, commemoration, and memory. This dissertation examines state commemorations, official and unofficial sites of memory, film and other media representations of the war, and several “flashpoint” events that have elicited particularly heated debates over the legacies of the war. The thematic structure allows me to bring together various vehicles and artefacts of memory, from monuments to commemorative ceremonies to veterans’ associations, along with less tangible expressions of memory expressed through public debates and film. I also analyze the tangible legacy of colonialism in the metropole: the ‘repatriate’ camps that housed primarily French citizens of Vietnamese, Lao and Cambodian origin after 1956. This chapter makes an important contribution to the history of immigration to France, which is critical to understanding issues currently facing this multicultural society. Two dominant narratives emerge from my analysis. The first is maintained by a majority of veterans and elements of the political right and extreme right, and is characterized by themes of heroic soldiers combating communism and a belief in their abandonment by the metropolitan government and public. In some cases, a sense of duty to protect ‘Greater France’ is invoked, and in others, the duty to fight with the independent Vietnamese against their communist oppressors. The second narrative casts the conflict as a ‘dirty’ war of colonial reconquest. Though the primary goal of the dissertation is to elucidate the construction of particular narratives of war, I argue that this memorial process is inherently intertwined with the re-evaluation of the colonial project. The fundamental disagreement over the nature of the war, as either a battle against communism or a war of colonial reconquest, has prompted extensive debates over the relative merits of the colonial project and its putative resurrection in 1945.

National historical memory in France has often given rise to violent polemic. Controversial episodes of national history, such as the Second World War and Algerian conflict, have attracted considerable attention. Yet despite its obvious importance as a particularly violent war of decolonization and precursor to the Vietnam War, the First Indochina War (1946-54) has largely been ignored. In the context of decolonization and the beginning of the Cold War, however, Indochina offers a unique example of the complex relationship between event, commemoration, and memory. This dissertation examines state commemorations, official and unofficial sites of memory, film and other media representations of the war, and several “flashpoint” events that have elicited particularly heated debates over the legacies of the war. The thematic structure allows me to bring together various vehicles and artefacts of memory, from monuments to commemorative ceremonies to veterans’ associations, along with less tangible expressions of memory expressed through public debates and film. I also analyze the tangible legacy of colonialism in the metropole: the ‘repatriate’ camps that housed primarily French citizens of Vietnamese, Lao and Cambodian origin after 1956. This chapter makes an important contribution to the history of immigration to France, which is critical to understanding issues currently facing this multicultural society. Two dominant narratives emerge from my analysis. The first is maintained by a majority of veterans and elements of the political right and extreme right, and is characterized by themes of heroic soldiers combating communism and a belief in their abandonment by the metropolitan government and public. In some cases, a sense of duty to protect ‘Greater France’ is invoked, and in others, the duty to fight with the independent Vietnamese against their communist oppressors. The second narrative casts the conflict as a ‘dirty’ war of colonial reconquest. Though the primary goal of the dissertation is to elucidate the construction of particular narratives of war, I argue that this memorial process is inherently intertwined with the re-evaluation of the colonial project. The fundamental disagreement over the nature of the war, as either a battle against communism or a war of colonial reconquest, has prompted extensive debates over the relative merits of the colonial project and its putative resurrection in 1945.

Thesis--Munich. / Includes bibliographical references (p. 580-595).

The French Foreign Legion has many traits and characteristics that may be labelled as strange, anachronistic or controversial. It is, however, a fully functional and well performing military unit. What are the inner mechanisms that allowed it to remain in existence until the present day? If we leave out external influences and consider the Foreign Legion as a typical total institution, we can try to find and classify these factors. The first group of mechanisms is connected to admission and accession of the candidates to the Legion and includes a formal change of the applicants' identity, weakening of their links with their own personal history and an indoctrination aimed at creating a strong bond with the Foreign Legion. In the second category we find characteristics and processes that further deepen this acquired loyalty, such as rituals, customs, songs etc. However, these mechanisms aren't always working properly. The French military campaign in Indochina after the end of the Second World War is an example of a situation where some of these functional prerequisites were limited or missing completely. The image of the Foreign Legion during the Indochina War was affected by the so-called myth of German veterans, according to which a major part of the Legion composed of legionaries of German...