鄒重華. / 本論文於1997年12月呈交. / 論文(博士)--香港中文大學歷史學部, 1998. / 參考文獻: p. 209-219. / 中英文摘要. / Ben lun wen yu 1997 nian 12 yue cheng jiao. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zou Chonghua. / Lun wen (Bo shi)--Xianggang Zhong wen da xue li shi xue bu, 1998. / Can kao wen xian: p. 209-219. / Zhong Ying wen zhai yao.

Orientador: Heloisa Andre Pontes / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-23T11:10:47Z (GMT). No. of bitstreams: 1 Ramassote_RodrigoMartins_D.pdf: 2101296 bytes, checksum: ae88a76f51531ed01f0f4b517f8b3576 (MD5) Previous issue date: 2013 / Resumo: Esta tese tem como objetivo discutir as possíveis intersecções entre crítica literária e ciências sociais no conjunto da produção intelectual de Antonio Candido. Embora bastante comentada - ainda que, na maior parte das vezes, com intuito desqualificador -, são poucos os estudos que avançam na análise substantiva das implicações, efeitos e repercussões dessa estreita convivência entre as áreas de atuação, reflexão e pesquisa em que ele se dividiu ao longo de sua trajetória. Nesse sentido, pretendo contribuir para a ampliação de uma linha investigativa que pouca atenção despertou, mas que nos últimos anos vem recebendo contribuições significativas: a sondagem das conexões temáticas e desafios analíticos comuns que atravessam o conjunto da obra de Candido. Para tanto, selecionei parcela representativa de sua produção, no esforço mais geral de aprofundar-lhe a leitura e interpretação a partir de informações procedentes, de um lado, de sua experiência social e familiar, filiação política e percurso institucional, e, de outro, dos principais debates acadêmicos e intelectuais nos quais ele participou. Sua estrutura encontra-se dividida em duas partes: na primeira, o enfoque recai sobre os rodapés literários assinados por Candido na grande imprensa paulista, bem como parte expressiva dos livros deles derivados. Na segunda, a atenção se volta para dois de seus principais estudos literários, averiguando as repercussões no estudo analítico de clássicos do romance brasileiro de certas teses sociológicas defendidas pelo autor em seus escritos na área das ciências sociais / Abstract: This thesis aims at discussing the possible intersections between literary criticism and social sciences throughout the intellectual production of Antonio Candido. Although well commented - though, in most cases, in a rather disqualifying manner - there are few studies that advance in the direction of a substantive analysis of the implications, effects and impacts of this close interaction between the fields, reflections and researches to which he was dedicated along his trajectory. Accordingly, I intend to contribute to the expansion of a line of investigation that evoked scarce attention, but in recent years has been receiving significant contributions: a survey of the thematic connections and common analytical challenges that are found throughout the work of Candido. Therefore, I selected a representative portion of his production, in a broader effort to deepen its reading and interpretation, departing from information coming from his social and familial experiences, his political affiliation and institutional path, and, on the other side, major academic and intellectual debates in which he participated. This thesis is divided into two parts: first, the focus is on the literary footnotes signed by Candido in the main newspapers of São Paulo as well as a significant portion of his books thereof. In the second, the attention turns to two of his main literary studies by examining the effect of certain sociological theses defended by the author in his writings in the area of social sciences in the analytical study of classic Brazilian novel / Doutorado / Antropologia Social / Doutor em Antropologia Social

Orientador: Luzia Margareth Rago / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-22T08:05:14Z (GMT). No. of bitstreams: 1 Vieira_PriscilaPiazentini_D.pdf: 1050617 bytes, checksum: 1f95f721fd7d11443e8d7c06e19ceb2d (MD5) Previous issue date: 2013 / Resumo: A tese parte do interesse de Michel Foucault pela questão da parrhesía na cultura antiga e das suas reflexões sobre a construção ética do indivíduo. Essa problematização integra os últimos estudos do filósofo, dentre os anos de 1982-1984, dedicados a trabalhar a ética, as estéticas da existência e o cuidado de si no mundo greco-romano. Ela também se insere nas suas reflexões sobre uma "ontologia histórica de nós mesmos", a partir de uma crítica histórica que tem por objetivo libertar e ultrapassar as condições existentes da atualidade. Sublinho, nesse sentido, a mudança que o pensamento de Foucault sofre entre o final da década de 1970 e o início de 1980, especialmente com relação à problemática da verdade. Ao privilegiar a noção antiga de coragem da verdade, ele tenta escapar dos modos predominantes de entendê-la na modernidade, que estão vinculados ao cristianismo e à ciência moderna. Dentro desse contexto, a volta à Antiguidade, pelo estudo da parrhesía socrática e cínica, por exemplo, possibilita a Foucault questionar a figura do "intelectual universal" dominante nos séculos XIX e XX e propor, por meio da figura do "intelectual específico", uma nova relação entre a verdade, a política e a produção do conhecimento. O estudo do GIP (Grupo de Informações sobre as Prisões) mostrou a especificidade da militância do próprio Foucault, ao problematizar a figura do intelectual como o guia das massas, a relação entre teoria e prática, a partilha entre proletariado e lúmpen-proletariado, a noção de autocrítica, etc. Dentre o pensamento e a experiência de Foucault, emerge uma ética do intelectual comprometida com a recusa da individualização e da sujeição promovidas pelo Estado moderno e com a tarefa urgente de elaborar, em sua atualidade, uma ética que aposta na criação de novos modos de viver / Abstract: This thesis handles the interest of Michel Foucault in the question of parrhesia in the ancient culture as well as his reflections on the ethical construction of the individual. This problematization integrates the philosopher's late studies, from 1982 to 1984, dedicated to working on the ethics, the aesthetics of existence and the care of the self in the Greco- Roman world. It is also inserted in his considerations on a "historical ontology of ourselves", based on a historical critique that aims at releasing and surpassing the existing conditions of the present time. The change in Foucault's mind between the late 1970 and early 1980, especially in what concerned the problem of the truth, is then highlighted. When favoring the ancient idea of courage of the truth, he tries to escape from the predominant ways to understand the truth in the modernity, which are connected with the christianity and the modern science. In this context, the return to Antiquity through the studies of the Socratic and Cynic parrhesia, for instance, allows Foucault to question the figure of the "universal intellectual" dominant over the nineteenth and twentieth century's and propose, via the figure of the "specific intellectual", a new relation among the truth, the politics and the production of knowledge. The study of GIP (Information Group on Prisons) showed the peculiarity of Foucault's own activism, as it problematized the figure of the intellectual as the guide of the masses, the relation between theory and practice, the distinction between proletariat and the lunpemproletariat, the notion of self-criticism, etc. From among Foucault's thought and experience, it is seen the emergence of the ethics of the intellectual committed to the refusal of the individualization and subjection promoted by the modern State and who urgently aims at creating in his time ethics that invest in the creation of new ways to live / Doutorado / Historia Cultural / Doutor em História

黎漢基. / 論文(博士)--香港中文大學, 1998. / 參考文獻 (p. 300-328) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Li Hanji. / Lun wen (Bo shi)--Xianggang Zhong wen da xue, 1998. / Can kao wen xian (p. 300-328) / Zhong Ying wen zhai yao.

Orientador: Elide Rugai Bastos / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-07T19:52:36Z (GMT). No. of bitstreams: 1 Nucci_Priscila_D.pdf: 2776666 bytes, checksum: c0d1d7d3db0174ac3557e2a3e9c3ea4b (MD5) Previous issue date: 2006 / Resumo: Neste trabalho analisaram-se as formas como o sociólogo francês Roger Bastide (1898-1974) articulou os termos raça/ religião em sua obra e, a partir disso, elaborou reflexões peculiares sobre o preconceito e as relações raciais no Brasil. Para isso, a análise centrou-se em recortes específicos de sua obra, nos quais se pôde perseguir a formulação que deu aos debates da aculturação/ interpenetração cultural, das religiões de origem africana no país, e das ¿relações raciais¿. O candomblé de rito nagô apresentou-se, em seus textos, como caso suigeneris de integração e parece se constituir em chave para o entendimento das razões pelas quais o autor elaborou determinado tipo de imagem e análises acerca da população afro-descendente em dado contexto. Outras chaves seriam: a polêmica em torno das reportagens da Paris Match e de O Cruzeiro, referentes a rituais secretos do candomblé e os usos possíveis que o autor fez do surrealismo e da história nas narrativas de O candomblé da Bahia e em As religiões africanas no Brasil. Todas estas frentes auxiliam a matizar e redimensionar as funções e intenções de alguns dos principais textos de Roger Bastide, para o tempo em que foram escritos / Abstract: In this thesis we analysed how the French sociologist Roger Bastide (1898- 1974) articulated the terms race/religion in this thought, and how, from this uses he elaborated a very peculiar reflections about prejudice and ¿race relations¿ in Brazil. Our analysis focused in specifics aspects of Bastide¿s texts, in which we can search his formulation to the debate of acculturation, cultural interpenetration, afrobrazilian religions and race relations. The candomblé from the nagô rite is showed in his texts as a sui generis case of integration and seems to be the key for understanding the reasons through which the author elaborated a certain kind of image and analysis about the afrodescendent population in this context. The others keys are: the polemic around the reportages published in Paris Match and O Cruzeiro ¿ about the secret rituals of the candomblé and the possible uses that the author did for the surrealism and the history in O Candomblé da Bahia and As Religiões Africanas no Brasil. All those directions contributes to a complex analysis and suggests new functions and intentions for some of most importants texts of Roger Bastide, considering the time in which the were written / Doutorado / Pensamento Social Brasileiro / Doutor em Sociologia

In 1923 Qu Qiu-bai returned from Soviet Russia to China and gradually aligned himself with the power nucleus of Chinese Communist Party as an important political theorist within the Party. Much of the polyphonic elements exemplary in Qu's thoughts, as seen in his earlier writings, had given way noticeably. As purported by mainstream academic queries, Qu's metamorphosis into a Bolshevik had often been accounted for his nevertheless brief stay at the Soviet Russia. The present study, however, confers a dissimilar view in attempting to locate the polyphonic registers in Qu's thoughts. It is found that Qu's thoughts had been characterized by a strong sense of polyphonic nature throughout, whether in his earlier or later works. / In resembling the overlooked complexity of Qu's thoughts, Chapter 3 goes on to inquire how Qu's construction of subjectivity is determined by his specific perspective of history---one which comprised of a synthesis of Creative Evolutionism and Dialectic Materialism. Such construction of subjectivity is important in understanding Qu's contested presence and agency in revolutionary political situations of the early 20th century. Chapter 3.1, thereafter, locates the relevance of Qu's construction of subjectivity to his notion of "orphan pushed away from track" in a re-reading of his widely acknowledged essay "Preface to Lu Xun's Collected Essays." This reading is coupled with a discussion of Qu's "Travel Notes on New Russia" through which Qu's specifications of "suicide" and spatial imagery of the heterotopias will be expounded. Working upon research outcome of this coupled query, a close reading of Qu's confessional note "Superfluous Words" will serves to elucidate Qu's proposition of a negated subjectivity. Chapter 3.4 gives a comparative analysis of the later political lives of Qu and Nikolai Bukharin. It attempts to establish that the outright negation of subjectivity is an implicit tendency in historical materialism. Lastly, Chapter 4 attempts to illustrate Qu's revolutionary subjectivity and his specific notion of pendulum time in recourse to the tropes of pendulum movements: "Revolution/Work," and "Love/Freedom." / The study begins with a topic of research that mainstream academic queries left mostly unanswered: namely, Qu's appropriations of Bergonism, the Yogacara School and Anarchism exemplary in his early writings. This line of query delineates how the 3 major traditions of thoughts compositely engaged Qu in his approach of Bolshevik political practices and Dialectic Materialism. On the basis of this, the study further examines the trajectory how Qu observed in his endorsement of Dialectic Materialism over Bergon's Creative Evolutionism (L'evolution Cretienne). The study also finds that such a pendulum movement from Philosophy of Life towards Dialectic Materialism largely concurred the thoughts and discourses of Italian Marxist Antonio Gramsci, a contemporary of Qu. Following this, the study compares the two men's notions and problematic of "the Intellectuals". A comparative analysis of Qu's theorization of the "Historical Tool" and Gramsci's "The Modern Prince" is offered at this part of study. / 張歷君. / Adviser: Lee Ou-Fan; Wang Wai Ching. / Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3146. / Thesis (doctoral)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (p. 243-256). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Zhang Lijun.

魏承思. / 論文(哲學博士)--香港中文大學, 2001. / 參考文獻 (p. 133-148) / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Wei Chengsi. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (p. 133-148) / Zhong Ying wen zhai yao.

本文是第一部專以清初陶學為研究對象的論文，擬從文人的情懷、詩學的演變、詩歌的用意、意象的運用、注本的闡釋等多角度概述清初陶學的全貌。在方法上，筆者除分析當時文人對陶淵明的評論外，還選取了清初四十家身份不同的文人，比較他們詩作中運用的陶淵明典故，探討他們對「陶淵明形象」的塑造與取捨，並以歷史背景為線索，梳理陶淵明意象在清初文人心目中地位的差異與其變化。 / 基於上述的研究，筆者認為以往學術界把清初陶學只理解為「忠憤」的表現是不夠全面的，尤其是清初關於陶淵明的討論，除了遺民文人有熱烈的參與外，非遺民文人亦有相當數量的研究，而且他們之間還存在着不少的交流，互相回應。正因如此，清初和陶風氣盛極一時，並且出現了一種嶄新、「反其致」的和陶現象--〈反乞食〉詩。 / 這種借用陶淵明的意象互相交流與回應，更多反映在詩歌方面。清初文人借讀陶、評陶、和陶等方法抒發他們於易代間的鬱悶。這種詩歌世界，重現了陶淵明筆下的桃源，在這裏，他們「不知有漢，無論魏晉」，思想上可以暫時脫離現實的痛苦，悠然人間。這也使得清初《陶集》評注本的編撰，一改南宋以來十卷本的「全集」形式，而偏重於四卷本，只收錄詩作的體制。 / The author intends to discuss the reception of Tao Yuanming in the Early Qing Dynasty from the aspects such as the emotions of poets, the changes of poetics, the intentions of poetries, the poetic imageries and the differences of the editions. And, it is the first work focusing solely on the reception of Tao Yuanming in the Early Qing Dynasty. Regarding the research methods, this dissertation not only studies the critiques through the existed methods, but also analyses the existed materials in a different manner. By comparing the literary allusions of Tao Yuanming’s life of 40 scholars lived in Early Qing who had different social background, the thesis discusses how these people constructed the images of Tao Yuanming and how they selected from Tao’s qualities. The thesis also tries to sort out the different attitudes of Tao among scholars of Early Qing and its changes with regard to the historical context. / Based on the research, the author finds out that the existed understanding of the reception of Tao Yuanming in the Early Qing, which focuses on the leftover citizen’s aspect, and which portrays Tao image as a rebellion was largely incomplete. Apart from the vigorous discussions regarding the images of Tao among the leftover citizen, the non-leftover citizen also discussed Tao with great enthusiasm. Under this circumstance, a new form of He Tao Shi(和陶詩) “poems written to match Tao’s , was found in opposite mode in order to response to those leftover citizen. / By appropriation of Tao’s images in their communication and responding each other especially in poems, scholars lived in Early Qing expressed their uneasiness and pain as in the change of the regime through reading, commentary and writing of Tao’s collections. Thus, this special kind of poem allowed the Early Qing scholars to escape from the distress of the reality to an ideal world, a typical example of which was “Peach-Blossom Spring created by Tao Yuanming. This tendency reflected in the editions of Tao’s works in Early Qing Dynasty that Tao’s poems received much attention while other forms of works were not included in the collections of works. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 梁樹風. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 331-376) / Abstracts in Chinese and English. / Abstracts in English and Chinese. / Liang Shufeng. / 提要 --- p.I / 目錄 --- p.III / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 研究範圍 --- p.1 / Chapter 第二節 --- 研究旨趣 --- p.7 / Chapter 第三節 --- 相關文獻回顧 --- p.14 / Chapter 第四節 --- 論文架構與研究方法 --- p.17 / Chapter 第二章 --- 清初陶學背景 --- p.24 / Chapter 第一節 --- 明清易代與文人「生死」的抉擇 --- p.24 / Chapter 第二節 --- 陶淵明生存方式對清初文人的啟示 --- p.29 / Chapter 第三節 --- 清初文人寄情陶淵明的表現 --- p.37 / Chapter 第四節 --- 清初遺民的逃禪與蓮社之約 --- p.56 / Chapter 第三章 --- 清初詩學與陶詩評價的關係 --- p.91 / Chapter 第一節 --- 清初詩壇尋「真」對陶詩評價的影響 --- p.91 / Chapter 第二節 --- 清初「詩史」的重視與陶淵明甲子紀年之義 --- p.115 / Chapter 第三節 --- 清初田園詩的復興與陶淵明田園詩內涵的解讀 --- p.130 / Chapter 第四章 --- 清初的擬陶、集陶與和陶 --- p.151 / Chapter 第一節 --- 清初擬陶與集陶的表現與陶文詩意的賞讀 --- p.152 / Chapter 第二節 --- 清初和陶詩的表現與其意義 --- p.162 / Chapter 第三節 --- 清初擬陶、和陶的觴濫--陶淵明〈酒二十首〉 --- p.169 / Chapter 第四節 --- 清初的「反乞食詩」 --- p.184 / Chapter 第五章 --- 清初的陶淵明意象與繪事 --- p.206 / Chapter 第一節 --- 清初陶淵明與菊的意象與繪事 --- p.207 / Chapter 第二節 --- 清初桃源的意象與繪事 --- p.228 / Chapter 第六章 --- 清初《陶集》評注本 --- p.257 / Chapter 第一節 --- 《陶淵明集》版本源流與清初的《陶淵明集》 --- p.257 / Chapter 第二節 --- 清初的《陶淵明集》注釋 --- p.277 / Chapter 第三節 --- 清初《陶集》評注的特色 --- p.319 / Chapter 第七章 --- 結論 --- p.328 / 參考書目 --- p.331 / Chapter 附錄一 --- 清初文人詩作用陶淵明典故語句輯錄 --- p.1 / Chapter 附錄二 --- 清初文人用陶淵明典故的創作時間與數量分佈 --- p.105 / Chapter 附錄三 --- 歷代書目所錄《陶淵明集》 --- p.106 / Chapter 附錄四 --- 宋代《陶集》注本研究 --- p.119 / Chapter 附錄五 --- 清初文人和陶詩附表 --- p.147