Submitted by Leda Lopes (ledacplopes@hotmail.com) on 2017-08-10T14:11:00Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) André_Barbachan_Silva_Dissertação.pdf: 23179209 bytes, checksum: b037e2ca582fb54acd790914af848747 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-08-10T21:13:21Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) André_Barbachan_Silva_Dissertação.pdf: 23179209 bytes, checksum: b037e2ca582fb54acd790914af848747 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-08-10T21:14:49Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) André_Barbachan_Silva_Dissertação.pdf: 23179209 bytes, checksum: b037e2ca582fb54acd790914af848747 (MD5) / Made available in DSpace on 2017-08-10T21:14:55Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) André_Barbachan_Silva_Dissertação.pdf: 23179209 bytes, checksum: b037e2ca582fb54acd790914af848747 (MD5) Previous issue date: 2016-05-23 / Qual o som deste lugar? Investigações poéticas acerca da paisagem sonora é o resultado de uma pesquisa em poéticas visuais, desenvolvida no Mestrado em Artes Visuais da Universidade Federal de Pelotas, na linha de pesquisa “Processos de Criação e Poéticas do Cotidiano”, durante o período de 2014 a 2016. Tem como objetivos a documentação de algumas de minhas obras de arte que possuem características sonoras e também a adequação sonora dos conceitos studium e punctum de Roland Barthes (2015) configurando-os como “studium e punctum sonoros”. O processo se deu a partir do esclarecimento do termo “soundscape” cunhado por Murray Schafer (2011), e com a análise das sonoridades geradas por obras de arte interativas e sonoras. / What is the sound of this place? Poetic investigations on soundscape. It’s the result of a research in visual poetics, developed in the Visual Arts Master’s degree of the Federal University of Pelotas, in the research pipeline “Process of Creation and daily poetics”, during the period of 2014 to 2016. It has as objectives the documentation of some of my works of art, that has sound characteristics and also the sound suitability of the concepts studium and punctum of Roland Barthes (2015), configuring them as ”Sound studium and punctum”. The process was made from the clarification of the term “soundscape” coined by Murray Schafer (2011), and with the analysis of the sonorities created by interative and sound works of art.