Temos aktualumas ir naujumas: Muzikos pažinimas neatsiejamas nuo muzikinio rašto pažinimo, nereikia net abejoti, kad muzikinio rašto mokėjimas tik padeda atlikti sudėtingesnes dainas ar kitus muzikos kūrinius, groti ar net kurti muziką patiems. Pažįstant muzikos raštą galima konkrečiai ,,apčiuopti’’ muziką, vizualiai pamatyti dainuojamą dainą ar net klausomą kūrinį (Z. Rinkevičius ,,Mokinių muzikinis ugdymas ’’ 1993, 116p) Tai labai svarbu žmogaus išsilavinimui, muzikinės kultūros požiūriu, nes muzikos meno nusimanymas teorijos klausimais praplečia muzikos pažinimo galimybes. Gyvename visuotinio literatūrinio raštingumo epochoje, priartėjome prie kompiuterinio raštingumo, o štai būtinyb�� pažinti natų raštą daug kam atrodo diskutuotina. Norint mokyklose pakelti dainavimo lygį, manyčiau, kad būtina spręsti šią aktualią muzikos rašto mokymo problemą, nes muzikos rašto pagalba daug greičiau ir sąmoningiau įsisavinami dainuojami kūriniai, lavinami muzikiniai gabumai. Problema: Bendrojo lavinimo mokykloje nuo I iki VIII klasės mokiniai supažindinami tik su minimaliais muzikos rašto pagrindais . Vyresniųjų klasių vadovėliuose muzikos raštui neskiriamas dėmesys, nors mokydamiesi muzikos rašto, mokiniai išmoksta analizuoti ritmus ir melodijas, gali savarankiškai groti ar dainuoti ir tuo kelti savo muzikinę kultūrą. Tyrimo tikslas: Atskleisti muzikos rašto mokymo mūsų mokyklose ypatybes. Pagrįsti, kad muzikos pažinimas neatsiejamas nuo muzikinio rašto... [toliau žr. visą tekstą] / Topicality and novelty of the theme : Music knowledge is associated with musical script knowledge. There is no doubt that profficiency in musical script helps not only to perform more complicated songs or other musical piece, but as well to play the instrument or even to creat the music themselves. If your know writing you are able to “feel” music, to see a singing song visually or even a listening piece (Z. Rinkevičius “Musical Education for Students” 1993, 116p). It is very important for man's education his outlook on musical culture, because knowing the musical recognition. We are living in a computer literate epoch but necessity to know music for most is discussing topic. If we want to improve a singing level in our schools, we have to solve this serious musical learning problem. Musical writing helps to develop musical skills and adopt the pieces quickly and perfectly. The problem: In secondary school students from I till VIII forms know only minimal skills of musical writing. There is not paying attention on musical writing in coursebooks for senior students although learning musical writing allow them to analize rhythms and melodies, they can play and sing freely and develop their musical skills. The aim of the research: Is to present some particularities of teaching musical writing in our schools, to explain that music is clasely related to musical writing. The subject of the research: Teaching musical writing. The hypothesis of the research: Musical writing has... [to full text]

The basis of nice singing is correct intonation. It is important to develop intonation in Primary School since musical abilities form until the age of ten. For the purpose of improving the intonation of Primary school children it is essential to organize the process of intonation education properly, to compose an effective system of tasks for intonation training which could contribute good vocal skills. The purpose of this research is to estimate training intonation peculiarities of children. The subject of research is the intonation education of 3rd grade school children. Research hypothesis is formulated that if in educating process the exercises for improving musical hearing (intervals), practicing singing a cappela, canons and exercises are prepared properly and used, the quality of Primary school children intonation can be improved. Tasks of research are raised: 1) according to philosophic, psycological, pedagogical, literary analysis to reveal intonation conception and importance of intonation in misic development system; 2)to find out the reason of bad children`s intonation and the right specification of intonation; 3) to distinguish the peculiarities of Primary school children intonation development; 4) to form the system of exercises improving intonation training. In this research theoretical (classified system of literature), empirical (single alternative experiment, analysis of quality and quantity of received data and mathematical methods (percentage... [to full text]

The primary stage of learning, while teaching a young violinist, is one of the most difficult stages for pedagogue. This is the foundation of learner’s developing abilities, skills, musicianship, and personal culture. The peculiarities of age and their significance to musical education, training of student’s musical abilities and playing skills playing by ear at the primary stage of learning, and moreover the advantages of this method at the beginning of violinist’s teaching process are analysed in the master’s degree work. Subject – violinist’s education at the age of 6-7 playing by ear at the primary stage of learning. Objective – to find out what influence on violinist’s education has playing by ear at the primary stage of learning. Goals: 1. Study the methods of teaching, which are presented in the pedagogical and methodical violin schools’ literature. 2. Find out the advantages of playing by ear while improving the abilities of violinist at the age of 6-7. 3. Reveal the importance of playing by ear at the primary stage of learning. The research proved the hypothesis that the education of a beginner violinist becomes more efficient using the playing by ear at the primary stage of learning. The development of a child in the educational context, the age peculiarities at the age of 6-7, the system of initial playing elements, and the advantages of playing by ear in teaching of a beginner violinist are analysed in the work. The study proves the influence of playing... [to full text]