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Una raccolta di lettere italiane inviate agli emigrati in Canada, 1954-1955Cancian, Sonia. January 1999 (has links)
In the 1950s, countless letters were sent from family members in Italy to their sons or daughters, brothers or sisters, and husbands or wives who had emigrated earlier to Canada. / This research is a study of nineteen letters written in Italy between 1954 and 1955. These letters, written in the language known as "l'italiano popolare," are the primary source from which stems a linguistic analysis. As well, a brief overview of "l'italiano popolare" follows in addition to a synopsis on popular letters and on the sociohistorical circumstances surrounding Italy at the time in which the letters were written.
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Fonetica e fonologia del dialetto di San Giovanni in Fiore /Mele, Biagio. January 2009 (has links)
Thesis (doctoral)--Zürich, Universität, 2007. / Includes bibliographical references (p. 193-204).
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Contribution à la méthodologie de l'analyse linguistique avec application à la description phonétique et phonologique du parler de Rossano, province de Massa, ItalieRossi, Mario, January 1976 (has links)
Thesis--Université de Paris III, 1974. / Includes indexes. Includes bibliographical references (v. 2, p. 933-965).
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Travel to encounter viaggi e alterità nella letteratura italiana sull'Africa tra diciannovesimo e ventesimo secolo /Furlan, Cristiana January 1900 (has links)
Written for the Dept. of Italian Studies. Title from title page of PDF (viewed 2020/03/30). Includes bibliographical references.
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Una raccolta di lettere italiane inviate agli emigrati in Canada, 1954-1955Cancian, Sonia. January 1999 (has links)
No description available.
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Languages in contact : error analysis of Italian childrens' compositions in a multilingual contextSamperi-Mangan, Jacqueline. January 1991 (has links)
No description available.
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Hybridization and Enunciation in Arab-Italian Migrant LiteratureLammendola, Daniel Julian 27 August 2013 (has links)
No description available.
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A Panoramic View of the Italian Beat MovementAttili, Maurizio 13 December 2010 (has links)
No description available.
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Silent Presences: Italian-American Women's Experiences in the Mahoning Valley, 1880-1930Cuppone, Laura 13 May 2008 (has links)
No description available.
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Jean Cocteau et l'Italie : regards cinématographiques croisés / Cocteau and Italy : a two-way film confrontationZemignan, Roberto 14 November 2012 (has links)
Cette thèse, qui croise l'oeuvre de Jean Cocteau avec la culture italienne, a un double but. D’une part, il s’agit de retracer les éléments qui ont contribué à donner vie à la partie italienne de l'imaginaire du poète, au cours de ses séjours dans la Péninsule. D’autre part, elle vise à faire connaître le point de vue italien sur sa présence dans le pays, en particulier pour ce qui concerne ses films et sa réflexion critique. Elle s'articule en trois parties. Dans la première, il s'agit de détecter comment l'imaginaire italien de Cocteau est né, ainsi que de retracer l'historique des relations qu'il a entretenues avec l’Italie. Dans la deuxième partie, elle aborde le domaine cinématographique dans sa spécificité, également sousun double aspect. D'une part, à travers l'analyse des commentaires que Cocteau a écrits après sa découverte des films italiens, pour pouvoir dégager sa conception de ce cinéma sous une forme générale, et comprendre son intérêt pour certains de ses protagonistes en particulier. D'autre part, elle retrace et analyse la place que la presse spécialisée italienne a accordé à son oeuvre dans l’univers cinématographique du Bel Paese. Enfin, la troisième partie examine les liens concrets que Cocteau a noués avec trois cinéastes italiens : Roberto Rossellini pour l’adaptation cinématographique de La Voix humaine; Luciano Emmer, pour la rédaction et la lecture des commentaires français de Venise et ses amants et de La Légende de Sainte Ursule; enfin Michelangelo Antonioni pour la réalisation de son Mystère d'Oberwald, adaptation de la pièce de théâtre L'Aigle à deux têtes. / This thesis which confronts Jean Cocteau's work with Italian culture has a double aim. On the one hand, it aims at exploring the elements which contributed to giving life to the Italian side of the poet's imagination during his various stays in Italy. On the other hand, it aims at giving a better understanding of the Italian point of view about his presence in the country, especially concerning his films and his critical thoughts. The thesis hinges on three parts. The first one deals with the ways in which Cocteau's Italian imagination originated and puts in a historical perspective the different stages in the relationshipswith the country. The second part is about Cocteau's cinema proper, in a twofold aspect as well .The first one analyzes the commentaries Cocteau wrote after his discovery of Italian films. This allows us to give a better view of the way he conceived this form of cinema in general, and understand his interest for some of its protagonists in particular. The second aspect analyzes the place the Italian press granted to his work in the film production of the « Bel Paese ». The third part looks into the bonds of friendship Cocteau built up with three Italian directors : Roberto Rossellini for the screen adaptation of La Voix humaine ; Luciano Emmer for the French written commentaries and their reading of Venise et ses amants and of La Légende de Sainte Ursule ; and last Michelangelo Antonioni for the direction of Le Mystère d'Oberwald, an adaptation of the play L'Aigle à deux têtes.
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