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On Trauma, or, How To Bear Witness to the Quiet Violence of DreamsShinners, Keely 01 January 2018 (has links)
This thesis explores South African author K Sello Duiker's The Quiet Violence of Dreams (2001) as a narration of personal and national trauma. This narration of trauma, as a disruption of the past in the present, provides insight to an imagination of recursive temporality. Through the temporal insights trauma introduces, it understands a shared history which is outside of modern, linear progression, a history which is always happening, not needing to prove itself but begging to be witnessed. It is this imagination of a collective, recursive history which translates, in the text, towards a decidedly decolonial witnessing.
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Temporality and the past: recollections of apartheid in selected South African novels in EnglishXaba, Andile 11 1900 (has links)
The study provides a theoretical account for the representation of apartheid in South African fiction. Narrative strategies employed in the post-apartheid novels The innocence of roast chicken (Richards, 1996), The smell of apples (Behr, 1996), All we have left unsaid (Case, 2006) and Thirteen cents (Duiker, 2011) reveal that depictions of the past contribute to narrative structure and the production of meaning. Genettean temporal relations, namely narrative order, duration and frequency are a systematic method to analyse the selected novels, since it enables a contrast between the narrative past as the histoire, and the narrative present as the récit. Retrospective events are constructed as memories, thereby are complemented by Bergson’s psychological and philosophical theory in the analysis and interpretation of the dualistic interaction between the apartheid and post-apartheid temporal centres adopted within the novels. The representation of apartheid may be seen as sub-themes and time as configurations of temporal zones. / Afrikaans & Theory of Literature / M.A. (Theory of Literature)
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Temporality and the past: recollections of apartheid in selected South African novels in EnglishXaba, Andile 11 1900 (has links)
The study provides a theoretical account for the representation of apartheid in South African fiction. Narrative strategies employed in the post-apartheid novels The innocence of roast chicken (Richards, 1996), The smell of apples (Behr, 1996), All we have left unsaid (Case, 2006) and Thirteen cents (Duiker, 2011) reveal that depictions of the past contribute to narrative structure and the production of meaning. Genettean temporal relations, namely narrative order, duration and frequency are a systematic method to analyse the selected novels, since it enables a contrast between the narrative past as the histoire, and the narrative present as the récit. Retrospective events are constructed as memories, thereby are complemented by Bergson’s psychological and philosophical theory in the analysis and interpretation of the dualistic interaction between the apartheid and post-apartheid temporal centres adopted within the novels. The representation of apartheid may be seen as sub-themes and time as configurations of temporal zones. / Afrikaans and Theory of Literature / M. A. (Theory of Literature)
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