Karol Szymanowski (1882-1937) was the composer of a substantial body of compositions for the piano which, outside of his native Poland, remain little known and performed more than forty years after his death. This document is designed to acquaint the reader with this literature, and to give him a general introduction to the stylistic characteristics of the composer. As most of the important books about the composer are in Polish, an annotated bibliography is included which directs the reader's attention to more detailed sources, in both English and Polish, concerning the solo piano works.

Orientador: Carlos Fernando Fiorini / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-23T20:59:15Z (GMT). No. of bitstreams: 1 Jennings_Claudia_M.pdf: 7069655 bytes, checksum: a9c68d2a82e06d8f0e585572a9937685 (MD5) Previous issue date: 2013 / Resumo: O Stabat Mater op. 53 do polonês Karol Szymanowski é uma peça representativa da fase de maturidade do compositor, na qual ele emprega elementos da música tradicional polonesa estilizados e técnicas modernas de composição. Este trabalho é dirigido ao regente que planeja executar o Stabat Mater. Nele são apresentadas sugestões de preparação e interpretação da obra a partir da análise dos elementos estruturais e textuais dirigida para sua performance. Discute-se também a escolha do coro e da orquestra, bem como composições do programa de concerto. Por se tratar da execução da obra em sua língua original, também é apresentado um guia da pronúncia da língua polonesa voltado aos cantores falantes do português, incluindo a transcrição fonética do texto / Abstract: The Stabat Mater op. 53 from the Polish composer Karol Szymanowski is a representative work from his mature phase, in which he uses elements from the traditional Polish music and modern compositional techniques. This study is directed toward the conductor who plans to perform the Stabat Mater. The paper presents a background of the work from the analysis of structural and textual elements regarding the performance. The choice of the choir and orchestra is discussed, as well as the possibilities of concert programming. Because of the fact that the work will be performed in the original language, a pronunciation guide of the Polish language is presented and directed to Portuguese-speaking singers, including the phonetic transcription of the text / Mestrado / Praticas Interpretativas / Mestra em Música

This thesis argues that a close reading of Karol Wojtyla (John Paul II) and Emmanuel Levinas reveals a common phenomenological and ethical interest in the embodied human person. Attention is also given to points of disagreement that are theological in character. Despite different religious commitments, their treatment of the body provides the basis for an overlooked dialogue in which both emphasise the giftedness of the embodied human subject, the ‘other’. In the postmodern context, the body is a key theme and the focus of much debate, yet little has been said of observations made by both Wojtyla and Levinas about each other’s work, or how this relates to their own development. This is surprising given their huge contribution to philosophy, ethics and theology in the 20th century. Levinas' mature philosophical works build on his ongoing interest in phenomenology, but the body remains problematical. For him, incarnation is questionable, because he refuses an incarnational avatar. There is no escape from commitment or responsibility and the theme of alterity is absolute. Yet, communio is the necessary objective of the human situation, in which bodies do not simply make incarnate presence possible, but are fragile, wounded and vulnerable. This is crucial: bodies can be violated and even crucified. Wojtyla addressed this paradox in his Wednesday audiences in what became known as his ‘theology of the body’, which in turn shaped his principle paradigm of alterity, the nuptial mystery. There is an irreconcilable difference in these two views of the body, in which Wojtyla’s nuptial mystery contrasts strongly with Levinas’ alterity. With this important variation in mind, it is demonstrated that the thread of agreement between Levinas and Wojtyla is the logic of the gift; that the body speaks a language of gift-exchange that is fundamentally ethical and theological.

Thesis advisor: David Hollenbach / Solidarity as spiritual exercise: a contribution to the development of solidarity in the Catholic social tradition By Mark William Potter Director: David Hollenbach, S.J. ABSTRACT The encyclicals and speeches of Pope John Paul II placed solidarity at the very center of the Catholic social tradition and contemporary Christian ethics. This dissertation analyzes the historical development of solidarity in the Church's encyclical tradition, and then offers an examination and comparison of the unique contributions of John Paul II and the Jesuit theologian Jon Sobrino to contemporary understandings of solidarity. Ultimately, I argue that understanding solidarity as spiritual exercise integrates the wisdom of John Paul II's conception of solidarity as the virtue for an interdependent world with Sobrino's insights on the ethical implications of Christian spirituality, orthopraxis, and a commitment to communal liberation. The dissertation probes the relationship between spirituality and ethics in general, and Ignatian spirituality and Catholic social teaching, in particular. My analysis of solidarity in the encyclical tradition (Chapter 1) provides an historical overview of the incremental development of solidarity in the writings of successive popes and ecclesial councils from Pius XII through Paul VI. In considering the unique contributions of John Paul II, I turn first to the theological and philosophical formation of Karol Wojtyla and the sociopolitical context of Poland (Ch. 2). My analysis then turns to a consideration of Pope John Paul II's social encyclicals (Ch. 3), with the goal of offering a definition of solidarity that integrates his intellectual formation and social context with the development of solidarity in the official social tradition. Next, I examine the development of solidarity in the writings of Jon Sobrino, first through an analysis of his intellectual and spiritual formation in the revolutionary context of El Salvador (Ch. 4), and then through an analysis of his unique theological contributions to the topic (Ch. 5). Based on Sobrino, I offer an articulation of solidarity as spiritual exercise as an original contribution to the development of solidarity in the Catholic social tradition (Ch. 6). / Thesis (PhD) — Boston College, 2009. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Theology.

Thesis advisor: Marina B. McCoy / Thesis advisor: Peter Kreeft / An in-depth study of Karol Wojtyła's creative synthesis of medieval and modern thought, in which he brings together 1) traditional Thomistic metaphysics and anthropology and 2) the insights of contemporary phenomenology, in order to understand the reality of man as person in his integral totality. / Thesis (BA) — Boston College, 2009. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: College Honors Program. / Discipline: Philosophy.

Spurred on by the controversy over contraception, the twentieth century became one of most eventful for the history of Catholic thought on human sexuality. The Catholic Church in this century experienced the rise and eventual dominance, at least at the level of the Magisterium, of a personalist approach to Marriage and sexual ethics, an approach which sought to treat of these subjects from the perspective of their relation to personal values, especially the value of love. Of those figures who were most crucial in the development of such a personalist approach, one was Karol Wojtyła. As bishop,archbishop, cardinal and finally pope, Wojtyła (John Paul II) would be involved in some of the most important events of this history, such as the drafting of Vatican IIs Gaudium et Spes and the controversy surrounding Paul VIs <i> Humanae Vitae</i>. <p>This study is intended to further an understanding of Wojtyłas role in this history by investigating his thought on human sexuality. Accurate interpretation of his actions would require knowledge about his convictions, beliefs and reasons for them. This study, however, limits itself to investigating only one of Wojtyłas works, Love and Responsibility, and to asking one specific question of it, what relation is understood to exist between love and sexuality. This investigation leads to several important conclusions. First, Wojtyła has a definite and reasoned belief that sexuality is necessarily related to love. Second, his understanding of sexuality and its relation to love depends on his belief about the nature of love. Third, Wojtyła believes that human sexuality is related to love because a) it is the sexuality of a person and a person is the sort of entity which is able to love and ought to be loved, b) by virtue of the sexual urge attraction (a form of love) arises very easily, c) by sex (male and female) being a limitation or imbalance a special basis is created for love-as-desire (another form of love), and finally d) by sexual intercourse being a union of bodies, intercourse both expresses betrothed love (yet another form of love) and gives it an added perfection.

Spurred on by the controversy over contraception, the twentieth century became one of most eventful for the history of Catholic thought on human sexuality. The Catholic Church in this century experienced the rise and eventual dominance, at least at the level of the Magisterium, of a personalist approach to Marriage and sexual ethics, an approach which sought to treat of these subjects from the perspective of their relation to personal values, especially the value of love. Of those figures who were most crucial in the development of such a personalist approach, one was Karol Wojtyła. As bishop,archbishop, cardinal and finally pope, Wojtyła (John Paul II) would be involved in some of the most important events of this history, such as the drafting of Vatican IIs Gaudium et Spes and the controversy surrounding Paul VIs <i> Humanae Vitae</i>. <p>This study is intended to further an understanding of Wojtyłas role in this history by investigating his thought on human sexuality. Accurate interpretation of his actions would require knowledge about his convictions, beliefs and reasons for them. This study, however, limits itself to investigating only one of Wojtyłas works, Love and Responsibility, and to asking one specific question of it, what relation is understood to exist between love and sexuality. This investigation leads to several important conclusions. First, Wojtyła has a definite and reasoned belief that sexuality is necessarily related to love. Second, his understanding of sexuality and its relation to love depends on his belief about the nature of love. Third, Wojtyła believes that human sexuality is related to love because a) it is the sexuality of a person and a person is the sort of entity which is able to love and ought to be loved, b) by virtue of the sexual urge attraction (a form of love) arises very easily, c) by sex (male and female) being a limitation or imbalance a special basis is created for love-as-desire (another form of love), and finally d) by sexual intercourse being a union of bodies, intercourse both expresses betrothed love (yet another form of love) and gives it an added perfection.

Note: / Karol Szymanowski's music has fascinated me for a long time. The first time I encountered his name was in Artur Rubinstein's autobiography, which recounts how they first met and narrates many anecdotes about their friendship. At the time, I was living in Brazil, and was unable to find any recordings of his music. Nonetheless, Rubinstein's ardent praise of him (“a master!”, “a great Polish composer!”, “a powerful, original personality”) made me very curious, and I did not abandon my desire to keep looking for his music. Then, when I moved to Montreal in order to start my undergraduate degree at McGill University, I was finally able to find many recordings of his works at the school's library.[...]

The Author of this work focuses on the Polish music composer Karol Szymanowski and his works for violin. This work includes a biography of the composer with the emphasis on his work, describes his creative period and is dedicates to his compositions for violin. The Author concentrates on the Sonata for violin and piano in D minor, Op. 23, Nocturne and Tarantella, Op. 28, Myths Op. 30, Violin Concerto No. 1, Op. 35, Concerto for Violin No. 2, Op. 61 and a few other small pieces for this instrument. He also focuses on the circumstances, which influenced the creation of Szymanowski and his compositional style. One of the main objectives of this work is to provide information, with which should be familiar every violinist, who studies the works of this composer. This work can be as well useful also for everyone, who is interested in the personality of Karol Szymanowski and his music.

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