The work deals with the process of Carolingian monastic reform culminating in synods from the beginning of the ninth century. Using a diachronic approach, it examines the ways in which the Rule of Benedicti was spread in the Frankish Empire during the reign of Charlemagne and its legal anchoring during the reign of his son Louis I. the Pious. The work further analyzes the hagiographic biography of Benedict of Aniane with a view to examining its significance in the uniformization efforts of the ruling dynasty. The monastic provisions of the imperial synods from 816 and 817 are compared with the original wording of the Benedictine Rule and in relation to this, the work points to new monastic tendencies which deviate from the original Benedictine tradition. The first chapter presents an initial insight into the topic of the monastic reform of the Karlovac dynasty and points out the methods and causes of the gradual penetration of the Rule of Benedict of Nursia into the Frankish monasteries. The next chapter uses a biographical method to approach the person of Abbot Benedict of Aniane and his role in the reform of monasticism. The final part of the work analyzes the synodial chapters dealing with the issue of the implementation of the Benedictine rule in the monasteries of the Frankish Empire. It analyzes the...

Indiana University-Purdue University Indianapolis (IUPUI) / La música popular de hace años ha cambiado, en particular el reggaetón ha tomado el mundo por asalto. Artistas que han revolucionado la escena musical, música latina, hispana que se puede escuchar por cada rincón del mundo. Sin embargo, el reggaetón tiene su propia historia, no se hizo popular de un día al otro sino ha alcanzado su nivel actual gracias a los esfuerzos de sus pioneros, los fanáticos y los artistas de hoy en día. Estos artistas reggaetoneros no son únicamente del mismo país, sino que nacieron en todas partes del mundo. Cada uno de estos artistas traen su propio español, el español de sus países, algo que expone a los oyentes a distintas variedades del español. La variedad lingüística que se puede escuchar por medio de las canciones es inmensa y es una manera auténtica de oír como realmente se habla el español en los diferentes países hispanohablantes. La cantidad de información sobre la fonética, la morfología, sintaxis o léxico que se puede aprender sobre los distintos países es incontable y sumamente importante. Información que se puede aplicar en un aula de clase L2 para enriquecer y fortalecer el aprendizaje de estos estudiantes. Empleando el reggaetón como base en las lecciones y actividades en el aula L2 se puede enseñar la variedad lingüística de cualquier país hispanohablante.

In my diploma thesis I am focused on biography of polish composer Karol Szymanowski. In his biography I briefly analyze his major works of three different creative periods and I present what was he inspired of at those periods (eg. Wagner's harmony, oriental music, folk music of Podhale etc.). Afterwards, I detaily focus on analysis of the ballet "Harnasie", which is most inspired by the folklore music from Zakopané, where he lived for a part of his life. I analyze the ballet from music aspect, I also write about libretto, kostumes, scenography atc. I have added the ballet notes samples as a part of the musical analysis to facilitate orientation. I have included images of people, places, folk costumes, architecture and dance I am writing about. Annexes include notes samples and another images from composer's life and also a list of compositions, which are included on CD.

Orientador: Jose Mario Ortiz Ramos / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-05T02:03:24Z (GMT). No. of bitstreams: 1 CarranzaDavila_BrendaMaribel_D.pdf: 6546087 bytes, checksum: 1d35b7caf98bfd9ed1e160b3356bfde4 (MD5) Previous issue date: 2005 / Resumo: Esta pesquisa propõe-se a demonstrar como uma terceira onda de recatolização brasileira está sendo constituída, liderada por uma nova face da Renovação Carismática Católica: o catolicismomidiático, cujo emblema é o fenômeno Pe. Marcelo Rossi. O estudo identifica as mutações culturais que alavancam a consolidação dessa recatolização, suas semelhanças com o neopentecostalismo protestante e os conflitos intra-eclesiais gerados por essa ofensiva de reinstitucionalização, inspirada e legitimada no pontificado de João Paulo II. Alerta-se, também, para os traços ¿neointegristas¿ e ¿exculturados¿ que tendem a redesenhar outra fase do catolicismo, a qual vem fermentando nos últimos trinta anos. No âmago dessa discussão, encontram-se os dilemas e os paradoxos que emergem na relação histórica entre a Igreja e a modernidade, quando a primeira apropria-se da cultura midiática, através do uso religioso dos meios de comunicação de massa, no afã de adaptar-se aos sinais dos tempos. A tese consta de três partes: a primeira captura as interfaces da vertiginosa ascensão do jovem sacerdote com a cultura de consumo; a segunda esboça os traços do catolicismo midiático e a maneira como ele configura imaginários, subjetividades e sociabilidades religiosas, veiculando-as na rádio, televisão, internet e cinema, além de analisar os desdobramentos sociais dessas práticas pastorais; e a terceira aproxima o leitor à dinâmica interna de uma instituição milenar, experiente na arte de gerenciar diferenças, negociar hegemonias e de manter um equilíbrio sistêmico. No seu conjunto, esta reflexão ambiciona sugerir a relevância do fenômeno religioso na sociedade contemporânea / Abstract: This research seeks to demonstrate how a third way of the Brazilian re-catholicizing is being constructed under the leadership of a new face of the Catholic Charismatic Renovation: the Media-Catholicism, whose emblem is the priest Marcelo Rossi¿s phenomenon. The study identifies the cultural changes that leverage the consolidation of the current re-catholicizing process. Also, it identifies the similarities with the Protestant Neo-Pentecostalism and the intra-Catholic Church conflicts ¿the last one created by the re-institutionalization effort inspired and legitimated during John Paul II pontifical period. Besides, it calls the attention to the ¿neo-integrist¿ and ¿exculturated¿ traces that tend to re-design another phase of Catholicism, the one that is being leavened for the last thirty years. The dilemmas and paradoxes that emerged into the historical relation between the Catholic Church and modernity are at the center of this discussion. Particularly, when the Church, in the eager to adapt itself to the signals of the time, resorts to the media culture, making religious use of the mass means of communication. This thesis is divided in three parts: the first one captures the interfaces between the vertiginous rising of the young priest and the culture of consumption; the second, sketches the traces of the media Catholicism and the way in which it configures imageries, subjetivities and religious sociabilities, transmitting them through the radio, television, movies and the Internet ¿analyzing, as well, the social outcomes of those pastoral practices; and the third part takes the reader to the interior dynamics of a millenarian institution, well experienced in the art of managing differences, negotiating hegemonies and maintaining a systemic equilibrium. As a whole, this reflection seeks to call the attention to the importance of a religious phenomenon in the contemporary society / Doutorado / Doutor em Ciências Sociais

No description available.

Polarisé par l’événement du jubilé de l’an 2000, Jean-Paul II, tout au long de son pontificat, achemine l’Église catholique dans un long pèlerinage vers le IIIe millénaire de l’humanité. À l’aube du XXIe siècle, avec le contenu théologique du concile Vatican II pour boussole fiable, le pape polonais arbore une vision pastorale originale marquée par l’expression « nouvelle évangélisation ». Reprise de l’épiscopat d’Amérique latine, cette expression devient ainsi son emblème et son fer de lance durant les quelque 27 années de son pontificat. Largement récupérée par maints milieux ecclésiaux, l’expression méritait qu’on en produise une étude systématique à la lumière de la théologie pastorale de celui qui en a été le divulgateur privilégié. Pour ce faire, nous avons choisi comme texte fondateur à notre étude sa lettre apostolique Tertio Millennio Adveniente publiée en 1994, en raison de la vision pastorale qui s’en dégage à l’aube de l’an 2000. Ce texte, qui couvre la période du concile Vatican II jusqu’à l’entrée de l’Église catholique dans le IIIe millénaire, définit le cadre temporel de notre recherche. Par ailleurs, il nous permet de retenir trois référents théologiques pour conduire notre étude. Nous les analysons et nous en conduisons une synthèse théologique à travers trois regards synoptiques qui acheminent progressivement la thèse vers sa conclusion. Le premier référent théologique retenu est l’exhortation apostolique Evangelii Nuntiandi du pape Paul VI ; le deuxième référent est l’ouvrage de Karol Wojtyla Aux sources du renouveau ; le troisième référent est l’exhortation postsynodale Ecclesia in America. Avec une démarche herméneutique justifiée, et par la synthèse de ces référents théologiques, trois aboutissants voient le jour. Le premier regarde l’application pastorale du concile Vatican II : dans un regard pastoral justifié par une anthropologie définie, le pasteur articule les constitutions Lumen Gentium et Gaudium et Spes pour proposer une praxis pastorale. Le second aboutissant parle alors de la notion de la créativité de la foi. Cette créativité de la foi se décline, elle, dans les médiations culturelles – troisième aboutissant – qui s’articulent elles-mêmes autour des concepts d’attitudes et de dialogue wojtylien. La critique proposée en conclusion de thèse porte directement sur l’anthropologie proposée par Jean-Paul II sous-jacente à chacun de ces trois aboutissants. / The entire pontificate of Pope John Paul II, polarized by the event of the Jubilee of the year 2000, can be summarized as a long pilgrimage of the Catholic Church towards the Third Millennium of humanity. At the dawn of the XXIst century, having as a sure guide the theological contents of Vatican Council II, the Polish Pope held up for all to see an original pastoral vision marked by the expression “new evangelization”. Borrowed from the Latin American Bishops this expression became his emblem and spearhead during nearly 27 years of pontificate. Since it has been largely appropriated by various ecclesial groups, a systematic study of the expression, in the light of the pastoral theology of its privileged discloser, had to be initiated. To do so we chose, as founding text of our study, the Apostolic Letter Tertio Millennio Adveniente, published in 1994, due to its pastoral vision at the dawn of the year 2000. This text, covering the period of the Vatican Council II up to the entry of the Roman Catholic Church in the Third Millennium, defined the temporal framework of our research and permitted us to retain three theological tenets. We analyzed them and produced a theological synthesis through three synoptic views which gradually led the thesis to its conclusion. The Apostolic Exhortation Evangelii Nuntiandi of Pope Paul VI was the starting point; the second theological tenet was the document of John Paul II entitled Sources of Renewal, and the final tenet was the Post Synodal Exhortation Ecclesia in America. By the analysis and the synthesis of these three tenets, with a justified hermeneutical initiative, three outcomes emerged. The first one looked at the pastoral application of the Vatican Council II: in a pastoral outlook justified by a defined anthropology, the minister articulated the Constitutions Lumen Gentium and Gaudium et Spes to suggest a pastoral praxis. The second outcome then developed the notion of the creativity of the faith. This creativity of the faith declined itself in the cultural mediations – third outcome – which articulate themselves around the concepts of attitudes and Wojtylien dialogue. The proposed critical conclusion of the thesis directly concerned the anthropology proposed by John Paul II underlying in each of these three outcomes.

The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions

Polarisé par l’événement du jubilé de l’an 2000, Jean-Paul II, tout au long de son pontificat, achemine l’Église catholique dans un long pèlerinage vers le IIIe millénaire de l’humanité. À l’aube du XXIe siècle, avec le contenu théologique du concile Vatican II pour boussole fiable, le pape polonais arbore une vision pastorale originale marquée par l’expression « nouvelle évangélisation ». Reprise de l’épiscopat d’Amérique latine, cette expression devient ainsi son emblème et son fer de lance durant les quelque 27 années de son pontificat. Largement récupérée par maints milieux ecclésiaux, l’expression méritait qu’on en produise une étude systématique à la lumière de la théologie pastorale de celui qui en a été le divulgateur privilégié. Pour ce faire, nous avons choisi comme texte fondateur à notre étude sa lettre apostolique Tertio Millennio Adveniente publiée en 1994, en raison de la vision pastorale qui s’en dégage à l’aube de l’an 2000. Ce texte, qui couvre la période du concile Vatican II jusqu’à l’entrée de l’Église catholique dans le IIIe millénaire, définit le cadre temporel de notre recherche. Par ailleurs, il nous permet de retenir trois référents théologiques pour conduire notre étude. Nous les analysons et nous en conduisons une synthèse théologique à travers trois regards synoptiques qui acheminent progressivement la thèse vers sa conclusion. Le premier référent théologique retenu est l’exhortation apostolique Evangelii Nuntiandi du pape Paul VI ; le deuxième référent est l’ouvrage de Karol Wojtyla Aux sources du renouveau ; le troisième référent est l’exhortation postsynodale Ecclesia in America. Avec une démarche herméneutique justifiée, et par la synthèse de ces référents théologiques, trois aboutissants voient le jour. Le premier regarde l’application pastorale du concile Vatican II : dans un regard pastoral justifié par une anthropologie définie, le pasteur articule les constitutions Lumen Gentium et Gaudium et Spes pour proposer une praxis pastorale. Le second aboutissant parle alors de la notion de la créativité de la foi. Cette créativité de la foi se décline, elle, dans les médiations culturelles – troisième aboutissant – qui s’articulent elles-mêmes autour des concepts d’attitudes et de dialogue wojtylien. La critique proposée en conclusion de thèse porte directement sur l’anthropologie proposée par Jean-Paul II sous-jacente à chacun de ces trois aboutissants. / The entire pontificate of Pope John Paul II, polarized by the event of the Jubilee of the year 2000, can be summarized as a long pilgrimage of the Catholic Church towards the Third Millennium of humanity. At the dawn of the XXIst century, having as a sure guide the theological contents of Vatican Council II, the Polish Pope held up for all to see an original pastoral vision marked by the expression “new evangelization”. Borrowed from the Latin American Bishops this expression became his emblem and spearhead during nearly 27 years of pontificate. Since it has been largely appropriated by various ecclesial groups, a systematic study of the expression, in the light of the pastoral theology of its privileged discloser, had to be initiated. To do so we chose, as founding text of our study, the Apostolic Letter Tertio Millennio Adveniente, published in 1994, due to its pastoral vision at the dawn of the year 2000. This text, covering the period of the Vatican Council II up to the entry of the Roman Catholic Church in the Third Millennium, defined the temporal framework of our research and permitted us to retain three theological tenets. We analyzed them and produced a theological synthesis through three synoptic views which gradually led the thesis to its conclusion. The Apostolic Exhortation Evangelii Nuntiandi of Pope Paul VI was the starting point; the second theological tenet was the document of John Paul II entitled Sources of Renewal, and the final tenet was the Post Synodal Exhortation Ecclesia in America. By the analysis and the synthesis of these three tenets, with a justified hermeneutical initiative, three outcomes emerged. The first one looked at the pastoral application of the Vatican Council II: in a pastoral outlook justified by a defined anthropology, the minister articulated the Constitutions Lumen Gentium and Gaudium et Spes to suggest a pastoral praxis. The second outcome then developed the notion of the creativity of the faith. This creativity of the faith declined itself in the cultural mediations – third outcome – which articulate themselves around the concepts of attitudes and Wojtylien dialogue. The proposed critical conclusion of the thesis directly concerned the anthropology proposed by John Paul II underlying in each of these three outcomes.

The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions