Few students of History understand the derivation and/or origin of the Gqunukhwebe oath "Ndifung' uChungw' efel' ennyameni: I swear by Chungwa who is lying dead at Mnyameni (Alexandria)." A desire to eludicate this point and other related facts inspired me to undertake a close examination of the history of the Gqunukhwebe people, selecting as my main theme the life-work of Chief Kama. In the first chapter I am discussing the creation of the Gqunukhwebe Chiefdom under Khwane by the Xhosa King, Tshiwo. The central theme here is the Black-White confrontation of the 17th - 18th centuries on the Cape Eastern Frontier. As a result of the collision the Gqunukhwebe people were forced to make a home on the banks of the Thwecu River along the east coast. It was here that Kama reached early manhood. The second chapter describes the establishment of Wesleyville Missionary Station by William Shaw in 1823, the first Methodist Missionary Institution in all Xhosaland. In chapter three the discussion centers on the significance of Kama's conversion. An unforeseen outcome of his public profession of the Christian faith was that it not only stigmatized the latter religion as a force destructive of the old order in Xhosa society, but it also reshaped Kama's political image for the good of his religious life. He not only fled from the neighbourhood of his relations and sojourned in a strange land, but also reinforced the Colonial forces in the contemporary frontier struggles. His integrity, self-sacrifice and pro-Colonial inclination eventually won him Middledrift. Chapter four opens with Kama's settling in Middledrift. The theme here is two-pronged. It presents the 'Cattle-Killing' delusion as a source of new trials for the 'priest-chief', and at the same time exposes the Colonial Government's efforts to gain ascendancy above the Xhosa chiefs. Kama's land was the first testing ground in this respect, and the Chief was initially agreeable to the scheme. Chapter five alludes to instances of Chief Kama's unco-operative attitude as signs that his compromising spirit had its limits. An atmosphere of disregard towards Kama pervades the period. But the adversities that threatened to dominate his later life did not by any means shake his Christian principles and convictions. The traces of his good works may to this day be seen in Middledrift, the traditional home of the Kamas.

Le contexte et le processus de fondation de la monarchie sacrée du Burundi demeurent mal connus malgré plusieurs études qui ont été déjà effectuées sur ce sujet. Le problème se situe au niveau des sources qui ont été utilisées pour étudier l’histoire lointaine de ce pays. Des sources qui sont fondamentalement légendaires, mythiques et symboliques et contiennent peu de données historiques ont été utilisées comme sources historiques et l’on a abouti à une histoire-légende et mythique. Bien que ces sources ne permettent pas de reconstituer le passé historique lointain de cette ancienne monarchie et de connaître son processus de formation sans être complétées par d’autres disciplines auxiliaires à l’histoire et confrontées à ces dernières, elles sont incontournables pour la connaissance de la mémoire, de la mentalité et de la vision générale de la vie et du monde des Barundi hier et aujourd’hui. Elles constituent une sorte de miroir et de véhicule de la pensée des anciens Barundi et montrent comment ces derniers pensaient, organisaient et vivaient le monde sur presque tous les points de vue. Leur approfondissement a permis de comprendre la mentalité populaire, l’idéologie politique de la monarchie sacrée, ses fondements socioculturels et son organisation. Le discours sur les origines du Burundi montre également la nature et le type des institutions politiques, culturelles et sociales et leur hiérarchie. Son approfondissement ainsi que celui des données diversifiées que nous avons utilisées dans cette thèse sur le plan historique, ethnographique et linguistique ont également permis de trouver que la monarchie sacrée du Burundi était une théocratie. Sur le plan général, le religieux précède, crée le politique et le supplante. La religion donne sens à la vie, de la naissance à la mort et après celle-ci. Sur le plan social, la population burundaise était subdivisée dans sa grande majorité en quatre grandes composantes sociales :les Baganwa dont la mission était l’exercice du pouvoir politique et administratif et les groupes des Bahutu, des Batutsi et des Batwa qui étaient constitués selon des critères socioéconomiques. Sur le plan familial, les Barundi étaient et sont encore subdivisés en plusieurs groupes familiaux dont les membres sont différemment répartis dans les trois catégories sociales selon leur capacité économique. Le mode de formation, d’évolution, de rejet, d’adoption de ces groupes familiaux et leur organisation montre en quoi ces derniers étaient les piliers et les supports de la vie sociale. Il montre également à quel point l’organisation des groupes familiaux est un élément essentiel pour la connaissance de l’évolution de l’histoire sociale, politique et culturelle du Burundi. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished

Indiana University-Purdue University Indianapolis (IUPUI) / Centered around the accounts of two women—Mary Aubry, a French Catholic midwife living in London, who was burned at the stake for murdering her abusive husband, and Queen Mary of Modena, the Italian Catholic wife of James II, who allegedly tried to pass off an imposter child as her legitimate heir in the so-called “warming pan scandal,” this is a study of murder, deceit, betrayal, paranoia, and repression in seventeenth-century England. The stories of the two Marys are both stories of palpable anxiety. Though the two women bear little resemblance at first glance, they were rumored to have conspired to guarantee a male heir for James II by any means necessary. According to the London gossips, these women were willing to betray, and even kill their husbands in the case of Mary Aubry, to protect their secret plot to perpetuate a line of Catholic princes in England. Though there was little evidence to substantiate this rumor and it quickly disappeared in media accounts, these two women continued to inspire vitriolic attacks from the London press that reveal strikingly similar public concerns. Their stories struck chords of fear within audiences in late seventeenth century England that knew their entire world was threatened. Endangered by a king, James II—who appeared determined to reinstitute Catholicism in England, who showed a penchant for absolutist policies, and who seemed to have fallen into the orbit of the domineering Louis XIV—the public’s apprehension and fear was only heightened by these stories. Just as unnerving as the fears about absolutism, Catholicism and foreign domination was the specter of internal collusion that endangered not simply the political and religious spheres of English Protestant society, but also social and familial hierarchies as well. To much of late seventeenth century English society, the two Marys represented all that was wrong with the world. They were traitors to their families, traitors to the nation, and traitors to the divine. / indefinitely

The purpose of this thesis is to show that stable isotope analysis can be used to predict K’inich Yax K’uk Mo’s stable isotope measures based on Stuart’s (2007) hypothesis that K’inich Yax K’uk Mo’, the dynastic founder of the Copan royal lineage, was a Caracol lord. There is significant and convincing evidence that K’inich Yak K’uk Mo’ had a non-Copanec origin. Stable isotope analysis is a tested and reliable method for detailing diets and migratory paths of ancient humans and this theory is applied as a predictor of the stable isotope measures of K’inich Yax K’uk Mo’, if he did in fact originate in Caracol. The literature is rich with explanations of stable isotopes and the writings of a few stalwarts in the field were utilized to gain an understanding of the associated technologies and techniques utilized in its analysis. Data from the Copan (Whittington and Reed 1997) and Caracol (Chase and Chase 2001) stable isotope studies were utilized to show the application of stable isotope analysis in areas “associated” with K’inich Yax K’uk Mo’ and to illustrate how the palace diet identified by Chase and Chase (2001; Chase et al. 2001) could be aligned with the Stuart hypothesis to predict the stable isotope ranges for K’inich Yax K’uk Mo’.

Etude du rôle des banquiers piémontais au service des ducs de Brabant et de leurs rapports avec les différents pouvoirs: Prince, noblesse et villes.<p>Estimation de leur fonction économique et sociale au sein de la société urbaine brabançonne. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished

Les transformations qui interviennent en France à la suite des guerres de Religion modifient l’imbrication des sphères politique et religieuse. La scission entre protestants et catholiques, la triple reconstruction religieuse, nationale et étatique, les évolutions des pratiques et croyances religieuses ainsi que la nouvelle vigueur des gallicanismes induisent des mutations dans la dimension religieuse des conceptions du pouvoir royal entre le règne d’Henri IV et celui de Louis XIV, évolutions appréciables sur le plan symbolique. De 1589 à 1715, une iconographie abondante place le roi dans une situation religieuse, le met en rapport avec des personnages saints ou divins, ou souligne l’importance de son action en matière religieuse. Ces portraits du roi régnant ou de rois défunts, produits en des lieux disséminés sur le territoire métropolitain du XVIIe siècle, révèlent une autre image du pouvoir royal que l’iconographie plus amplement étudiée jusqu’ici. Elle intègre une sacralité héritée, fruit d’une longue construction médiévale dont l’importance se lit toujours au Grand Siècle, et des éléments neufs, qui passent en particulier par l’essor de cultes associant le roi et ses sujets, comme celui de saint Louis ou celui de Marie, marqué par le vœu de Louis XIII. Elle doit en outre se comprendre dans le cadre de l’évolution du droit divin, dans ses rapports avec l’autorité et le pouvoir du roi. L’image d’harmonie qui est élaborée témoigne de la place de cette iconographie dans la légitimation d’un ordre politique et social liant espace terrestre et monde céleste. La genèse de ces objets divers (peintures, sculptures, gravures, etc.), souvent éloignée de la cour, entretenant des relations parfois très ténues avec le pouvoir royal, ne peut être envisagée comme le fruit d’une propagande : elle souligne plutôt des fabrications collectives du portrait religieux du roi. Ainsi, cette thèse propose une histoire culturelle du politique, s’appuyant sur une approche iconographique intégrant les pratiques sociales et les théories politiques. / The transformations that occurred in France after the Wars of Religion altered the interweaving between the political and the religious spheres. The split between Protestants and Catholics, the rebuilding of the church, the nation and the state, the transformations of the religious beliefs and practices, and the new strength of the gallicanisms led to changes in the religious idea of the royal power between the reign of Henry IV and Louis XIV. These evolutions are assessable on a symbolic level. From 1589 to 1715, an abundant iconography places the monarch in a religious situation, puts him in touch with saints or God, or underlines the importance of his action in the religious field. These portraits of the reigning king or deceased kings, produced in dispatched places in the kingdom, reveal a different image of the royal power than the iconography that has most been studied up to now. It includes an inherited sacrality, built during the Middle Ages and still important in the 17th century, and new elements, which entail the growth of cults associating the monarch and his subjects, such as the cults of saint Louis and the Virgin Mary, marked by the vow of Louis XIII. It must furthermore be understood within the framework of the evolution of the divine right, in its links with the royal authority and power. It builds an image of harmony that shows the place of the iconography in the legitimization of a political and social order linking terrestrial and celestial spaces. The creation of these objects (paintings, sculptures, engravings, etc.), often far away from the court, often in loose relationships with the royal power, cannot be understood as propaganda: it rather emphasizes collective makings of the religious portrait of the king. Thus, this thesis offers a cultural history of the political field, leaning on an iconographic approach including social practices and political theories.