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The Pianoforte and Orchestral Manuscripts of Mahler's ’Lieder eines fahrenden Gesellen’: Compositional Process as a Key to ChronologyRoman, Zoltan 24 January 2020 (has links)
No description available.
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»Figurale Aspekte« im Vierten Streichquartett von Brian FerneyhoughLippe, Klaus 28 October 2024 (has links)
No description available.
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THE ROLE OF THE MUSIC TO LEARN GEOMETRICAL TRANSFORMATIONSGalante, Daniela 13 April 2012 (has links) (PDF)
This research studies the interaction among the following contexts: natural language, geometrical language and musical language and it can provide new instruments to accord didactical situations and for a deeper understanding of communication processes. It springs from the consideration that the geometrical transformations are usually used in the compositional processes and the “role of the music to learn geometrical transformations” is actually a new study. In the field of the theory of situations by G. Brousseau (1986) we can assume to be in front of a learning teaching-situation including non-teaching situation as the teacher of musical instruments, while transmitting the knowledge of musical language (theoretical-practical) didn’t have the intention to transmit the geometrical transformation.
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THE ROLE OF THE MUSIC TO LEARN GEOMETRICAL TRANSFORMATIONSGalante, Daniela 13 April 2012 (has links)
This research studies the interaction among the following contexts: natural language, geometrical language and musical language and it can provide new instruments to accord didactical situations and for a deeper understanding of communication processes. It springs from the consideration that the geometrical transformations are usually used in the compositional processes and the “role of the music to learn geometrical transformations” is actually a new study. In the field of the theory of situations by G. Brousseau (1986) we can assume to be in front of a learning teaching-situation including non-teaching situation as the teacher of musical instruments, while transmitting the knowledge of musical language (theoretical-practical) didn’t have the intention to transmit the geometrical transformation.
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