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Das Internet of Things (IoT) ist aktuell ein junger Wachstumsmarkt, dessen Bedeutung für unsere Gesellschaft in naher Zukunft vielen Menschen erst noch wirklich bewusst werden wird. Die Subdomänen Smart-Home, Smart-Grid, Smart-Mobility, Industrie 4.0, Smart-Health und viele mehr sind wichtig für unsere zukünftige Wettbewerbsfähigkeit, die Herausforderungen zur Bewältigung des Klimawandels, unsere Gesundheit, aber auch für trivialere Dinge wie Komfort. Andererseits ergibt sich hierbei bereits dasselbe große Problem, das in einer ähnlichen Form schon bei klassischem Cloud-Computing bekannt ist: Vendor-Silos, die keinen hersteller- oder anbieterübergreifenden Austausch von Gerätedaten ermöglichen, verhindern eine schnelle Verbreitung dieser neuen Technologie. Diensteanbieter müssen ihre Produkte aufwendig für unzählige Technologien bereitstellen, was die Entwicklung von Diensten unnötig teuer macht und letztendlich das Dienstangebot insgesamt einschränkt. Cloud-Computing wird dabei in Zukunft eine wichtige Rolle spielen. Die Dissertation beschäftigt sich daher mit dem Problem IoT-Gerätedaten an IoT-Clouds plattformübergreifend und anbieterübergreifend nutzbar zu machen. Die Motivation und die adressierte Forschungslücke zeigen die Notwendigkeit der Beschäftigung mit dem Thema auf. Ausgehend davon, wird das Konzept einer dezentral organisierten IoT-Intercloud vorgeschlagen, welches in der Lage ist heterogene IoT-Clouds zu integrieren. Die Analyse des Standes der Technik zeigt, das IoT-Clouds genügend Eigenschaften teilen, um in Zukunft eine Adaption zu einer einheitlichen Schnittstelle für die IoT-Intercloud zu schaffen. Das Konzept umfasst zunächst die Komponentenarchitektur eines Intercloud-Brokers zur Etablierung einer IoT-Intercloud. Ausgehend davon wird in vertiefenden Teilkonzepten ein Discovery-Service zum Finden von Gerätedaten und einem Push-Stream-Provider, für die Zustellung von IoT-Event-Notifications in Echtzeit, behandelt. Eine Evaluation zeigt letztlich die praxistaugliche Realisierbarkeit, Skalierbarkeit und Performance der Konzeption und des implementierten Prototyps.

This thesis is an exploration of the ways in which a number of important Russian writers and filmmakers of the 1910s and 1920s appropriated domestic interiors as structural, visual and literary metaphors. My focus is on the artistic articulation of the closed space of the Russian domestic interior, in particular as it surfaced in the narratives of the modernist literature and cinema of the time and became an essential metaphor of its age. In my discussion I take issue with two standard ways of understanding domestic space in existing literature. I argue that representations of home spaces in early twentiethcentury Russian culture mount a challenge to the conventional view of the home as a place of safety and stability. I also argue that, at this point, the traditional approach to the room and the domestic space as a fixed closed structure is assailed by representations that see domestic space as kinetic. The importance of the 'room in motion' means that I address cinematic as well as literary representations of domestic space, and show that even literary representation borrow cinematic techniques. My different chapters constitute case studies of various separate, but complementary, aspects of the representation of home space. The first chapter shows how domestic space in reflected in the poetical language of Anna Akhmatova. The second chapter focuses on the parallel exploration of rooms and a child's consciousness in Kotik Letaev by Andrei Belyi. The third chapter discovers the philosophy of a room built by Sigizmund Krzhizhanovskii in his short stories of the 1920s. The next three chapters focus on interiors of three different cinematic genres. The fourth chapter looks closely at films created by Evgenii Bauer, showing the director's innovative techniques of framing and set-design. The fifth chapter explores the film Tret'ia Meshchanskaia by Abram Room, focusing on the director's employment of the room as a structural device of the film. The last chapter analyses two lyrical comedies by Boris Barnet to show the comic effect produced by the empty room and domestic objects in his films, and also focuses on the image of staircase. In conclusion, I speculate that the representation of interior spaces in the period in question goes beyond genre, medium, and narrative structure and becomes an important and culturally dynamic motif of the time.

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Doctorat en sciences sociales, politiques et économiques / info:eu-repo/semantics/nonPublished

Infringement in fields of Intellectual Property Rights is a global problem causing repeated and sustained attention at national and international levels. A number of different organizations and commissions are constantly control and counteract the growth of these infringements, but despite the taken measures counterfeit and piracy goods continue to be manufactured and sold around the world. The Russian Federation (RF) is a country that has close commercial ties with many foreign states, including Sweden. However the RF is one of the countries, included on the Special 301 Priority Watch List due to the continuing and large - scale of Property Rights and Intellectual Property Rights violations. In this connection, a study was conducted with the participation of collaborating Swedish - Russian enterprises, whose activities could be subjected to counterfeiting and IP piracy. The aim of the study is to determine how collaborating Swedish – Russian enterprises with branches in the Russian Federation perceive the situation in the country and assess the activities of Russian institutions that play an important role in controlling and combating violations against counterfeiting and IP piracy. Moreover the aim includes identifying the most vulnerable class of actors in the general mechanism of counterfeiting and IP piracy. The research based on elements of the New Institutional Economics Theory and conducted by using a combination of a literature review and semi- structured interview with representatives of Swedish - Russian enterprises. The study found that organizations are the most vulnerable class of actors in general mechanism of counterfeiting and IP piracy. International firms and companies are in a more difficult situation because they provide own activities simultaneously in several legal and political systems. Representatives of interviewed companies argue that activities of analyzed Russian institutions are insufficiently effective and the state should take a set of measures so the foreign collaborative organizations could feel confident in territory of the RF and Russian market would become more attractive for foreign business.