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The Past and Present: Issues of Male Patriarchy Throughout Historic Literature and Dominance in Media TodayMoore, Leah 01 May 2022 (has links)
Women’s subjugation to the objectification of men is a traced theme throughout the history of Western culture. In this thesis, the attributes of the male gaze will be explored via the patriarchal pioneers of literature: Dante to Petrarch to Shakespeare. The solidification of the male gaze takes place during the late middle ages as Dante Alighieri writes an infatuated love for Beatrice throughout La Vita Nuova and Inferno, demonstrating the virgin-whore dichotomy with Francesca. Similarly, Francesco Petrarch’s poetry of Rime Sparse describes the objectification and dismantling of woman for erotic pleasure and patriarchal power. The shift from early to late renaissance displays William Shakespeare’s presentation of women in Titus Andronicus, Othello, and Hamlet as a denunciation of women through the male gaze. These themes of patriarchy developed throughout historic literature will help us analyze media advertisements today as women are silenced, dismembered, and exhibited through the male gaze.
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Early Modern Women Writers and Humility as Rhetoric: Aemilia Lanyer's Table-Turning Use of ModestySandy-Smith, Kathryn L. 30 August 2013 (has links)
No description available.
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Nymph pembroke and cooke-ham : revisionist impulses in Aemilia Lanyer's classical and pastoral communitiesKapp, Christina 01 April 2003 (has links)
No description available.
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Intersections of new historicism and contemporary theory in renaissance literatureHarrington, Erin R. 16 October 2012 (has links)
���In this thesis, I use modern concepts of feminism, gender performativity, and psychoanalysis as a means to understand female characters and authors of Renaissance England in a new way. In my first article, I analyze various texts and performances of Queen Elizabeth I, as well as texts of Renaissance female authors who are now slowly entering our modern canon ��� notably, Aemilia Lanyer. The second article is a feminist investigation of Britomart from Spenser's The Faerie Queene. In both pieces, I argue that these women (historical and fictional) broaden the definition of queer, and ultimately of feminism, as a whole. The goal of this thesis is to utilize published and visual records of early modern women writers and fictional characters, and apply a theoretical lens to such texts, in order to analyze these texts in a multi-faceted, contemporary fashion and to establish new modes of thought within the discourse of gender performativity, feminisms and psychoanalytical theory. / Graduation date: 2013
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Imagining Unity: The Politics of Transcendence in Donne, Lanyer, Crashaw, and MiltonJanuary 2012 (has links)
"Imagining Unity" investigates how an evolving concept of transcendence in early modern England, influenced by Reformation and counter-Reformation theology, created new ways of responding affectively and philosophically to emerging articulations of national identity in British devotional poetry. My project focuses on a series of politically disruptive moments in the seventeenth century--from the residual trauma of the Protestant Reformation to the Civil War of the 1640's--that troubled England's developing sense of national identity. In the shadow of these troubles, devotional poets reworked ideas of transcendence that they had inherited from medieval Catholicism to provide a sense of national cohesion in the midst of a changing political landscape. This dissertation explores transcendence as it is reconceived by four different authors: John Donne's work translates Catholic iconography to symbolize the ascension of a Protestant England; Aemelia Lanyer's poetry appeals to the exclusivity of religious esotericism as a palliative for the actual exclusion of women from political life; Richard Crashaw's writings reinterpret mystical union to rescue sovereignty from failure; and John Milton's work revises transubstantiation to authorize a new republic. By investigating how early modern poetry reimagines transcendence in response to political events, my project widens ongoing conversations in political theology and "the religious turn" of literary studies, which are often unilaterally focused on the influence that religion had on politics in the course of an inevitable secularization of culture. My contribution to this work, and the underlying premise to my argument, is that literature provides a forum for rethinking religious concepts at the heart of political organization despite the apparent impulse toward secularization. In doing so, literature serves as a cultural medium for testing the conceptual limits of transcendence--its viability as a tool for inspiring and maintaining social unity. This dissertation ultimately witnesses a concerted effort in the early modern period to extend the life of religious ideas within the political imagination through devotional poetry's insistent recasting of transcendence as central to the formulation of the body politic. Read more
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“Get me the Lyricke Poets”: Poetry and Print in Early Modern EnglandMcCarthy, Erin Ann 26 June 2012 (has links)
No description available.
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"The First Fruits of a Woman's Wit": Reclaiming the Childbirth Metaphor in Aemilia Lanyer's Salve Deus Rex JudaeorumShakespear, Carolyn Mae 22 April 2024 (has links) (PDF)
The childbirth metaphor adopts imagery from female bodies carrying and delivering children to describe the effort and relationship of a poet to his/her poem. This was a commonly used trope in the renaissance, particularly by male authors. This thesis examines the way early modern woman poet, Aemilia Lanyer uses the childbirth metaphor in her poem, Salve Deus Rex Judaeorum. Lanyer ultimately considers not only the physical realities of childbirth in her use of the metaphor, but also the emotional, social, and theological consequences. By doing so, I argue that Lanyer reclaims the metaphor from her male contemporaries in order to justify women's participation in literature and theology. Lanyer adopts a position analogous to the Virgin Mary as she "births†her poem. As she situates all women as powerful procreators, she claims a poetic priesthood through motherhood.
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'And the Word was made flesh' : the problem of the Incarnation in seventeenth-century devotional poetrySharpe, Jesse David January 2012 (has links)
In using the doctrine of the Incarnation as a lens to approach the devotional poetry of seventeenth-century Britain, ‘“And the Word was made flesh”: The Problem of the Incarnation in Seventeenth-Century Devotional Poetry' finds this central doctrine of Christianity to be a destabilising force in the religious controversies of the day. The fact that Roman Catholics, the Church of England, and Puritans all hold to the same belief in the Incarnation means that there is a central point of orthodoxy which allows poets from differing sects of Christianity to write devotional verse that is equally relevant for all churches. This creates a situation in which the more the writer focuses on the incarnate Jesus, the less ecclesiastically distinct their writings become and the more aware the reader is of how difficult it is to categorise poets by the sects of the day. The introduction historicises the doctrine of the Incarnation in Early Modern Europe through presenting statements of belief for the doctrine from reformers such as Martin Luther, John Calvin, and Huldryk Zwingli in addition to the Roman Catholic decrees of the Council of Trent and the Church of England's ‘39 Articles'. Additionally, there is a further focus on the Church of England provided through considering the writings of Richard Hooker and Lancelot Andrewes amongst others. In the ensuing chapters, the devotional poetry of John Donne, Aemilia Lanyer, George Herbert, Robert Herrick, and Richard Crashaw is discussed in regards to its use of the Incarnation and incarnational imagery in orthodox though diverse manners. Their use of words to appropriate the Word, and their embrace of the flesh as they approach the divine shows the elastic and problematic nature of a religion founded upon God becoming human and the mystery that the Church allows it to remain. Read more
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Reconciling matter and spirit the Galenic brain in early modern literature /Daigle, Erica Nicole. Snider, Alvin Martin, January 2009 (has links)
Thesis supervisor: Alvin Snider. Includes bibliographic references (p. 214-227).
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Rejoice in Tribulations: The Afflictive Poetics of Early Modern Religious PoetryDawkins, Thom 26 August 2019 (has links)
No description available.
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