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The Epistola Anne ad Senecam in its literary and historical contextSterk, Aron C. January 2014 (has links)
The early 9th century Carolingian manuscript of the Epistola Anne ad Senecam was discovered by B. Bischoff in the Archiepiscopal library of Cologne and published by him 1984. It is a short, incomplete Latin text of some ninety lines that Bischoff identified as a late antique Jewish missionsschrift addressed to certain unidentified fratres. There is little agreement in the current literature on the identity of the author or the addressee(s), nor on the date of its composition, and it has been proposed that the text is in fact Christian. The titulus has been taken as a later interpolation with no relation to the work. There have been two subsequent editions (Jacobi and Hilhorst) and a German translation (Wischmeyer) all dependent on Bischoff’s editio princeps. No extended study of the text has been published. The present study reexamines the text and presents a corrected edition of the Latin from the original manuscript together with an English translation. An analysis of the latinity and rhetoric of the text shows it to be have been written by a highly literate author aimed at a pagan, aristocratic audience similar to the group seen in the works of Macrobius. The fratres are not the prime addressee of the text but represent a Iamblichan neoplatonic group addressed in an apostrophe within the text. The use of a mixed cursus in the clausulae indicates a late 4th-5th century date. The work is shown to allude to Genesis and sapiential texts, particularly Wisdom but does not quote directly from them. There are indications that the author is using Biblical texts that are substantially different from the Vulgate Latin and possibly dependent on the Hebrew. The Epistola also appears to show a familiarity with a number of works of Seneca; Naturales Quaestiones, De Beneficiis and De Supersitione. An intertextual link between the text and Augustine’s De Civitate Dei and the De Reditu Suo of Rutilius Namatianus suggest a composition of the text in the second decade of the fifth century, c. 415. This would allow the author to be identified with the Annas didascalus Iudaeorum mentioned in the Theodosian code as active on behalf of the Jewish community at the imperial court in Ravenna, and a plausible context is reconstructed for such a scenario. Placed in the historical context of late paganism, the text is interpreted as constituting a protreptic exhorting its audience to avoid the obscurities of neoplatonism and the inanities of the cult of Liber Pater and to follow a philosophical faith consonant with that of the author. It can thus be seen as an attempt to establish a Jewish-Pagan dialogue in the face of the continuing Christianisation of the empire at a time when this process was still not seen as irreversible.
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Black-robed Fury: Libanius’ Oration 30 and Temple Destruction in the Antiochene Countryside in Late AntiquityWatson, Douglas January 2013 (has links)
Oration 30 (Or. 30) has been commonly used in scholarship as positive affirmation of religious violence and temple destruction in late Antique Syria. This view of widespread violence in late 4th century Syria was previously supported by scholarship on temple destruction and conversion, which tended to argue that temple destruction and conversion was a widespread phenomenon in the 4th and 5th centuries. Recent archaeological scholarship, however, argues against this perspective, in favour of temple destruction and conversion being a rather exceptional and late phenomenon. The question must therefore be asked, to what extent can Libanius’ Or. 30 be used as a source of temple destruction in the Antiochene countryside in Late Antiquity? This question is explored through three chapters which examine: the text and context of Or. 30, the use and application of Roman law in Or. 30, and the archeological evidence for temple destruction and conversion in the Antiochene countryside. This research has revealed that Libanius tends to use similar arguments in his ‘reform speeches,’ that there was no legal basis for temple destruction in the late 4th century, and that there is no archaeological evidence for widespread temple destruction occurring around the composition of Or. 30. Thus, the evidence shows that Libanius’ claim of widespread violence must be seen as an exaggeration. Meaning that Or. 30 cannot be used to support the idea of widespread destruction and religious violence in the Antiochene countryside at the end of the 4th century or, for that matter, Late Antiquity in general.
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Temple Reuse in Late Antique GreeceMoffat, Stefan January 2017 (has links)
The subject of this thesis is the variety of ways that temples were reused by Romans, both Christian and non-Christian, at the end of Antiquity in the present-day country of Greece. It discusses these means of reuse using principally archaeological evidence as a means of countering interpretations of the material culture that temples were either destroyed or reused as churches. These interpretations are based on the assumption that contemporary written sources such as Saints’ ‘Lives’ (the literary genre known as hagiography) are an accurate portrayal of temple reuse in Late Antiquity, without taking into consideration the legendary nature of hagiography. On the other hand, they do not account for potentially contradictory evidence of temple reuse derived from archaeological excavation. It is argued in this thesis that archaeological evidence provides an alternative outcome to that described in contemporary written sources such as hagiography, one that emphasizes practical forms of temple reuse rather than religious. The evidence for this argument is presented at both a geographic level and as discreet categories of forms of reuse of both a religious and practical nature, as a first glimpse of the nuanced image of temple reuse in Greece. Specific examples of the evidence are then cited in a number of case studies to be further developed as a valid attribute in the characterisation of the Late Antique sacred landscape at the level of the Roman Empire. It is concluded that, although practical forms of temple reuse do not greatly alter the sacred landscape of Late Antique Greece, they are crucial in developing a more diverse view of Late Antique religion.
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Faith in John Chrysostom's preaching : a contextual readingTallon, Jonathan R. R. January 2015 (has links)
This study aims to establish the semantic range of πίστις (‘faith’) in fourth century Christian discourse using the preaching of John Chrysostom as a source base. Against previous scholarship which sees πίστις as primarily a cognitive or propositional term referring to belief, this study uses a close examination of Chrysostom’s preaching to argue that the relational nature of the term was central to its significance for fourth century preaching as Christians considered their own faith and biblical texts. Chrysostom uses the reciprocal, relational character of πίστις to emphasise loyalty, trust and obedience to God through metaphors based upon the military, economic and household contexts of late antiquity. This study further shows that Chrysostom in turn uses these aspects of πίστις to seek to influence the everyday life of his congregation, whether to support existing behaviour (such as obedience to the emperor, or husbands, or the bishop) or to seek to transform behaviour (such as encouraging the rich to give to the poor, or masters to treat slaves better). This contextual understanding of πίστις therefore sheds light on how the relationship with God both informed and was informed by the everyday human relationships of the congregation. The study overall demonstrates the necessity of understanding Chrysostom’s view of πίστις as belonging within a reciprocal relationship, enabling a new view of Chrysostom’s preaching, faith and late antiquity to emerge.
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Les figures féminines du pouvoir dans l'Empire romain, de la fin du IVe au milieu du VIe siècle : l'impératrice, l'aristocrate, la sainte et la « Mère de Dieu » dans les textes et l’iconographie / Feminine figures of power in the Roman Empire, from late 4th century to the middle of the 6th century. The empress, the aristocrat, the saint and the « Mother of God » in texts and iconographyBelleli, Amélie 09 November 2019 (has links)
Dans une période considérée avec inexactitude comme « charnière », entre Antiquité et Moyen Âge, on constate l’émergence d’un nombre croissant de figures féminines dans les hautes sphères du pouvoir, au sein de l’Empire Romain. Qu’elles soient impératrices, aristocrates, saintes –voire les trois en même temps –, ces femmes sont dotées de pouvoirs politiques institutionnels, sont à la tête d’un patrimoine important et disposent de grandes richesses, autant d’éléments leur conférant une réelle autonomie. Témoignant généralement d’une certaine éducation et d’une culture approfondie, ces femmes peuvent s’illustrer dans la construction d’édifices ou le financement du développement du monumental chrétien. Avec l’avènement de la dynastie théodosienne au cours du IVe, puis Ve siècle, s’amorce un basculement. Les femmes s’installent durablement sur la scène où se joue le pouvoir. Dans le cadre de la sphère impériale, les impératrices sont de plus en plus mentionnées aux côtés de leur époux, faisant émerger une nouvelle réalité : celle du couple impérial et d’un pouvoir bicéphale. L’hypothèse principale consiste à démontrer que, d’un point de vue historique, l’Antiquité Tardive est une période de véritable basculement dans une civilisation traditionnellement structurée mentalement par une obsession de la virilité et institutionnellement par un pouvoir politique masculin. Cette époque pourrait donc se caractériser par la naissance de la femme politique, au point que certains auteurs antiques tendent à définir la féminité au pouvoir comme une nouvelle forme de masculinité. Loin d’aller dans ce sens, ce travail amènera plutôt à se demander si un pouvoir féminin peut se dessiner sans être considéré comme une virilisation. / During a period considered with inaccuracy as « transitional », between Antiquity and the Middle Ages,we observe the appearance of an increasing number of feminine figures in the highest power spheres, inthe Roman Empire. Empresses, aristocrats, saints, – all three at the same time –, these women possessinstitutional political powers, important patrimonial belongings and great wealth. All these elementsgive them a true independance. Generally reflecting a certain level of education and culture, thesewomen can play a part in the construction of buildings or the funding of the christian architecturallegacy.With the accesssion of the theodosian dynasty during the IVth century, then the Vth, a change is initiated.Women install themselves permanently on the stage where power is decided. In the case of the imperialsphere, empresses are mentionned more often alongside their spouses, bringing forth a new reality : theimperial couple and a bicephalous power.The main hypothesis consists in demonstrating that, from a historical point of view, Late Antiquity is aperiod of true evolution in a civilisation traditionally structured mentally by an obsession for manlinessand institutionally by a masculine political power. This era could be caracterise by the birth of thepolitical woman, to the point where certain authors of antiquity tend to define feminity in power as anew form of masculinity. Far from agreeing with them, this thesis will consist in asking ourselves if afeminine power can exist without being considered as a masculinization.
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Anthimus, Vinidarius and the Issue of Romanitas: Cooking and Identity in the Sixth-Century WestMcCoy, Shamus 19 November 2021 (has links)
As Theoderic established himself as ruler of the Italian peninsula in 493, he would usher in a period of great renewal of Roman culture within his kingdom, a theme which would emerge across western Europe as new Germanic leaders came to rule Roman populations. Within this wave of cultural renewal there emerged several works paying homage to Roman culture and prestige. Amongst these publications came two brief cookbooks from the authors Anthimus and Vinidarius. This raises the question: why were these authors producing such works of culinary content, and were they related to issues concerning the renewal of Roman culture in western Europe?
This thesis aims to answer the above questions through the evaluation of Anthimus and Vinidarius’ participation in Roman cultural renewal. To investigate this issue, my study first examines the recognition and renewal of romanitas in western Europe and the Mediterranean, and through which media it took place. This is followed by an examination of cuisine to determine a model for Roman dietary preferences, against which the works of Anthimus and Vinidarius may be contrasted. Finally, in an examination of Anthimus and Vinidarius, the study seeks to establish connections between the two individuals and Ostrogothic Italy, as well as connections between their culinary preferences and those supported by the model established in Chapter 2.
On the basis of the investigations of this thesis, conclusions may be drawn about Anthimus and Vinidarius and efforts to renew Roman culture in fifth and sixth-century western Europe. The geographic connections of the two authors, along with their relatively high social status, suggest a connection to Theoderic and his court in Italy. The culinary preparations described in their texts also represent a strong connection with earlier elite Roman cooking. This thesis therefore concludes that the authors Anthimus and Vinidarius used food as a medium for cultural promotion, and in doing so, participated in the ongoing revival of interest in Roman cultural identity.
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The Letter Collection of Ruricius of LimogesFord, Eryn Elizabeth 13 January 2022 (has links)
This thesis will discuss the organization of the letter collection of Ruricius, bishop of Limoges from ca. 485 to 506/7. Ruricius’ two-book collection (found in a unicum, the Codex Sangallensis 190) contains a variety of conventional letter types, set within the specific and complex socio-cultural setting of late 5th to early 6th century Gaul in transition. Ruricius’ collection complements the three other major extant Gallo-Roman letter collections of this period, those of Sidonius Apollinaris, Avitus of Vienne, and Ennodius of Pavia. Yet, as a result of Ruricius’ scanty references to contemporary historical circumstances, his letter collection has traditionally received less attention in studies of letter collections and late 5th century Gaul. However, the value of his letters as a late-antique letter collection for literary study is promising.
The aim of this thesis is to engage with the letters of Ruricius and consider them from the perspective of a letter collection with potentially deliberate principles of organization. This is particularly pertinent for the 18-letter Book I, which shows clear signs of deliberate organization by Ruricius. Furthermore, there are compelling hints of deliberate organization in the 65 letters of Book II. This thesis will investigate both Books I and II. Through an analysis of the collection’s organizational principles, themes and imagery, and Ruricius’ self-presentation, we will investigate Ruricius’ presentation of his journey from secular aristocrat to bishop in Book I and his epistolary persona of bishop and guide in Book II.
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A Study of Hunting Scenes and Virtus in Roman Art, Third to Sixth Centuries A.D.Halili, Jonah January 2021 (has links)
In Rome, the activity of hunting was a pastime traditionally associated with the emperor and aristocracy. As such, hunting imagery in Roman art became symbolic of masculinity and power, expressions of which were important for the self-representation of status-conscious citizens. More specifically, virtus, often translated as “manliness” or “courage,” is the principal quality that is expressed through hunting scenes, although other ideas such as wealth and erudition were alluded to in these scenes as well. This thesis examines hunting scenes in the media of sarcophagi, mosaics, and silverware from the third to the sixth centuries AD. It focusses on the kinds of hunting imagery found on different media in order to discern the values that were important to patrons in the later Roman period, and the ways in which these values were expressed in the visual arts. In the funerary context, mythological hunting scenes on sarcophagi most often present the deceased as a man of virtus. However, owing to the Entmythologisierung of Roman sarcophagi during the third century, the ways in which virtus was expressed through these scenes underwent significant change during this period. On domestic floor mosaics, virtus was also a principal virtue that was expressed, but other ideas such as wealth and generosity were also displayed on hunting scenes in this medium, both mythological and non-mythological. Moreover, hunting scenes on silverware often highlight the wealth of the vessel’s owner. Additionally, allusions to a patron’s paideia, his formal educational background in Greek and Latin literature, as well as expressions of one’s Christian faith, also served as claims of membership in exclusive groups. / Thesis / Master of Arts (MA)
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Reconstructing Justinian’s Reconquest of the West without ProcopiusColbourne, Travis 25 June 2021 (has links)
This thesis examines the evidence surrounding the Roman emperor Justinian’s wars in western Europe (Italy and Spain) and North Africa. It argues that without Procopius’ narrative, we would be left with a very bland, cursory account and even find it difficult to get a full grip on what happened when, even though Jordanes in particular does give some sort of narrative. The thesis focuses on the narrative of Justinian’s western wars offered by sources like Jordanes’, Romana and Getica, Victor of Tonnuna’s Chronicle, Corippus’ epic poem and Marcellinus comes’ Chronicle and its addition. It also discusses when each of these sources was written and where, and the background of the author, so that the reader can identify what was important to the author and the potential biases in the presentation of the events in question. The thesis then compares the narrative of the above sources to the narrative of Procopius in order to determine what information historians and scholars would not have if they did not have Procopius’ work.
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Violence, Religion and Politics: The Late Republic and Augustan AgeTuggle, Matthew 01 January 2018 (has links)
Religion in the Late Republic was fused to politics. This study considers the relationship between violence, religion, and politics in the Late Republic and Augustan Age. It contends that Roman religion could encourage or discourage violence based upon the circumstances. The strain of Roman expansion on its political and religious institutions contributed to the civil discord that characterized the Late Republic, which created circumstances that were flexible enough for perspectives on each side to see the violence as justified. The ambition of a tribune, a sacrosanct office, could lead to circumvention of the traditional practices of the Senate, causing a religious dilemma if violence was used as a response. Powerful politicians also used religion to legitimize their abuses or obstruct the political aims of their opponents, leading to a contentious atmosphere fraught with violence. The influence of Greek philosophy on religion and morality was of concern for many Romans themselves. These concerns were not laid to rest until the Augustan Age had reshaped Rome's political and religious institutions, which was accompanied by an outpouring of literature embedded with religious symbolism.
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