Orientador: Luiz Carlos da Silva Dantas / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-04T17:50:28Z (GMT). No. of bitstreams: 1 Macario_PaulaGomes_M.pdf: 1318158 bytes, checksum: 70d5b81d80da11159db1418e6069b098 (MD5) Previous issue date: 2005 / Résumé: L¿objetive de cet travail est identifier, recueillir et commenter une série de textes que forment une tendance particulier devant le conjoint de la producion littéraire brésiliene des premiers decades du vingtième siècle. Cette tendance se definit pour la utilisation de la thématique de la antiguité grecque e du paganisme pour exprimer idées de libéralisation morale. Idées que se mettait d¿accord avec le moment de transformation pour que passait une société en procés de modernisation. Pour fair cette lecture il a été nécessaire analyser come l¿universe de la antiguité grecque represéntait une référence symbolique de excellence esthétique et, en même temps, de une sensualité eloigné de la notion chétiene de péché. Aborder, puis, la notion historique de une société que s¿abouchait avec nouveaus et modernes usages, que donnaient visibilité a le cops. Finalement considérer come ces références ont été rassemblé pour un groupe de auteurs pour produire une littérature de face ornemental et sensuel, avec un sens de libéralisation / Resumo: O objetivo do trabalho é identificar, reunir e comentar textos que configurem uma tendência literária particular no panorama da literatura brasileira do início do vigésimo século. Tendência que se define pela utilização da temática da Grécia antiga e do paganismo como campo de explanação de ideais de liberalidade moral. Ideais que condiziam com o momento de transformação vivido por uma sociedade em processo de modernização. Para tanto coube analisar de que maneira o universo da antiguidade e do paganismo representara uma referência simbólica de tradicional sublimidade estética e, ao mesmo tempo, de uma sensualidade afastada da noção cristã de pecado. Abordar em seguida a noção histórica de uma sociedade em relação com novos e modernos hábitos, que conferiam destaque à corporalidade. E, por fim, considerar de que maneira tais referências foram reunidas e apropriadas por uma série de autores na construção de uma literatura hedonista e sensualizada, de feições ornamentais e sentido moralmente libertário / Mestrado / Literatura Brasileira / Mestre em Teoria e História Literária

D.Litt. et Phil. / The demolition of the Berlin Wall in 1989 and the unification of the two Germanies less than a year later led to a search for a new national identity - a process in which German history was reconsidered. This initiated a number of debates about how the German past, especially the atrocities that had been committed during the fascist era, should be remembered. There was a strong tendency to downplay guilt and to consider this chapter of German history closed. Eventually, however, the opposite tendency gained prominence in public discourse. Particularly around 1995, the fiftieth anniversary of the end of World War II, and in subsequent years German society appears to be more interested in history than before. This thesis examines the role that novels and short stories, which were published in Germany during the nineties, played in the process of re-evaluating the German past. Taking into account that the telling of stories is a crucial element of remembrance, authors of fictional works that deal with the past, in whatever way, contribute to the collective memory of a nation. The seven chapters of this thesis examine different aspects of redefining the past. Attacks on authors like Christa Wolf and Giinter Grass and other intellectuals, especially by the conservative media, demonstrated that traditional perspectives were reconsidered. The ensuing debate, and how authors responded in their works, is examined in the first two chapters. The third chapter traces the effects that unification had particularly for those who had lived in the GDR and who were now struggling to reposition themselves in the historic process. The novels analysed reveal that unification affected West Germans to a much lesser extent. The following three chapters deal with the huge impact that a guilt-ridden past had and still has on the lives of Germans. A number of novels show that family life was severely affected by the historical burden which older generations were carrying, and that the silence which surrounded this burden was an irritating factor for younger generations. Authors of all ages try to come to terms with this issue in various ways, especially in autobiographical works. One dominant insight arises from most of the texts: the German language is often regarded as contaminated, and German daily life - in both the GDR and the FRG - was strongly influenced by the lack of communication between the generations. In this context those works that deal with the relationship between Jews and others are of particular interest. The final chapter discusses works published in 1997 and 1998

M.A. / The aim of this study is to endeavour to analyse the language and style in M.T. Mmileng's novels. The study will focus on how the writer uses language to convey his thoughts, emotions and feelings communicable. The first chapter of this study takes the form of an introduction, providing the background, aims and the scope of the study. Chapter two develops the framework of stylistics which forms the foundation of our analysis. In chapter three an analysis of Mmileng's prose fiction will be undertaken. The choice of words, sentences and paragraphs will be analysed. Chapter four looks at how Mmileng has used imagery, proverbs and idioms in his texts. Chapter five looks back on what we have dealt with in the first four chapters and gives concluding statements.

Wie bei jeder wissenschaftlichen Untersuchung stellt sich auch hier, bei einer Arbeit über den utopischen Roman, die Frage nach einer Begriffsbestimmung. In diesem Fall geht es um eine genaue Umreissung der Begriffe "Utopie", "Staatsroman", "Utopischer Roman" oder auch "Utopia-Roman", vorausgesetzt, dass man diese Begriffe überhaupt als Gattungsbezeichnungen zu benutzen gewillt ist. Intro., p. 1.

Preface: The scope of the commentary is limited. I have been concerned with establishing the diction of Silius in Book 11. I have shown which words are confined to epic, which words are poetic and which words are prosaic. I have not attempted to establish whether there is a correlation between Silius' use of 'poetic' and' prosaic' words and the content of what he is saying. But I have noticed that Silius frequently uses prosaic words when he is following Livy or some other historical source. In other cases, Silius may be using prosaic words because of his own training as an orator. He is clearly indebted to Cicero. Nor have I attempted to establish whether there is any particular effect when Silius uses a'poetic' or 'prosaic' word or phrase or construction. I have been influenced by considerations of length and also by the fact that I believe any such attempted interpretation, although it might produce valuable results, would of necessity be much more subjective than what I have actually done. I leave any such interpretation to future researchers of Silius.

No description available.

Impatho-mbi nabalinganiswa iba ngunobangela wokuphazamiseka kwengqodo zabalinganiswa. Umlinganiswa uthi nokuba uhleli azibone sele enezinye iingcinga, ngcinga ezo ziphazamisa ubomi bakhe. Izinto eziphazamisa umlinganiswa ebalini kukutyholwa ngezinto angazaziyo. Iyashiyana indlela abalinganiswa abachaphazeleka ngayo ngenxa yolu phazamiseko, loo nto ikhokelele ekubeni benze izinto ezingafaniyo.

This dissertation explores the ways in which the poetry of Gabeba Baderoon, Ingrid de Kok and Makhosazana Xaba challenge the sexist discourses that allow for the exploitation of women‘s bodies. It will also examine how they re-imagine the script 1 of heterosexual romantic love which places women in a submissive position and closes down possibilities for human connections which do not fit within the narrow strictures of this notion of love. The poems selected come from Baderoon‘s two collections, The Dream in the Next Body (2005) and A Hundred Silences (2006), an anthology of Ingrid de Kok‘s poetry spanning all her previous collections entitled Seasonal Fires: New and Selected Poems (2006), and Makhosazana‘s Xaba‘s first poetry collection, These Hands (2005). All three of these contemporary, South African, woman poets present critiques of the sexual exploitation of women and offer explorations of romantic love, relationships and sexual intimacy alternative to contemporary, patriarchal heteronormativity. This analysis will take cognizance of the influence of apartheid and colonial history on the formation of gender politics. It will also examine the representation of women as sexual objects and the spectacularized and graphic depictions of sex and how these poets can be seen to re-present women and re-script sex. Whilst Baderoon and De Kok are concerned with re-imagining heterosexual romantic love and sexual intimacy, their rethinking of love can also be read as useful in engaging with 'queer'2 sexuality and romantic love outside of the heterosexual norm along with Xaba, who is concerned with lesbian desire. Finally, all three poets experiment with traditional poetic form and techniques and it is through this experimentation with poetic language, and the employment of what Julia Kristeva calls the semiotic, that these poets are able to re-imagine love and intimacy. Thus they might be said, to use Kristeva‘s phrase, to stage a 'revolution in poetic language'.

Kule ngxoxo kuqwalaselwa indlela ulwimi njengesakhono olusetyenziswe ngayo kwincwadi kaSaule, ethi, Ukhozi Olumaphiko kunye nobuchule bukaBongela ekubhaleni kwincwadi yakhe ethi, Lwadilik’ Udonga, yona eluguqulelo lwencwadi kaChinua Achebe, ethi, Things Fall Apart. Kule ngxoxo akuthelekiswa aba babhali babini koko kujongwe nje kunconywa ubuchule babo ekusebenziseni ulwimi ngendlela ephakamisa umgangatho weencwadi zabo. Oko, kudandalazisa ukubaluleka kokuqatshelwa kolwimi njengesakhono, ngababhali. Injongo yolu phando kukuba, ababhali bakuthathele ingqalelo ukubaluleka kokukhulisa nokukhuthaza ukusetyenziswa kolwimi ngokukubonisa oko kwiincwadi abazibhalileyo, ukuze, nakubafundi nootitshala ezikolweni, kube lula ukufunda nokufundisa ulwimi, kuphumezeke iinjongo zeNkcazelo yePolisi yeKharityhulam noHlolo (2011), yona ebethelela ukufundiswa kolwimi ngendlela ephucula nekhulisa umfundi kulwimi. Le ngxoxo ke ixhaswa ngezithako ngezithako zeengcali kwisakhono noguqulelo. Ingxoxo le yahlulwe yazizahluko ezihlanu. Isahluko sokuqala sivula ngentshayelelo, ze sidandalazise intsusamabandla yolu phando, kushukuxwe ingxubakaxaka elundululeyo, ze kwenziwe uphengululo lweencwadi zeengcali kwizithako zesakhono nezokuguqulela. Isahluko sesibini, siqwalasela indlela uSaule asebenzise ngayo iindidi zezivakalisi, kanti neendidi zezivakalisi ezidiza isakhono ngobuchule, ukuze kuphuhle amandla akhe ekubaliseni kuhlobo loncwadi alubhalileyo, nokuvakalisa iingcinga neengcamango zakhe, edlulisa nolwazi kwabo bafunda incwadi. Isahluko sesithathu, siyaqhuba nokusetyenziswa kolwimi njengesakhono sokubhala kwakwincwadi kaSaule, kodwa kujongwe ukusetyenziswa kwezifanekisozwi, izifaniso, uchongo-magama nentsingiselo kunye noburharha bombhali. Isahluko sesine sona sihlalutya isimbo sikaBongela ekubhaleni nasekuguquleleni kwincwadi yakhe ethi, Lwadilik’ udonga. Isahluko sesihlanu sesokuphetha, siyintyilazwi yeengxoxo ezikolu hlalutyo, kuxilongwa ubuzaza besithako sobunzululwazi-sakhono nokubaluleka kwaso ekuphuhliseni uncwadi jikelele. Ukusetyenziswa kolwimi kuko okungundoqo wokuphila koncwadi.

No description available.