Orientador: Sidney Barbosa / Banca: Adalberto Luis Vicente / Banca: Norma Domingos / Banca: Marcio Roberto do Prado / Banca: Ricardo Araújo / Resumo: Esta tese tem por objetivo o estudo de duas obras literárias que têm como personagens cientistas criadores e suas criaturas artificiais. Trata-se das obras de Villiers de l'Isle-Adam (1838-1889) e de Mary Shelley (1797-1851), representadas pelos romances L'Ève future e Frankenstein, respectivamente. Para tanto, e em primeiro lugar, traçamos um histórico do desejo humano de criar uma criatura artificial perfeita desde a Antiguidade até os dias atuais. Em seguida, passamos à análise das referidas obras, caracterizando e comparando os criadores e suas respectivas criaturas, concluindo, ao final, o que ambas representam em termos metafóricos / Abstract: This dissertation aims to study two literary works whose characters are creators scientists and their artificial creatures. The following novels are studied: L'Ève future by Villiers de l'Isle-Adam (1838-1889) and Frankenstein by Mary Shelley (1797-1851). Firstly, it was made a survey of the human desire to create a perfect artificial creature from Antiquity to nowadays. Secondly, we started to analyze such literary works, characterizing and comparing the creators and their creatures, and finally, getting the conclusion what both represent metaphorically / Doutor

Orientador: Arnaldo Franco Junior / Banca: Orlando Nunes de Amorim / Banca: .Giselle Larizzatti Agazzi / Resumo: Este trabalho pretende fazer uma análise literária do romance Quarup, de Antonio Callado, focalizando a trajetória de Nando, seu protagonista, como padre, sertanista e educador. Nossa hipótese é a de que a jornada de Nando em Quarup pode ser interpretada, de maneira alegórica, como o périplo de um Brasil que busca, na democracia, justiça social. Sendo assim, devemos estudar, nesta pesquisa, a intersecção entre literatura e história. Partindo dessas considerações, definimos o questionamento desta dissertação, a saber: de que modo o tradicionalismo e a modernização estão presentes na trajetória de Nando? Entendemos por tradicionalismo: infraestruturas que visam a dominação e a consequente submissão do povo, tais como a distribuição desigual de terras - gestada, em seus fundamentos, durante o Período Colonial; e por modernização: novos ideais que visam a desalienação e a consequente luta por melhorias sociais, tais como as que impulsionaram o surgimento das Ligas Camponesas - criadas, principalmente, no decorrer das décadas de cinquenta e sessenta do século XX. Enquanto o tradicionalismo está ligado ao continuísmo, a manutenção de um antigo status quo, a modernização indicia a ruptura, isto é, a quebra de um ciclo histórico de injustiças. A conclusão é a de que o percurso de Nando em Quarup representa o itinerário histórico de um Brasil que, nos anos sessenta do século XX, busca melhorias sociais / Abstract: This work intends to make a literary analysis of the novel Quarup by Antonio Callado, focusing on the trajectory of Nando, his protagonist, as a priest, indianist and educator. Our hypothesis is that Nando's journey in Quarup can be interpreted allegorically as the journey of a Brazil that seeks, in democracy, social justice. Thus, we must study, in this research, the intersection between literature and history. Based on these considerations, we define the questioning of this dissertation: in what way traditionalism and modernization are present in the trajectory of Nando? We mean by traditionalism: infrastructures that aim at domination and the consequent submission of the people, such as the unequal distribution of land - essentially created during the Colonial Period; and by modernization: new ideals that aim at the consequent struggle for social improvements, such as those that propelled the emergence of Ligas Camponesas - created mainly during the fifties and sixties of the twentieth century. While traditionalism is linked to continuity, the maintenance of an old status quo, modernization signals the rupture, that is, the breaking of a historical cycle of injustice. The conclusion is that Nando's path in Quarup represents the historical itinerary of a Brazil that, in the sixties of the twentieth century, seeks social improvements / Mestre

Orientador: Orlando Nunes do Amorim / Banca: Telma Maciel da Silva / Banca: Jorge Vicente Valentim / Banca: Arnaldo Franco Junior / Banca: Márcio Scheel / Resumo: As teorias da memória que compõem o cenário atual sobre o tema da memória abrangem conceitos cujas linhas de pensamento se situam nos extremos: do idealismo platônico à sociologia baseada em quadros sociais. Na ponta sociológica, Maurice Halbwachs, por meio do que ele chama de "quadros sociais vivos do presente", irá construir a sua teoria da memória coletiva. Relacionando essa memória aos conceitos de memória individual, memória histórica, espaço e tempo, o sociólogo desconstruirá ou reconstruirá alguns conceitos fundamentais da filosofia idealista vigente em sua época. A criação literária, reconhecida pioneira na análise dos fatos humanos, estabelecer-se-á como um campo fértil nos estudos da memória. Entendendo a importância e a relevância do estudo e a ampliação de todos os conceitos em torno dessa temática, este trabalho analisa a representação da memória nas literaturas moderna e contemporânea, partindo da ideia de que, em uma representação de memória construída pelo eu, seja essa representação fictícia ou ficcionalizada, sempre há a presença da sociedade por meio de quadros sociais. Como respaldo teórico, valemo-nos da teoria da memória coletiva e outros escritos relativos à memória que complementam o ponto-de-vista adotado. Para tanto, trabalhamos com as narrativas: Memórias de Lázaro (1952), do baiano Adonias Filho; The House on Mango Street (1984), da norte-americana de origem familiar e cultural mexicana, Sandra Cisneros; e No Fio da Vida: uma Odisséia Açor-Americana (Autobiografia) (2013), do açoriano e professor residente dos Estados Unidos, Francisco Cota Fagundes. Identificando e analisando os quadros de representação da memória dessas narrativas e articulando estes aos elementos da arte da ficção assinalados e trabalhados por Umberto Eco e por James Wood / Abstract: The memory's theories that form the current scenario about the memory theme are composed by concepts in which areas of thinking are studied from the following extreme points: from platonic idealism to sociology based on social frameworks. Taking into account the sociology viewpoint, Maurice Halbwachs will be the basis of sociological studies due to his theory of collective memory through something that he named of 'social alive pictures from present'. Linking this kind of memory with concepts of individual memory, historical memory, space and time, the French sociologist is designated 'to destroy and rebuild' some fundamental concepts of current idealistic philosophy of his time. The literary creation (a kind of recognized pioneer in analyzing human facts) will be established itself as a good space of memory's study and the Marcel Proust's work will be one of the 'addresses' more visited by researchers of a variety of areas. Thus, considering the importance and the relevance of the study and the increase of all concepts around this subject, this project aims to analyze the representation of memory in modern and contemporary literature, defending the hypothesis that in a representation of memory built by an 'I', we will always find the presence of society through social frameworks. As theoretical base, this project will have the collective memory theory and other works related to the memory that will complement the point of view taken. In order to do this, we identified and analized the memory's representation framework of some narratives: Memórias de Lázaro (1952), written by Adonias Filho; The House on Mango Street (1984), written by Sandra Ciseros, an American but also Mexican descendent; and No Fio da Vida: uma Odisséia Açor - Americana (Autobiografia) (2013), written by Francisco Cota Fagundes, an Azorean and university professor who lives in USA. Identifying and analyzing the narratives' frameworks representation memory and ... / Doutor

Games, movies, television, and interactive media make use of World-Building. World-Building essentially creates an elaborate invented universe in order to give a story context. In other words it generates a back-story designed to enhance the cathartic experience and promote engagement by the reader, viewer or participant. Some examples of World-Building include Halo, World of WarCraft and Game of Thrones. Stories need context to be fully understood and experienced. One describes a situation, the environment, sensations, smells, sounds and sensory perception to give the audience a fuller, richer experience. World-Building provides context through history, textures, laws, physics and motivations. The written portion of this thesis describes the process of generating a fantasy world. The visual portion uses a character-driven narrative to examine larger themes such as psychological transformation and pursuing one’s dream against the odds. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

香港的殖民處境特殊， 既沒有在殖民管治結束後獨立， 也沒有在殖民管治時期中止與中國的各種聯繫， 致「香港文學」主體性的意涵常在「本土文學」與「地區文學」之間徘徊， 衍生出不同的「本土性」及文學史意義。現存「香港文學」的不同主體性論述， 主要以「1950年代」為「香港文學」的起點， 各自呈現不同的「本土性」。本文關注「香港文學」在「本土性」研究中的價值，冀透過整理現存的各種「1950年代香港文學」論述，剖析「香港文學」的主體性論述與國族想像、殖民政策、文學生產的關係，思考以「本土性」建構「香港文學」的可能。 / 本文共有六章， 第一章「緒論」闡述研究動機、目的、研究方法，並回顧現存文獻的研究成果。第二章「『香港文學』的『中國新文學』」整理現存各種「1950年代香港文學」論述，歸納「香港文學」主體性論述的不同形態。第三章「殖民者的身影」探討1950年代的香港殖民政策，並以《新生晚報》為例，分析殖民者在1950年代香港文學生產中的角色。第四章「『通俗』的資本」運用「資本」的概念， 比較不同「1950年代香港文學」論述對通俗文學場域位置的不同見解，以考察通俗文學在論述中呈現的「本土」視野。第五章「通俗文學在『香港文學』」以香港作家舒巷城的作品， 在不同「1950年代香港文學」文選的編選情況為例，討論「象徵資本」與香港文學「本土性」的關係。第六章「結論」總結「1950年代香港文學」論述的研究價值，並展望香港文學主體性論述的其他研究方向。 / As one of the former colonial areas, Hong Kong has a more complex colonial experience. The demise of British colonial rule in 1997 did not gain independence for Hong Kong, and noticeably, Hong Kong remained in close contact with Mainland China throughout the colonial period. The debate of the subjectivity of "Hong Kong literature" oscillates between the framing of local literature and regional literature, and generates various understandings of locality and literary history. Despite discrepancy, "1950s" is commonly regarded as the critical period of Hong Kong literature’s emergence and various understandings of localism are hence generated. This dissertation aims at investigating localism from the perspective of "Hong Kong literature". Through analyzing different discourses of the notion of "1950s Hong Kong literature", this thesis scrutinizes the interplay of national imagination, colonial policies and cultural production, and tries to examine the possibilities of constructing "Hong Kong literature" with localism. / There are six chapters in this thesis. Chapter 1 addresses the motivation, purpose of research, methodology, as well as the literature review of the existing studies. Chapter 2 analyzes prevailing discourses on the notion of "1950s Hong Kong literature", so as to investigate different discursive formations of the subjectivity of Hong Kong literature. Chapter 3, with the examples in the Hsin Sheng Wen Pao(新生晚報), examines the colonial policies and its role in literary production regarding the notion of "1950s Hong Kong literature". Chapter 4 departs from the idea of capital, examines debates over the position of popular culture in the literary field. The dialogue is carried out through the different understandings on the notion of "1950s Hong Kong literature". Chapter 5 studies the relationship between symbolic capital and localism with the example of how a Hong Kong writer, Shu Xiangcheng(舒巷城), was perceived in the compilation "1950s Hong Kong literature". In Chapter 6, this section evaluates the importance of the discourse "1950s Hong Kong literature", and suggests other possibilities of the Hong Kong literature subjectivity in the future. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 鄒芷茵. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 143-164). / Abstracts also in English. / Zou Zhiyin.

鍾禮珍. / 稿本(據電腦打印本複印) / Thesis (M.Phil.)--香港中文大學新聞與傳播學部, 1989. / Gao ben (ju dian nao da yin ben fu yin) / Includes bibliographical references (leaves 143-150). / Zhong Lizhen. / Thesis (M.Phil.)--Xianggang Zhong wen da xue xin wen yu chuan bo xue bu, 1989. / Chapter 第一章 --- 緒論 --- p.1-35 / Chapter 1.1 --- 中國為什麼對文藝如此敏感 --- p.1 / Chapter 1.2 --- 文藝是意識形態改造的必要工具 --- p.3 / Chapter 1.3 --- 有關中共文藝傳播的研究結果 --- p.6 / Chapter 1.4 --- 例外中見常規 --- p.22 / 註釋 --- p.30 / Chapter 第二章 --- 中共的文藝傳播觀 --- p.36-62 / Chapter 2.1 --- 毛澤東的文藝思想 --- p.36 / Chapter 2.2 --- 首三次文代會與文藝批判事件 --- p.41 / Chapter 2.3 --- 文化大革命與文藝創作 --- p.53 / 註釋 --- p.59 / Chapter 第三章 --- 近十年來的文藝面貌 --- p.63-86 / Chapter 3.1 --- 「新時期」的政治社會形勢 --- p.63 / Chapter 3.2 --- 「新時期」的文藝面貌 --- p.70 / 註釋 --- p.84 / Chapter 第四章 --- 近十年來「具爭論性」文藝作品分析 --- p.87-119 / Chapter 4.1 --- 研究對象 --- p.87 / Chapter 4.2 --- 研究方法 --- p.93 / Chapter 4.3 --- 內容簡介 --- p.95 / Chapter 4.4 --- 內容分析 --- p.110 / 註釋 --- p.119 / Chapter 第五章 --- 結論 --- p.120-138 / Chapter 5.1 --- 「新時期」文藝政策的常規 --- p.120 / Chapter 5.2 --- 爭論性文藝作品展現出的社會狀況 --- p.124 / Chapter 5.3 --- 常規下的限制 --- p.129 / Chapter 5.4 --- 討論與建議 --- p.134 / 註釋 --- p.138 / 附錄一 --- p.139 / 附錄二 --- p.141 / 參攷書目 --- p.143-150

關秀瓊. / 書名原作: 從「人的自覺」看魏晉文論與儒、道 ... / 據手稿本影印. / Thesis (M.A.)--香港中文大學. / Shu ming yuan zuo: Cong "Ren de zi jue" kan Wei Jin wen lun yu ru, dao ... / Ju shou gao ben ying yin. / Includes bibliographical references (leaves 459-473). / Guan Xiuqiong. / Thesis (M.A.)--Xianggang Zhong wen da xue. / 上篇 --- p.1 / 緒言 / Chapter 第一章 --- 人的自覺 --- p.13 / Chapter 第一節 --- 「人的自覺」一詞及研究角度之，學術背景 --- p.13 / Chapter 第二節 --- 魏晉「人的自覺」與文論關係之研究背景 --- p.28 / Chapter 第三節 --- 本論文在前人討論下仍可發揮之處 --- p.42 / 注釋 --- p.50 / Chapter 第二章 --- 兩漢文論與儒，道思想之關係 --- p.57 / Chapter 第一節 --- 兩漢經學及天人觀念 --- p.63 / Chapter 第二節 --- 狹義下的兩漢文學現象 --- p.78 / Chapter 第三節 --- 從對創作主體的認識，論兩漢文論與儒，道思想之關係 --- p.87 / Chapter 第四節 --- 總結 --- p.116 / 注釋 --- p.121 / Chapter 第三章 --- 「人的自覺」下的魏晉文論與儒，道思想的關係 --- p.131 / Chapter 第一節 --- 魏晉玄學下的天人新義 --- p.134 / Chapter 第二節 --- 魏晉文學現象 --- p.156 / Chapter 第三節 --- 「人的自覺」精神下的魏晉文論 --- p.167 / Chapter 第四節 --- 「人的自覺」下的魏晉文論與儒，道思想之關係 --- p.185 / Chapter 第五節 --- 總結 --- p.198 / 注釋 --- p.202 / 下篇 / Chapter 第四章 --- 曹丕「文氣說」 --- p.219 / Chapter 第一節 --- 從「人的自覺」檢視以漢末才性義釋「文氣說」之局限 --- p.222 / Chapter 第二節 --- 氣之「性」「情」義 --- p.240 / Chapter 第三節 --- 從「氣」之「性」，「情」義釋文氣說與儒，道家文藝觀之關係 --- p.256 / Chapter 第四節 --- 總結 --- p.267 / 注釋 --- p.273 / Chapter 第五章 --- 陸機「文賦」 --- p.286 / Chapter 第一節 --- 玄學新思維方式下的「言」「意」內涵 --- p.189 / Chapter 第二節 --- 新「言」，「意」觀念下的審美態度 --- p.308 / Chapter 第三節 --- 新「言」，「意」觀念在文論上的開展 --- p.327 / Chapter 第四節 --- 從「文賦」對創作運「意」的剖析，論其與儒，道思想之關係 --- p.344 / Chapter 第五節 --- 總結 --- p.357 / 注釋 --- p.359 / Chapter 第六章 --- 葛洪「抱朴子」 --- p.373 / Chapter 第一節 --- 「抱朴子」思想旨趣與「人」的再思考 --- p.376 / Chapter 第二節 --- 「抱朴子」思想旨趣在美學上的折射 --- p.391 / Chapter 第三節 --- 「抱朴子」的文論與儒，道思想之關係 --- p.403 / Chapter 第四節 --- 總結 --- p.431 / 注釋 --- p.437 / Chapter 第七章 --- 上，下篇總結 --- p.452 / 參考書目 --- p.459

袁燕萍著. / 書名頁題: 從氣、勢觀念看六朝文論的 ... / 手稿本, 複本據手稿本影印. / Thesis (M.A.)--香港中文大學硏究院中國語文學部. / Shu ming ye ti: Cong qi shi guan nian kan liu chao wen lun de ... / Shou gao ben, fu ben ju shou gao ben ying yin. / Includes bibliographical references (leaves 1-39 (2nd group)). / Yuan Yanping zhu. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu. / 緒言 --- p.1-20 / Chapter （一） --- 研究緣起 / Chapter （二） --- 釋名並論研究之步驟和目的 / Chapter （三） --- 研究之方法及全文結構 / Chapter 第一章 --- 氣之才性義及才性觀念在六朝文論的開展 --- p.21-153 / Chapter 第一節 --- 從「氣之清濁有體，不可力強而致」釋「文氣說」 / Chapter 第二節 --- 以氣論文的特點 / Chapter 第三節 --- 文氣說產生的背景 / Chapter 第四節 --- 從《文心、體性》看文氣觀念的開展 / Chapter 第五節 --- 釋「天才論」´ؤ´ؤ先天稟賦與後天修養的關係 / Chapter 附（一） --- 論「齊氣」 / Chapter 附（二） --- 論「惜其體弱」 / Chapter 第二章 --- 氣之血氣義及血氣在創作過程中的作用 --- p.154/189 / Chapter 第一節 --- 問題之提出 / Chapter 第二節 --- 釋「神有遯心」義 / Chapter 第三節 --- 從志氣與神的關係有「志氣」一名的涵意 / Chapter 第四節 --- 血氣在創作過程中的作用 / Chapter 第三章 --- 釋《風骨》「氣」一詞之涵意 --- p.190/240 / Chapter 第一節 --- 釋《風骨》「氣」一詞之涵意 / Chapter 第二節 --- 從諸家對《風骨》「並重氣之旨」的詮釋論「氣」一詞之語意 / Chapter 第四章 --- 釋《定勢》「因情立體，即體成勢」義 --- p.241/308 / Chapter 第一節 --- 釋勢 / Chapter 第二節 --- 明體 / Chapter 第三節 --- 論情 / Chapter 第五章 --- 總論就六朝文論所見創作主體與文體要求兩者間之關係 --- p.316/318 / 總結 / 參考書目 --- p.1/39

梁樹楓. / 論文(碩士) -- 香港中文大學硏究院中國語言及文學學部, 1995. / 參考文獻: leaves 115-121. / Liang Shufeng. / 前言 --- p.一 / Chapter 第一章 --- 陳郡謝氏家族的興起與發展 --- p.五 / Chapter 第一節 --- 謝氏一族發展簡述 / Chapter 第二節 --- 謝氏發展成爲文學氏族的歷史因素 --- p.十一 / Chapter 第三節 --- 謝氏發展成爲文學士族的內在因素 --- p.十四 / Chapter 第二章 --- 陳郡謝氏的家學和思想 / Chapter 第一節 --- 南朝士人家學內涵槪說 --- p.二十 / Chapter 第二節 --- 謝氏與佛道思想 --- p.二十三 / Chapter 第三節 --- 謝氏與儒家思想 --- p.二十九 / Chapter 第三章 --- 從文學作品探討謝氏子弟的内心世界 / Chapter 第一節 --- 探討的重點和原則 --- p.三十八 / Chapter 第二節 --- 東晉諸謝一一謝安、謝萬、謝玄 --- p.四十 / Chapter 第三節 --- 晉宋之間諸謝一一謝混、謝靈運、謝瞻、謝惠連、謝莊 --- p.四十九 / Chapter 第四節 --- 齊梁諸謝一一謝朓、謝舉、謝幾卿 --- p.八十二 / Chapter 第四章 --- 陳郡謝氏文學表現與時代的關係 --- p.九十八 / Chapter 第五章 --- 總結´ؤ一陳郡謝氏在六朝文學的定位 / Chapter 第一節 --- 從謝氏的地位看六朝士族的文學優勢 --- p.一百零三 / Chapter 第二節 --- 從謝氏子弟的文學觀探討魏晉以來文學自覺的問題 --- p.一百零八 / Chapter 第三節 --- 個體自覺與家族責任的矛盾與融和 --- p.一百十一 / Chapter 第四節 --- 六朝政治與山水文學的關係 --- p.一百十三 / 參考書目 --- p.一百十五 / 參考論文 --- p.一百十八 / 附錄 --- p.一百十九

This thesis offers an assessment of late medieval public response to the crusades through an investigation of emotional rhetoric in the Middle English crusading romances. It argues that the prevailing climate after the fall of Acre in 1291 and the evacuation of the last Christian strongholds in the Levant was characterized by a mixture of enduring enthusiasm and fascination, but also of concern, anxiety, and self-questioning, engendered by the enterprise's failures. The loss of the Holy Land had enduring repercussions on Christian crusading mindsets, marking a culminating point in Islam's seemingly relentless victories in wars believed to be ordained by God, and the collapse of Christendom's ambitions to secure lasting dominion over Christ's patrimony. The late thirteenth century was also a turning point in the history of insular romance, with the progressive displacement of Anglo Norman by Middle English, expanding the genre's audience. Reworking the emotional depictions of their sources, authors or adaptors of late medieval English crusading romances engaged with, and elicited reflection on, the cultural anxieties of the time: man's relation to God, the workings of divine providence, Christianity's ascendency over Islam, human agency, the connection between morality and fortune, the bearing of motives on actions, and the moral limitations of violence.