This thesis evaluates the legacy/impact of the London 2012 Games for a non-hosting sub-region Leicestershire, principally through evaluations of four legacy-programmes (i.e. the Workplace Challenge, Get Set, Sport Makers, and Games Makers programmes), drawing conclusions about lessons learned from the Leicestershire 2012 legacy experience. The selection of Leicestershire as a non-hosting sub-region reflects the fact that little is known about the legacy/ impact of the Games in such contexts. The nature of Olympic legacy evaluation is considered as a complex, wide-ranging, and multi-staged process. This thesis thus focuses on two main areas: i) conducting a systematic review of the literature (covering the period 1996-2011) to explore and establish an understanding of the concepts of Olympic legacy , and evidenced legacy/impact of hosting the Olympics in previous Games; ii) assessing the extent to which the London 2012 Games had impacted on the changed legacy outcomes for Leicestershire through realist evaluations. Together with realist evaluations, analytic logic models and the assessment of additionality approaches are adopted in this study, focusing on the four legacy-programmes evaluations, wherein quantitative and/or qualitative methodology are utilised in order to identify the causal mechanisms that produced the anticipated/unanticipated effects in their specific contexts. This study is an empirical example of the application of the realist evaluation and assessment of additionality. It also produces an evidence base for policy analysis in order to inform stakeholders thinking regarding sustaining the legacy of the Games and any future major sporting events by identifying lessons learned for non-hosting contexts.

published_or_final_version / Urban Planning and Environmental Management / Master / Master of Science in Urban Planning

In February 1877, publisher Sampson Low, Marston, Searle and Rivington began release of a monthly serial called Street Life in London, by journalist Adolphe Smith and photographer John Thomson. The work aimed to reveal to readers, through novel use of photographic illustrations combined with essays, the conditions of a life of poverty in London. Appearing also as a book in late 1877, Street Life in London did not achieve commercial success in either format and was cancelled after just one year's run. This dissertation aims to demonstrate how Street Life in London was subject to and shaped by a variety of interests and forces, to understand why it failed, and to place it within the overarching contexts of Victorian social exploration and street typology. Historians of photography have justifiably praised Street Life in London as a foundational work of socially-conscious photography, John Thomson's images breaking--sometimes radically--with prior models for depiction of the poor. But they have tended to regard it primarily as a book rather than a serial, and primarily as a book of photographs, not a publication in which text and image work in concert. This dissertation examines the vital contributions of both Adolphe Smith and John Thomson, combining close reading of images, text and sequencing throughout the serial publication to treat the work as a photo-text. It reinscribes the work within the contexts of both authors' overall careers, relates it to prior pictorial and literary models for representation of poverty, and demonstrates the roles of other players such as the publisher and critics in shaping the publication. Ultimately this study places Street Life in London within a matrix of Victorian discourses on poverty, photography, and typology, among others, demonstrating that it was contingent, conflicted, and ultimately incomplete: a flawed but fascinating commentary on the complex and multifarious Victorian era from which it emerged.

Through interrelating the Acoustic Communication concepts of soundscape with contemporary collective memory studies, this research project explores the relationship between commuters and the London Underground (LU) soundscape in order to create an interactive sonic environment on the Internet. The methodology combines fieldwork and artistic work, focusing on commuters’ perceptions of time and space, and on their sonic memories, as elements through which to interpret the space. The objective of the fieldwork is to investigate commuters’ aural memories of the LU soundscape, including the feelings and sensations that it stimulates. The artistic objective is to facilitate the interaction between the soundscape and its users through an interface that allows a creative combination of sounds to assemble aural memories into a sound-driven multimedia experience. Twenty-four commuters participated in the ethnographic study during the three phases of the research; they followed the researcher’s model, which combines the processes of listening and remembering. The researcher thus developed an interactive sonic environment where commuters can experience a non-linear virtual journey through the soundscape of LU, then apply this as a means of reflecting on the original commuting experience. The interactive nature of the process makes it possible for individual memories to be linked in a creative shared experience; it fosters the development of on-line sound-driven narratives.

Urban exploration is a practice of researching, discovering and physically exploring temporary, obsolete, abandoned, derelict and infrastructural areas within built environments. Through charting the rise to prominence of a London urban exploration crew between 2008 and 2011, of which I became an active member, I posit that urban explorers are one of many groups reacting to increased surveillance and control over urban space by undertaking embodied urban interventions in the city that undermine clean spatio/temporal narratives. The primary research questions stem from my attempts to interrogate the practice from the inside out: Who are urban explorers? What does it involve? Why do they do it? What do they think they will accomplish? While the thesis focuses primarily on 220 explorations undertaken with my primary ethnographic group in London between 2008 and 2011, it also speaks to the urban exploration "scene" that has developed over the past twenty years in cities all over the world. The results that emerge from the research both compliment and complicate recent work within geography around issues of surveillance, resistance, hacking and urban community building and lays out a new account, never before outline in such detail, of the tales of urban exploration taking place in temporary cities across the globe. This visual ethnography is comprised of text (75,000 words), photographs (200) and video (10 shorts). the ethnographic video components can be found on the Place Hacking video channel located at http://vimeo.com/channels/placehacking . I suggest watching all 10 short videos before reading this thesis.

As a case study in cultural production and consumption and of the commodification of culture in late seventeenth- and eighteenth-century England, this study examines how musicians in London began to emerge from their dependence on the patronage of court, aristocracy and church into a more public sphere, moving from positions as salaried employees to a more freelance existence where they contributed to their income by putting on public commercial concerts. Taking as its starting point the almost 50,000 references to music recorded in the Register of Music in London Newspapers 1660–1750, a database has been built to record detailed information extracted from over 12,000 advertisements, puffs and news items related to commercial concert giving in London between 1660 and 1750. Concert advertisements and other material may thus be studied longitudinally in relation to each other, providing a valuable source of data for the growth of concert giving in London over a long and important period of its development. Public commercial concerts emerged in London in the period following the restoration of Charles II in 1660, developing from private music meetings dominated by amateur performers and informal public performances by professionals in taverns via John Banister's first advertised concerts in 1672. By 1750, public commercial concerts in London may not have achieved their final form or the heights of popularity that accompanied the ‘rage for music' of the 1790s, but they were promoted regularly and with a clear sense of programme planning, laying the foundations for later expansion. The possibility for musicians to make a living as freelance professionals without having to rely solely on patronage, their development of commercial skills, their emerging links with music publishers, all this is witness to the birth of music as a business in London in the period between 1660 and 1750.

Cities are often warmer than their surroundings, and this can lead to more energy being used to cool buildings. This study looks at one city, London, and assesses the impact of the urban environment on the amount of energy used for air-conditioning. There are three main strands to the work. First, it was important to determine just how great the variation in air temperature is, and how this varies through time and through the urban space. Eighty measurement stations were established along radiating lines from the centre of London as far as rural areas. These measured the air temperature simultaneously at hourly intervals for over a year. Second, to support the main data acquisition, short-term tests within London looked at specific aspects of the urban environment that affect air temperature: the effects of vegetation in parks, and facade colour in streets. Third, the impact on energy use of the measured temperature variation was then determined by using simulation to model a standard building in different urban contexts. The mean heat island intensity was found to vary with distance from the centre of London, and with the local degree of urbanization at any given distance. The maximum intensity reached 8°C on occasion but was more usually 1-2°C in the daytime and 3-4°C at night. The proximity of areas of vegetation, such as parks, to a site was associated with cooler daytime temperatures. The annual cooling load for a standard building at the centre of London was found to be 25% more than at a rural site. However, at the most urban sites over-shadowing reduced the cooling load to 14% more than at a rural site. Heating load decreased towards the centre, but on balance total annual load (for heating and cooling) rose towards the centre to 8.5% more than rural use, and then reduced at the most overshadowed sites. The balance of the effect of urbanization on heating and cooling load depended on the level of internal gain in the building. This study makes a significant contribution to understanding the balance of the impact of urban environments on the energy used for cooling and heating buildings.

Evidence has shown that Multisystemic Therapy (MST) an intensive family- and community-based intervention has been particularly effective in the treatment of youth with antisocial behaviour from ethnically diverse backgrounds. Although the process of change within MST has been explored, there is a dearth of research in looking at this for families from ethnic minority backgrounds. The current research aimed to address this gap by exploring the experiences of a sample of London based caregivers who had completed an MST intervention. A qualitative approach was adopted, using grounded theory methodology to explore ethnic minority caregiver experiences of MST and generate a model of the processes of engagement and change based on participants' accounts. Seven semi-structured interviews were carried out with caregivers from two London sites. The emergent model consisted of seven interacting theoretical codes. Three of these codes were organised around the process of engagement; deciding to engage with MST, becoming therapeutically aligned and considering cultural difference, and four related to the process of change; working within a safe and trusting relationship, therapist acting as cultural broker, empowering the parent and increased communication within and outside the family. The author makes novel suggestions relating to the specific mechanisms that are thought to underlie the process of engaging with MST, and highlights the importance of considering cultural difference in the initial stages of the MST intervention.

The dissertation examines how economic matters were depicted between 1770 and 1820 in two European kingdoms. Britain and Sweden are studied during this Age of Revolutions from the state’s perspective; state-managed newspapers are examined, one from Britain, the London Gazette, and two from Sweden, Stockholms Post-Tidningar and Inrikes Tidningar. These were stable types of media that transformed slowly alongside the changing popular press. State-managed newspapers were produced both to inform and manage the loyalty of populations. Aside from the continued development of the centralized state, this was also the time when Enlightenment ideals were spreading, the public sphere was transforming, notions of the nation and nationalism were developing, and communication strategies were changing; these concepts are the basis for the model of the development of modernity used in this study. Economic matters are seen as existing in a value-realm model that gradually disintegrated over time, expressing the birth of the modern world. This model included political, social-cultural, and technological values, in addition to economic matters. This disintegration involved a sense of uniformity. In both Britain and Sweden, economic objects, practices, ideas, and discourses received similar treatments over time. This process was, however, non-linear and not complete by the dawn of industrial transformation.   The first two chapters discuss the theory and methodological approaches. The form, order, and content of the newspapers are analyzed to show how economic matters became separate or unembedded to varying degrees over a fifty-year time span. British and Swedish descriptions are compared, as well as how the other state was portrayed in the opposing newspapers. These observations are described in three empirical chapters, relating events and analyses from 1770 to 1775, 1790 to 1795, and 1815 to 1820. The results of this dissertation show how early modern economic matters can be viewed beyond quantitative contents as an expression of becoming modern, offering complimentary context. Advances in thinking about data generated modern numerical indicators, also reflected by form and order qualities. The unembeddedness of economic matters was an ongoing and non-linear process that was expressed by increased abstractness, separation, and emphasis.

Gentrification, a process conceived to result in displacement of lower-income urban residents, is difficult to measure quantitatively due to its qualitative, social impacts. Additionally, the phenomenon is a wicked problem, with no decisive definition or a set list of causes. Whereas researchers have instigated attempts to numerically measure gentrification, there is a lack of a systematic and universal approach to evaluate the concept. To investigate this issue, an iterative process took place using gentrification theory and explorative work. A test index was created using the inner boroughs of the UK’s capital, London, aiming to use data which should be available within all cities. Indicators for the index based on the two main theories of gentrification were attained for three different time periods from governmental and census records, creating a longitudinal study to establish how an area has changed, and whether gentrification has occurred. The technique presents evidence of increasing socio-economic status within many of London’s inner  boroughs, with evidence of rising employment rates, house prices and managerial role residents. The highest scoring boroughs were areas considered to be undergoing super-gentrification. From the index, the next borough to super-gentrify will be Hammersmith & Fulham. For first time gentrifying boroughs, their index changes sit within the middle of the borough rankings. It is believed that further analysis and advancements are required on the index to ensure prevention of data misuse, conclusive results, and further consideration of cultural, political or social changes, however new contributions have been made within this topic from considering gentrification from a wicked problem viewpoint.