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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Lotus Lobo e a memória do design gráfico mineiro

Inhan, Luciana de Oliveira 19 April 2017 (has links)
Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-09-28T19:52:37Z No. of bitstreams: 1 lucianadeoliveirainhan.pdf: 10066254 bytes, checksum: 82e429358b8bc970ef70d2d5e1556880 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-10-09T19:25:07Z (GMT) No. of bitstreams: 1 lucianadeoliveirainhan.pdf: 10066254 bytes, checksum: 82e429358b8bc970ef70d2d5e1556880 (MD5) / Made available in DSpace on 2017-10-09T19:25:07Z (GMT). No. of bitstreams: 1 lucianadeoliveirainhan.pdf: 10066254 bytes, checksum: 82e429358b8bc970ef70d2d5e1556880 (MD5) Previous issue date: 2017-04-19 / O trabalho propõe uma análise da produção artística desenvolvida pela artista e litógrafa mineira Lotus Lobo desde o final da década de 1960 até os dias de hoje, com matrizes de rótulos de embalagens descartadas pelas estamparias mineiras (especialmente de Juiz de Fora), em um momento de substituição de tecnologias de impressão. Destaco sua aproximação com a Pop Art — cuja produção, em geral, também dialoga com as artes gráficas ligadas ao contexto sócioindustrial —, mostrando as influências e as disparidades que impedem seu trabalho de ser meramente caracterizado como tal. Procuro refletir sobre duas direções de seu trabalho: a produção da artista plástica, por meio da apropriação das imagens dessas matrizes e de materiais de refugo industrial, como as maculaturas; e a pesquisadora que tenta manter viva a memória do design gráfico mineiro do início do século XX, seja por projetos acadêmicos ou iniciativas individuais, independentes, demonstrando a alta criatividade de sua produção artística e o lastro de suas contribuições. / This paper proposes an analysis of the artistic production developed by the artist and lithographer Lotus Lobo from the late 1960s to the present day, with matrices of packaging labels discarded by the printmakers of Minas Gerais (especially from Juiz de Fora), at a time when printing technologies were being replaced. I highlighted her proximity to Pop Art — whose works also dialogue with the graphic arts linked to the industrial context — showing the influences and the disparities that prevent her work from being characterized as Pop. I try to reflect on two directions of her work: the production of the plastic artist, through the appropriation of the images of these matrices and materials refused by the industry, as the stained printings (maculaturas); and the researcher who tries to keep alive the memory of the graphic design of Minas Gerais of the early twentieth century, either by academic projects or through independent initiatives, demonstrating the high creativity of her artistic production and the wide range of her contributions.

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