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Thesis (M.S.)--West Virginia University, 2000. / Title from document title page. Document formatted into pages; contains xi, 233 p. : ill. (some col.), maps. Vita. Includes abstract. Includes bibliographical references (p. 161-178).

This thesis proposes a fresh engagement with the idea of the archaic as a means to recover and replenish some of the lost vitality suffered during what William Barrett characterized the modern period as “the gigantic externalization of life.” An introductory essay examines how the related ideas of the archaic, the primal, and the prehistoric have at key moments provided a source of creative energy for the arts of the last century. Collections of found material, and several photographic studies document the city of Niagara Falls—icon of American pop culture and faded relic of romanticism. The photographs present an alternative to the world of the touristic snapshot, and address the questions: In the age of simulation how do we know what is real anymore? Can we learn to see with archaic eyes?

This thesis proposes a fresh engagement with the idea of the archaic as a means to recover and replenish some of the lost vitality suffered during what William Barrett characterized the modern period as “the gigantic externalization of life.” An introductory essay examines how the related ideas of the archaic, the primal, and the prehistoric have at key moments provided a source of creative energy for the arts of the last century. Collections of found material, and several photographic studies document the city of Niagara Falls—icon of American pop culture and faded relic of romanticism. The photographs present an alternative to the world of the touristic snapshot, and address the questions: In the age of simulation how do we know what is real anymore? Can we learn to see with archaic eyes?

Since the 1960s, the modern environmental movement, though generally liberal in nature, has historically excluded a variety of serious and influential groups. This thesis concentrates on the movement of working-class housewives who emerged into popular American consciousness in the seventies and eighties with their increasingly radical campaigns against toxic contamination in their respective communities. These women represent a group who exhibited the convergence of cultural influences where domesticity and environmentalism met in the middle of American society, and the increasing focus on public health in the environmental movement framed the fight undertaken by women who identified as “housewives.” These women, in their use of both traditional female stereotypes as well as radical influences from other social movements, synthesized their own unique type of activism, which has had a profound influence on the environmental movement and public health in the United States, especially in its relation to environmental justice.