Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-05-10T22:37:46Z No. of bitstreams: 1 MariaSandraDaGama_DISSERT.pdf: 1428101 bytes, checksum: 6041d34bf3539a7b461a22b62a7b98d6 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-05-17T22:24:54Z (GMT) No. of bitstreams: 1 MariaSandraDaGama_DISSERT.pdf: 1428101 bytes, checksum: 6041d34bf3539a7b461a22b62a7b98d6 (MD5) / Made available in DSpace on 2016-05-17T22:24:54Z (GMT). No. of bitstreams: 1 MariaSandraDaGama_DISSERT.pdf: 1428101 bytes, checksum: 6041d34bf3539a7b461a22b62a7b98d6 (MD5) Previous issue date: 2015-08-25 / O per?odo entre os anos de 1902 a 1922 correspondem ? trajet?ria de Lima Barreto, seja no universo das letras brasileiras, na reparti??o da Secretaria da Guerra ou ainda em tantos outros espa?os onde ele circulou e p?de observar as diversas transforma??es em curso na cidade do Rio de Janeiro, como as pr?ticas e a??es discursivas que institu?am a distribui??o de lugares sociais masculinos e femininos, baseada nas conven??es de g?nero. Nesse contexto se demarcavam, como espa?os de atua??o para a mulher, os ambientes privados da casa. Enquanto, para os homens, se destinavam os espa?os p?blicos, como as reparti??es p?blicas, o parlamento, entre outros. Durante esse per?odo, o escritor produziu cr?nicas, contos, romances, nos quais apresenta uma variedade de imagens e enunciados em torno do que seria ser mulher. Nessa perspectiva, a investiga??o proposta no trabalho busca analisar os lugares do ?feminino? presente nos escritos do autor. A mulher barretiana ? apresentada, nos espa?os p?blico e dom?stico, como figura submissa, de capacidade intelectual limitada. E, ao mesmo tempo e de forma contradit?ria, ela ? inscrita, quando se apresenta nos espa?os p?blicos, como figura transgressora dos limites dos lugares sociais impostos e capaz de empreender mecanismos de subvers?o da ordem da domina??o masculina sobre ela. Dessa maneira, tais elabora??es sobre as mulheres foram examinadas em conex?o com a historicidade da vida e da obra do escritor, buscando, assim, acolher tamb?m ? interpreta??o dessas cartografiasfemininas e entender as ambiguidades barretianas, nas quais, residia a coexist?ncia de um Lima Barreto delator das mazelas vividas pelas mulheres e, ao mesmo tempo, avesso ao alvorecente movimento feminista, um cr?tico das certezas uniformizadoras da diversidade das pessoas e, no entanto, muitas vezes, complacente com os discursos cient?ficos e costumes regrados masculinos que desqualificavam a mulher. As fontes estudadas foram correspond?ncias, anota??es pessoais, artigos e cr?nicas e, especialmente, os romances Clara dos Anjos, Numa e a Ninfa, Triste Fim de Policarpo Quaresma e Vida e Morte de M. J. Gonzaga de S?. Para efetiva??o da pesquisa, as abordagens te?ricas se ancoraram nas contribui??es de Michel Foucault, F?lix Guattari e Suely Rolnik, com as acep??es de heterotopia e subjetividade respectivamente, al?m do aporte te?rico-metodol?gico de Judith Butler, a partir de sua acep??o de g?nero. Suportes que autorizaram a interpreta??o da historicidade dos agenciamentos ?do feminino?, operados pelo autor, como registros discursivos das experi?ncias vividas por ele ao longo de seu trajeto. / The span of time between 1902 and 1922 comprehend the trajectory of Brazilian writer Lima Barreto, both in Brazilian literary metier and in the public service at the Secretary of War. Also, it comprehends his trajectory along many other places in which he circulated and could observe the several transformations the city of Rio de Janeiro was undergoing, such as the discursive practices and actions underlying the distribution of female and male social places, i.e., gender conventions. In this context, the private spaces of the house were those marked for female acting, while the public spaces were reserved for man: public institutions, the parliament, among others. During this time, the writer produced chronicles, short stories, and novels in which he presents a variety of images and statements regarding the issue of being a woman in such society. Under this light, the research proposed by this work aims at analysing the place of the female in the author?s writings. Barreto?s woman is presented, both in domestic and public space, as submissive and intellectually limited. At the same time, contradictorily, she is inscribed, when re-presented in public spaces, as transgressive and able to act on subversive mechanisms regarding male domination upon her. These elaborations regarding women were examined from a historical perspective in relation to the author?s life and work aiming at sheltering his interpretation of these female cartographies as well as the ambiguities of these Barretian women. The research carried out reveals the co-existence of a writer that would denounce the shortcomings experienced by women while against the rising female movement, a critic of homogenizing certainties but also a supporter of scientific discourses and female disqualifying habits. The sources of this piece of research were his correspondences, personal notes, articles and chronicles and, particularly, the novels Clara dos Anjos, Numa e a Ninfa, Triste Fim de Policarpo Quaresma, and Vida e Morte de M. J. Gonzaga de S?. The theoretical approach was based on Michel Foucault, F?lix Guattari and Suely Rolnik, namely regarding the concepts of heterothopy and subjectivity, respectively. Also, we have based our elaborations on Judith Butler?s concept and discussions regarding gender. These choices have allowed us to interpret the historicity of female acting operated by the author, as discursive registrations of the experience he had undergone along his trajectory.