Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-07-11T18:12:27Z No. of bitstreams: 1 IsraelVictorLopesDaSilva_DISSERT.pdf: 3474996 bytes, checksum: 38a532757104280f013a42a0750f78dd (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-07-19T18:11:29Z (GMT) No. of bitstreams: 1 IsraelVictorLopesDaSilva_DISSERT.pdf: 3474996 bytes, checksum: 38a532757104280f013a42a0750f78dd (MD5) / Made available in DSpace on 2016-07-19T18:11:29Z (GMT). No. of bitstreams: 1 IsraelVictorLopesDaSilva_DISSERT.pdf: 3474996 bytes, checksum: 38a532757104280f013a42a0750f78dd (MD5) Previous issue date: 2015-12-16 / Aspectos t?cnico-interpretativos no Quarteto de Cordas N? 2 de Guerra-Peixe vai abordar essa obra de um compositor, considerado um dos grandes expoentes da m?sica brasileira do s?culo XX, que desenvolveu v?rias vertentes em sua carreira, como music?logo, int?rprete, compositor, arranjador de r?dio e cinema, entre outras. Nesse trabalho, procuraremos visualizar na obra em quest?o seus estilos composicionais, apontando fontes que ele tenha bebido e oferecendo os elementos que subsidiar?o escolhas t?cnico-interpretativas para os futuros int?rpretes dessa obra. Com esse fim, foi realizada umaan?lise fonogr?fica comparativa entre grava??es de importantes quartetos brasileiros, entrevistas com m?sicos de relev?ncia no cen?rio nacional e experimenta??es em ensaios e recitais, sempre fazendo uma ponte do Quartetocom outras obras do compositor. Concomitantemente, foi realizada an?lise musicogr?fica entre edi??es manuscritas pelo pr?prio compositor, culminando com uma pr?pria edi??o revista. / Technical and interpretative aspects of the String Quartet No. 2 Guerra-Peixe will approach this work of a composer who is considered one of the greatest exponents of Brazilian music of the twentieth century, who developed several strands in his career as a musicologist, performer, composer, arranger radio and cinema, among others. In this work, we will see in the work in question their compositional styles, pointing sources that he has been drinking and offering elements that will subsidize technical and interpretive choices for future interpreters. After the historical context and esthetics, we will make some brief remarks about the terms performance and interpretation, to support the objective of the work, which will be the interpretation of the work. For that purpose, a comparative analysis was performed between recording of important Brazilian quartets, interviews with relevant players on the national scene and trials in rehearsals and recitals, always making a Quartet bridge with other works by the composer. Concomitantly, it was held analysis of handwritten edits by the composer, culminating with its own revised edition.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-07-11T18:12:28Z No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-07-19T21:15:42Z (GMT) No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) / Made available in DSpace on 2016-07-19T21:15:42Z (GMT). No. of bitstreams: 1 VirginiaCavalcantiSantos_DISSERT.pdf: 19571261 bytes, checksum: d85bb1e84f493d266a87d1c8c5f7242f (MD5) Previous issue date: 2015-12-16 / Esta disserta??o sugere ambientes sonoros a partir da proposta de imagens configuradas segundo a descri??o do texto ?A Visagem da Mo?a Caetana? de Ariano Suassuna, a fim de gerar possibilidades sonoras individuais que auxiliem os instrumentistas na interpreta??o da pe?a. O ciclo composto em 1996 - para canto, viola, violoncelo e clarone/clarineta - ? constitu?do por tr?s can??es sem t?tulo. Seu texto foi extra?do do ?Folheto XLIV?, do Romance d?A Pedra do Reino e o pr?ncipe do sangue do vai-e-volta, e descreve uma senten?a de morte ilustrada por s?mbolos do imagin?rio Armorial, usando neologismos e fon?tica peculiar do Sert?o nordestino. Al?m da an?lise das dificuldades t?cnicas de execu??o, este trabalho informa os int?rpretes quanto a timbres e texturas sonoras utilizadas por Nelson Almeida para retratar o tradicional atrav?s da linguagem musical contempor?nea. As met?foras e as transgress?es do racional no texto de Suassuna foram exploradas para esbo?ar tr?s composi??es de imagens que conduzam os int?rpretes ? descri??o sonora dos objetos inanimados e dos afetos a que se refere a poesia, extrapolando as indica??es t?cnico-interpretativas limitadas pela nota??o musical. A pesquisa se valeu da pr?pria partitura, da literatura existente sobre o tema, de discuss?es com os instrumentistas que j? executaram a obra, de entrevistas com o compositor e de depoimentos de outros compositores inseridos nesse contexto. Para ilustrar a teoria, as tr?s imagens gravadas em xilogravura s?o disponibilizadas como na literatura de cordel. / This study suggests sonorous ambiences from the propose of images configured according to the description in ?A Visagem da Mo?a Caetana? by Ariano Suassuna in order to create individual sonorous possibilities that may help musicians to play the piece. The cycle, composed in 1996 (for voice, viola, cello, bass clarinet/clarinet), is formed by three untitled songs. Its text is an excerpt from the ?Folheto XLIV?, from the Romance d?A Pedra do Reino e o pr?ncipe do sangue do vai-e-volta, and describes a sentence of death illustrated by symbols of the Armorial imagery, with neologisms and the peculiar accent from the Sert?o in northeast Brazil. In addition to the analysis of technical difficulties to play, this study informs interpreters of the sonorous timbre and texture used by Nelson Almeida to describe tradition through contemporary musical language. The metaphors and transgressions of reason in Suassuna?s book were explored to create three image compositions so that they may lead interpreters to the sonorous description of the inanimate objects and the affections to which the poetry refers, expanding any technical-interpretative indications limited by musical notation. This research used the Visagem scores, the literature on the theme, discussions with the musicians that played the piece, interviews with Almeida, and composers? reports. To illustrate the theory, the three images are available, printed as woodcut in cordel literature.