Thesis (B.A.)--Haverford College, Dept. of English, 2007. / Includes bibliographical references.

Submitted by Natalie Mendes (nataliermendes@gmail.com) on 2015-07-25T15:40:02Z No. of bitstreams: 1 disserta??o 2014.pdf: 4189035 bytes, checksum: 8382dcfb4670b8f26d284db7a6282f24 (MD5) / Made available in DSpace on 2015-07-25T15:40:02Z (GMT). No. of bitstreams: 1 disserta??o 2014.pdf: 4189035 bytes, checksum: 8382dcfb4670b8f26d284db7a6282f24 (MD5) Previous issue date: 2014-02-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Drawing is a form of two-dimensional representation made by lines and lines in a given area, however, it goes beyond that designation and covers larger meanings. This research deals with the design and its relationship to the registry, memory and science. The form of graphical representation has undergone some changes since the early ages to the present. During the Middle Ages, the design had religious function and was overwhelmed with symbols and elements, with the Renaissance new ways of graphically representing reality emerged, and as a category of Design, Scientific Illustration, which is characterized by transmitting information emerged objectively. The work addresses the Illustrations of British artist Margaret Mee, who lived in Brazil and represented fauna and flora, being recognized for the quality of her illustrations, relating the artistic and scientific rigor. / O Desenho ? uma forma de representa??o bidimensional, feitas por tra?os e linhas em uma determinada superf?cie, por?m, ele ultrapassa essa denomina??o e abrange significados maiores. Esta pesquisa aborda o Desenho e sua rela??o com o Registro, a Mem?ria e a Ci?ncia. A forma de representa??o gr?fica sofreu algumas altera??es desde eras primitivas at? a atualidade. Durante a Idade M?dia, o Desenho tinha fun??o religiosa e era sobrecarregado de simbologias e elementos fantasiosos; com o Renascimento, novas formas de representar a realidade graficamente surgiram, e como categoria do Desenho, surgiu a Ilustra??o Cient?fica, que se caracteriza por transmitir informa??es de maneira objetiva. O trabalho desenvolvido aborda as Ilustra??es da artista brit?nica Margaret Mee, que viveu no Brasil e representou fauna e flora, sendo reconhecida pela qualidade de suas Ilustra??es, relacionando a Arte e o rigor Cient?fico.

Thesis (M.A.)--Miami University, Dept. of Theatre, 2009. / Title from first page of PDF document. Includes bibliographical references (p. 59-61).

Thesis (Ph. D.)--University of California, San Diego and University of California, Irvine, 2003. / Includes bibliographical references (leaves 227-242).

Kyoto University (京都大学) / 0048 / 新制・課程博士 / 博士(工学) / 甲第14627号 / 工博第3095号 / 新制||工||1460(附属図書館) / 26979 / UT51-2009-D339 / 京都大学大学院工学研究科電子工学専攻 / (主査)教授 川上 養一, 教授 髙岡 義寛, 准教授 須田 淳 / 学位規則第4条第1項該当

“It’s a nightmare, really.” Orestes returns from exile to take revenge for his father’s death. From there begins a dizzying exploration into what it means to take revenge, what familial ties really mean, and what happens to a country after the long, drawn out war is finally over. Orestes 2.0 takes a bold look into these ideas and more, using Euripides’ ancient play as a touchstone and putting a contemporary spin on it by borrowing from many, many different sources. The award‐winning University of New Orleans’ production of Orestes 2.0 strives to open the world of ancient Greek to a modern audience and make them realize that there are no new problems and we have been dealing with these basic issues since time immemorial.

No description available.

A dramatic analysis and directorial reflection on Temple Theaters' production of Charles L. Mee's BIG LOVE, a modern rendering of Aeschylus' THE SUPPLIANT WOMEN. This thesis explores the entire process of directing the production, from research and text analysis, to visual collaboration and rendering, to casting and rehearsal, to tech and production. Ultimately, it is the author's intention to reveal a specific directorial perspective of BIG LOVE and the corresponding creative process utilized to render this interpretation. / Theater

No description available.

A economia da informação é o termo utilizado para designar o período econômico atual, no qual a informação - especialmente por meio da produção de tecnologia e da geração de inovação - tem grande relevância para a condução dos negócios e também para a geração de valor agregado. Tecnologia e inovação seriam, portanto, o motor de uma nova economia, cujo centro não é mais a produção em escala, mas sim a produção com o emprego maciço de informação e conhecimento. Nesse ambiente, as empresas devem buscar criar e compartilhar informações, conhecimentos e inovações. O investimento nas tecnologias da informação e comunicação (TICs), permite o acesso à informação e ao conhecimento, bem como uma rápida integração inter e intra organizacional. Há, entretanto, pessoas, organizações e países desprovidos de acesso ou com baixos níveis de acesso às (TICs), ou aos benefícios dessas; são classificados como excluídos digitais. Os excluídos digitais estão à parte dessa nova realidade mundial. Diante desse cenário, o objetivo deste estudo é entender a exclusão digital de empresas no Brasil, fenômeno que atinge, especialmente, as pequenas e médias empresas (PMEs) e que, no entanto, permanece um tema pouco debatido na literatura nacional. Para esse propósito, inicialmente foi proposto e construído um índice de uso das TICs, por meio do qual foi possível revelar padrões de exclusão digital em nível setorial, por porte de empresas e por regiões geográficas do país. Na sequência, tendo o índice construído, esta pesquisa buscou correlacionar fatores que contribuem para um maior índice de uso das TICs nas empresas, de forma que se possa reduzir a exclusão digital das PME, por meio de práticas gerenciais e/ou governamentais. Para atingir os objetivos desta pesquisa, foram utilizados os microdados de 2011 da pesquisa TIC Empresas, realizada anualmente pelo Comitê Gestor da Internet (CGI). Naquele ano, a pesquisa contou com mais de 5.000 empresas, que foram selecionadas aleatoriamente obedecendo a critérios de amostragem. Também foram utilizadas as técnicas estatísticas de análise fatorial, adaptada para dados binários; de modelagem de equações estruturais; e de regressão múltipla. / Information economy is the term used to describe the current economic period, in which the information - especially through the generation of technology and innovation - is material to the conduct of business and also to the generation of value. Technology and innovation are, therefore, the engine of a new economy which center is not the large-scale production, but the production with the massive use of information and knowledge. Hence companies should seek and share information, knowledge and innovations. Investment in information and communication technologies (ICTs), allows access to information and knowledge, as well as a fast inter and inner organizational integration. There are, however, people, organizations and countries without access or with low levels of access to ICT, or to its benefits; the so called digitally excluded. The digitally excluded are apart from this new global reality. In this scenario, the objective of this study is to understand the digital exclusion of companies in Brazil, a phenomenon that affects especially small and medium enterprises (SMEs) which, however, remains a somewhat less debated topic in the national literature. At first, it was proposed and built an index of the use of ICT, through which it was possible to reveal patterns of digital exclusion in the sectorial level, by size of business and by geographical areas of the country. The following step was to search to correlate factors that contribute to a higher rate of ICT use index in enterprises, so that we can reduce digital exclusion of SMEs through management and/or governmental practices. We used the micro-data of the 2011 wave of the\"ICT Companies Survey\" as the main source for this research. \"ICT Companies Survey\" is conducted annually by the Brazilian Internet Steering Committee (CGI). In the 2011 wave, the survey covered more than 5,000 companies, which were randomly selected, according to criteria of sampling. Statistical techniques were also used as factor analysis, adapted for binary data; structural equation modeling; and multiple regression.