In this essay, I examine the correlation between time and politics in Martin Hägglunds philosophical project. By examining the view of time and politics in the works of the theologian David Bentley Hart, I establish a discussion that exposes different metaphysical standings and raises new questions. I conduct this examination in the light of the ongoing discussion about theology and political emancipation in the field of political theology. One of the main conclusions of the essay is that an important division appear between an ontological and a Christian eschatological concept about the relationship between time and eternity. I also conclude that the belief in a transcendental sphere that intervene in history can bring forth different types of political implications, which all tend to lean towards a concept about this world as a second to last. Throughout this essay, I deepen my discussion concerning the supposed emancipatory or totalizing political consequences of this cosmology, which, in this essay, is represented mainly by Hägglund and Hart.

I have come to a point where I feel a need to understand more about my own work methods and my motivations. Departing from a process diary written during my master studies, I take a closer look at my own artistic process — the questions which inform my work, the questions that arise in it, and how my work is an attempt to understand those questions. Wherein lies the urgency for me to work with art in the way that I do?  This is an essay about a search, about trying to make sense of something, about not knowing. It is also an exploration of how my work in the non-verbal domain transforms my not knowing, how working with art is a tool for thinking and understanding.