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1	“To The Mooste Excellent And Vertuouse Queene Marye”:Book Dedications as Negotiations with Mary I Schutte, Valerie 12 September 2014 (has links) No description available. History Queen Mary I Tudor book dedications
2	An account of the returned exiles of 1553-1558 in England and Scotland Kup, Alexander Peter January 1952 (has links) No description available.
3	OF CRYMSEN TISSUE: THE CONSTRUCTION OF A QUEEN. IDENTITY, LEGITIMACY AND THE WARDROBE OF MARY TUDOR Doda, Hilary 13 December 2011 (has links) Clothing, together with other bodily adornments, is a valuable tool for communicating loyalty, identity and status. The coded messages inherent in the interplay between garments, bodies and society play a fundamental role in political culture, and the early modern era was no exception. The example of Mary I of England and her wardrobe choices demonstrates precisely how useful this tool could be. Through examination of previously-unpublished warrants, information from Privy Purse records, contemporary accounts and portraiture, this thesis analyzes the contents of and changes in Mary I’s wardrobe through the course of her adult life. By examining what the queen wore and when, patterns emerge that correlate with important parts of her political strategies. The first queen regnant, Mary used her wardrobe as a vital tool in the construction of her identity and self-representation, and as a means of navigating through the political and domestic upheavals that threatened her authority. / A work discussing Mary Tudor (Mary I)'s use of clothing as a political tool in mid-sixteenth century England. Includes transcriptions of warrants from the wardrobe of the robes from 1547, 1557, 1558.
4	Tre Kungligheter, Två kyrkor : En studie om hur Henry VIII, Mary I & Elizabeth I använde religion för mer makt. Brodin, David January 2022 (has links) Uppsatsen studerar den engelska reformationen, dess huvudsakliga syfte är att visa hur forskningsområdet politisk teologi kan hjälpa elever i religion 2 eller högre på gymnasietatt inse hur historiska skeenden är användbara inom religiösa studier. Frågeställningarna och avgränsningarna ramar in projektet och binder det till Tudor-eran. Metoden som använts är en litteraturstudie. Resultatet blev ett exempel på hur Nordirlands respektive de brittiska öarnas nuvarande politiska situationer kan kopplas till Henry VIIIs skilsmässa och hur politik och religion kombinerades under Tudor-eran för att ge upphov till den anglikanska kyrkan. Reformation Tudor Anglikanism Påve Katolicism Politisk Teologi Politik Religionslagar Historia Samhällsanalys Henry VIII Mary I Elizabeth I History of Religions Religionshistoria Philosophy, Ethics and Religion Filosofi, etik och religion
5	Allt är inte guld som glimmar : Materialitet som kommunikationsmedel i Tudorperiodens porträttmåleri / All that glisters is not gold : Materiality as a means of communication in portrait painting during the Tudor period Sagnér, Maria January 2021 (has links) Portraits from the Tudor period are filled with symbols of status, wealth and power. This paper explores what role materiality plays in this communication. By exploring the role of materiality primarily linked to trade and relations between artists, patrons and the art market, two portraits depicting Mary I are analyzed. The role of materiality in the portraits is discussed based on, among other things, Bia Mankell's theories of materiality. The analysis shows that materiality is used in two different ways in the two works, but what they have in common is that the presence of materiality in both works seems to be important in the expression of wealth and thus power. The portraits' communication of status is reinforced by the material qualities of the works by using either precious materials or skilled artists. Something that depended on both access to financial means and geographical location. art history portraits material materiality England sixteenth century Master John Hans Eworth Mary I Tudor manifestation of power konsthistoria porträtt material materialitet England femtonhundratal Mäster John Hans Eworth Maria I Tudor maktmanifestation Art History Konstvetenskap

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