Title: “I hope to be your uterus” - A multimodal analysis on surrogacy in scenes from The Handmaid’s tale and Friends Surrogacy is a widely discussed subject both internationally and in Sweden. The opinions on whether it should be legalized or not differ from country to country, which is reflected in how they implement their different laws on the subject. The main issues in the debates about surrogacy is whether a legalization of altruistic surrogacy would lead to safe methods within the medical care and stop the expansion of illegal markets or if there’s risks of opening the doors to a bigger commercial market. Parallel to the political discussion and opinions on the subject, the portrayal of surrogacy has appeared within popular culture, as in TV-series, for a period of time. It can be found in different genres like drama and comedy since the 90s, which makes the subject interesting to observe. The purpose of this essay is to study how the topic of surrogacy is portrayed in two different genres in the TV-series Friends and The Handmaid’s tale. For this purpose we use multimodal analysis to answer if there are similarities and/or differences in the portrayal of surrogacy within our research material. The theoretical framework is based on Richard Dyers theories on stereotypes, Carol Patemans ideas of ‘the sexual contract’ and Brooke Weihe Edges studies on the representation of women in different movie genres amongst others. Our study shows that even if the genres vary there are stereotypical structures in how both infertile women and surrogate mothers are presented to the audience.

Thesis (Ph. D.)--Ohio State University, 2006. / Title from first page of PDF file. Includes bibliographical references (p. 112-124).

Thesis (M.S.L.T.)--University of Canterbury, 2009. / Typescript (photocopy). Includes bibliographical references (p. 104-115). Also available via the World Wide Web.

This work argues that Cameroonian cinema is in the thick of cultural reclamation and human rights debates in the country. The crux of the problem is this: in a country colonized for over a century by three major western powers (Germany, France and Great-Britain), what is left of Cameroonians and their indigenous culture? Did colonialism demolish them into a mass of emasculated cultural bastards led by self-loathing elites locked into the country colonial archives, or did some withstand that colonial onslaught to reclaim their humanity, from within, consistent with a genuine, homegrown progressive indigenous culture? To answer these questions, this author argues that three propositions have to be considered: first, for any forms of cultural reclamation and human rights, denials of the past mixed with official thought control do not work in the case of Cameroon. Second, within, this logic, only grassroots democratic and marginal media communication theory can help the viewer to understand how Cameroonian cinema interrogates and critiques the naturalizations of a neo-colonial political order through the construction of counter hegemonic voices. Third, it is essential to show how these counter hegemonic cinematic narratives are building new forms of democratic archives out of the colonial ones. Consequently, this author claims that Cameroonian cinema, one of the few independent media of communication, that for decades has both managed to resist dictatorship and thrive, is keeping a steady drumbeat of freedom on behalf of ordinary Cameroonians by consistently targeting the state in order to demonstrate the dangers of an institution uninterested in the work of cultural reclamation by not allowing proper conditions for artists to create original work. These confrontations with the state give Cameroonian cinema a cachet to voice human rights questions as well. As a result, cinema blurs the line between art and social activism. It brings a new mystic to human rights' work because these filmmakers demonstrate that culture and human rights can no longer be consigned to the margin of Cameroonian society. What is at stake, it is the knowledge that the road ahead, Africa’s future, lies with those with the skills to take advantages of technologies and the contemporary global discourse of human rights, democracy and globalization not the same old beaten paths of neo-colonial clientelism and patronage, lower standards of governance, defining actual Cameroon’s neo-colonial state practices. With this background, both filmmakers and human rights activists are forcing the state to take notice. This work indicates that arguing against technologies and global flows in our contemporary world is akin to try carrying a cat by the tail. / text

In the context of critical development communication, the processes are discussed centering two key constructs including 'power' and 'dialogic praxis' in the analytical frame for this research. In addition, theories and practices of immigrant media and social movements provide constructive perspectives discussing characteristics forms of collective actions for immigrant communities (local-global, transnational, and heterogeneous; roles of immigrant media (movement resource and cultural resource) in a host society. However, we are less informed about communication processes for migrant agents to construct migrant social movement. Much less is discussed about communication processes and their implications of media communications of immigrant media. Thus, to bridge the theoretical and practical gaps, this dissertation research attempt to contextualize communication processes of an immigrant media, MWTV, engaged in the migrant social movement in order to explore how relatively powerless migrant agents develop alternative forms and ways of praxis for social change through their media communications. Throughout two field research, this particular research could identify a 'asymmetric power structure' formed through the relations between diverse social agencies related to the processes for social changes for the immigrant communities in Korea, which induce 'the mediated praxis' shaping 'asymmetric solidarity,' 'objectification of the migrant agents,' and 'assimilation of movement culture.' Then, the immigrant media, MWTV have been developed to 'remediate' existing dominant forms and ways of social changes constitutive of 'dialogic praxis' of the foreign agents. Thus, media communication of immigrant media is viewed as conscious collective actions to 'remediate mediated praxis' for social and cultural change in a host society rather than mere symbolic resources for social or cultural reorientation. It means that the flexible, collaborator, and reflective communication structure of MWTV are deliberately reconstructed not as 'conditions' but as 'consequences' of critical reflection on mediated praxis. / text

This thesis investigates how English Christian leaders and churches use the internet for personal and corporate communication, and looks for evidence of challenges to traditional understandings of authority arising from online communication. Early studies in this area suggested that online religion would cause enormous change but more recent studies reflect less polarised opinions. Religious people tend to use the internet to augment rather than replace practice of their faith, holding true for different religions globally. Leaders use the internet for a wide variety of religious information tasks. The project uses a longitudinal website census, quantitative content analysis and semi-structured interviews. 400 churches in four English denominations (Baptist, Methodist, Anglican and Catholic) were surveyed over a three year period to establish if they published a website. 147 churches from the same four denominations, located in an area equivalent to Chelmsford Diocese, were assessed on 75 categories of information and their hyperlinks analysed. Interviews with church leaders and interested parties helped foster understanding of why and how sites were created, and explored the leaders personal use of the internet. The percentage of churches with a website increased over the survey period for all denominations. Content analysis showed that currency, extent and accessibility of information on websites varied, with some being out of date, others showing no contact details and few having specific information for newcomers to church. Interview findings revealed perceptions of email overload, varying degrees of governance and control of websites by church leaders, and leaders own use of the internet and social media. Interactivity was rare on church websites. Different levels of expertise are mooted as reasons why control and governance varies between leaders. Perceptions of the internet may be influenced by moral panic. The influence of the age of congregations on adoption of social media, and the impact of volunteer webmasters are examined. Recommendations for churches planning to revisit or review their sites are included, limitations are noted and suggestions for further research made

Thesis (M.A.)--Ohio University, June, 2007. / Title from PDF t.p. Includes bibliographical references.

Thesis (Ph. D.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 263-270).

Thesis--Columbia University. / Thesis statement on label mounted on t.p. Includes bibliographical references.

Thesis (doctoral)--Université catholique de Louvain, 1982. / Cover title. Includes bibliographical references (leaves 97-100).