Global ETD Search

1	The Conspiracy: The Canadian Response to the Order of the Midnight Sun and the Alaska Boundary Dispute 2013 September 1900 (has links) In September 1901 the North-West Mounted Police learned that a group of American miners, calling themselves the Order of the Midnight Sun, were planning to take over the Yukon. The Conspiracy, as the plot to overthrow the Mounted Police and establish an independent republic in the Alaska boundary region was known, appealed to Americans in the region. The location of the Alaska boundary was not set when the Klondike Gold Rush (1897-1899) brought thousands of miners and traders into the Yukon, northern British Columbia, and Alaska. The Canadian government’s efforts to maintain order and protect its interests in the Alaska boundary dispute angered American miners and businessmen and led them to support the Order. After the Conspiracy was discovered, the Mounted Police and the Canadian government launched a full scale investigation and response. To fully investigate the Conspiracy during the Alaska boundary dispute, the Mounted Police, a domestic force, had to operate in Canada and the United States and cooperate with American authorities in Skagway. The Dominion Police were also involved in the investigation and they too had to work with American authorities in Seattle and San Francisco. But the Mounted Police did not view the Conspiracy as a serious threat. Their experience in the north had shown that such threats rarely amounted to anything. The Canadian government, however, responded differently. Canadian officials in Ottawa feared that the Conspiracy would cost Canada in the Alaska boundary negotiations and they took steps to ensure that the Mounted Police could defend the region and prevent further unrest. This thesis examines the Mounted Police and Canadian government responses to the Conspiracy and the reasons for these different responses, within the context of the Alaska boundary dispute. Order of the Midnight Sun Alaska Boundary Dispute North-west Mounted Police Klondike Gold Rush
2	Eternal sunshine on the flower-spotted ground : Investigating diel rhythms during midnight sun on high-Arctic pollinators Djurberg, Emma Limosa January 2021 (has links) With over 600 articles about terrestrial invertebrates in Svalbard we still lack basic knowledge about pollinator-plant interactions in this part of the high-Arctic. It has never before been investigated how the activity of pollinators varies over a 24-hour timeframe in the high Arctic. Insects in the lower Arctic have been shown to have their peak foraging around noon but as Svalbard experiences midnight sun during the whole summer season pollinators could potentially forage any time during the 24-hour day. In this study pictures were taken every minute over cushions of Silene acaulis, capturing visiting pollinators during 5 days around the beginning of July 2019. Pollinators showed no higher abundance around noon. Instead, no significant difference in the abundance of pollinators was found between the hours of the 24-hour timeframe. No significant connection between the abundance of insects and temperature was found as well as no significant connection between the abundance of insects and wind. The results in this study can contribute to fill the knowledge gap of pollinator-plant interactions in Svalbard and show the need for more research about pollinators temporal dynamics in the high-Arctic. High Arctic Svalbard Spitsbergen insects diel rythms midnight sun adaptation foraging Ecology Ekologi
3	Midnattssol : Metamorfoser och medvetandefilosofi i The Hidden Oracle och Midnight Sun / Polar Night : Metamorphoses and Philosophy of Mind in The Hidden Oracle and Midnight Sun Jonsson Höök, Malin January 2021 (has links) The aim of this work is to examine how physical and mental metamorphoses affect the perception of the self. To do this I study the literary characters Apollo (The Hidden Oracle, by Rick Riordan) and Edward Cullen (Midnight Sun, by Stephenie Meyer), both of whom experience these different kinds of metamorphoses. I approach this problem with the help of philosophy of mind and, more specifically, the mind-body problem as well as the problem of personal identity. Amongst other things, I find that the physical metamorphoses are what enable and initiate the mental ones. I also discover that one of the biggest impacts on personal identity and the self comes from whether the characters are immortal or not. Rick Riordan Stephenie Meyer The Hidden Oracle Midnight Sun Apollo Edward Cullen Philosophy of mind Mind-body problem Metamorphosis Death Immortality Mortality Rick Riordan Stephenie Meyer The Hidden Oracle Oraklets Gåta Midnight Sun Midnattssol Apollo Apollon Edward Cullen Medvetandefilosofi Kropp-själ-problemet Metamorfoser Död Odödlighet Dödlighet General Literature Studies Litteraturvetenskap
4	The Body as a Grenade : Illness Metaphors, The Suffering of Others and Conservativism in Contemporary Sick-Flicks Gregory, Christian January 2023 (has links) Film has since its inception been a potent storytelling tool, and the concept of illnesses and death havebeen a critical element in the stories mankind has told through cinema since the beginning. While theearly years of film saw few titles which directly named or featured diseases such as cancer, the 1980’sand 1990’s saw a vast increase in illness narratives being produced. By the beginning of the newmillennium, a new subgenre of film was beginning to emerge, specifically targeted at youngaudiences: Sick-Flicks.The purpose of this thesis is to examine the Sick-Flick subgenre, and scrutinize the films which the author has identified according to how they handle a variety of factors. These include the portrayal ofmale and female sufferers in accordance with the feminist theoretical observation of masculinity beingrepresented as active, while femininity is typically passive in nature. Beyond this, the essay alsoattempts to add to Susan Sontag’s essay Illness as Metaphor, exploring how the portrayal of illnessmay have shifted since the essay’s publication in 1978. Finally, this thesis also concerns itself with thereoccurring narrative trend of featuring talented adolescents as terminally ill sufferers and how thismay tie into neoliberalism and belief in the meritocracy.This thesis concludes that while there has been a shift in the metaphorical portrayal of diseases,especially as it pertains to cancer, which Susan Sontag concludes unsuitable for romanticization,overall, many of the criticisms and potentially problematic commonalities which both Sick-Flicks andtheir literary counterpart Sick-Lit have featured through the years remain. There is a remaining focuson heteronormative and racially homogenous victims, and innate talents and intelligence are present,arguably in order to make the eventual loss of the ill characters more tangibly tragic. The authorconcludes that while it is debatable whether or not filmmakers should feel any responsibility to portrayillnesses accurately, they should at least likely strive to reflect the current reality as far as survivalrates are concerned. Cancer Sick-Lit Sick-Flicks Cystic Fibrosis CF SCID YA Literature YA Films The Fault in Our Stars Five Feet Apart Midnight Sun Love Story John Green Languages and Literature Språk och litteratur Studies on Film Filmvetenskap
5	Chaos / Chaos Vogelová, Tereza January 2012 (has links) The existing world is becoming more disrupted and is falling apart. For its resurrection and restoration, a new way of thinking is necessary. This new type of thinking is needed to be able to open up its mind and to think about the process of thinking itself; it must understand what is happening in other systems, where processes seem to be taking place by themselves without any other visible interference. First Chaos is the title for an intermedia installation which contains 90 black and white photographs, both digital and analogue, all of which were taken between the years 2008 and 2012. Together, the photographs create one coherent piece – a kind of sculpture. They can evoke a "still film" with a non-linear, cyclical storyline, whilst the images can simultaneously function individually, without any connection to other photographs.

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