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Frühmittelenglische Zeugnisse über Minstrels (circa 1100 bis circa 1400) /Grossmann, Wilhelm Victor August, January 1900 (has links)
Inaug.-Diss.--Berlin. / Vita. "Bisherige Literatur": p. [5]-9. "Quellen": p. [13]-67.
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Menestreli: ocerki muzykal'noj kul'tury zapadnogo Srednevekov'ja, Moskva (Prest) 1996 [ Minstrels: An outline of Western musical culture of the Middle Ages, Moscow (Prest) 1996], 360pp. [Zusammenfassung]Saponov, Mikhail 14 March 2017 (has links) (PDF)
Medieval musical culture was predominatingly oral. Written music was a rarity at the time.
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Spielmannsdichtung Versuch einer Begriffsbestimmung.Wareman, Piet. January 1951 (has links)
Academisch Proefschrift--Amsterdam. / Summaries in English and French. Bibliography: p. 159-172.
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Menestreli: ocerki muzykal'noj kul'tury zapadnogoSrednevekov'ja, Moskva (Prest) 1996 [ Minstrels: An outline of Western musical culture of the Middle Ages, Moscow (Prest) 1996], 360pp. [Zusammenfassung]Saponov, Mikhail 14 March 2017 (has links)
Medieval musical culture was predominatingly oral. Written music was a rarity at the time.
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Sir Walter Scott's contribution to knowledge of the 14th century minstrel : the use of imaginative literature in musical research /Fisher, Suzanne Aleta January 1983 (has links)
No description available.
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The Gittern in Literature and Records, 1270–1500 : Social, Symbolic and Musical Aspects of a Medieval String InstrumentNäsman Olai, Gustav January 2024 (has links)
Through a comprehensive analysis of literary and documentary material from 1270–1500, this study offers insights into the history and significance of the late medieval string instrument known as the gittern in Western Europe. Source criticism and hermeneutics form the basis of the critical reading of the nearly hundred sources. Through these, a more refined history of the instrument is suggested, focusing on social, symbolic and musical change throughout the period. The gittern is shown to have been an instrument predominately used in noble and royal milieus for half a century before being more widely played among all ranks of society. When its popularity faded in the 15th century, it became a symbol of nostalgia. The sound and playing techniques of the gittern were well suited for the music of the late 14th century, and the decline in use was simultaneous to the developments of new genres and compositional techniques where other sounds were sought.
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Medieval Minstrels and Folk Balladeers: An Analysis of Orfeo in Celtic Music and LiteratureHeredos, Rosemary M. 13 May 2016 (has links)
No description available.
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La Tradicion de Los Negros Lubolos: ¿Es Una Apreciacion o Una Apropiacion del Candombe?"Childs, Alundra Nicole 30 May 2017 (has links)
No description available.
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