Submitted by Verena Bastos (verena@uefs.br) on 2015-10-16T12:16:16Z No. of bitstreams: 1 DISSERTA??O TATIANE ALMEIDA FERREIRA _1_.pdf: 2933902 bytes, checksum: 40a3f4e9011ca770886df2ef7efb28e3 (MD5) / Made available in DSpace on 2015-10-16T12:16:16Z (GMT). No. of bitstreams: 1 DISSERTA??O TATIANE ALMEIDA FERREIRA _1_.pdf: 2933902 bytes, checksum: 40a3f4e9011ca770886df2ef7efb28e3 (MD5) Previous issue date: 2013-08-23 / This work aims at analyzing the dialogic relationship between literature and its illustration in order to show the creation of imaginary formed on the black ? mixed people, the traditions, the mystique surrounding the "City of Bahia " with its syncretism religious, faith and popular festivals. This discursive intersection gives rise to other forms of reading, interpreting, serving for the understanding of the unique aspects about the varied universe mythical- religious and cultural place. We take as an example the illustrated edition of Bahia de Todos os Santos: street guides and mysteries, Jorge Amado, 1977 edition, featuring the designs of Carlos Bastos. The approach is interdisciplinary because the intent of the writer was to build an artistic, historical- cultural and human panel of Bahian metropolis, so many sources of knowledge, artistic forms were used in order to understand an imaginary, gestated in reality and invention. The city is widely known as the writer proposes to show it to an imaginary tourist, that it may come to know it in its concreteness. For these reasons, the text seems to set up a tour guide, however its operatic quality, interspersed with the mystery, let?s find its fictional quality. Moreover, the work is a cultural-historical testimony, to discuss issues of the past and who are pressing for the decade in which the guide has been updated since the city of Salvador urbanized throughout the twentieth century and grew up with her problems social and economic character. / Este trabalho tem como proposta analisar a rela??o dial?gica entre a literatura e sua ilustra??o, a fim de evidenciar a cria??o do imagin?rio formado acerca do povo negro-mesti?o, das tradi??es, da m?stica que envolve a ?Cidade da Bahia?, com o seu sincretismo religioso, f? e festas populares. Esse cruzamento discursivo d? origem a outras formas de leitura, interpreta??o, servindo para o entendimento de aspectos singulares acerca do variado universo m?tico-religioso e cultural do lugar. Tomamos como exemplo a edi??o ilustrada de Bahia de Todos os Santos: guia de ruas e mist?rios, de Jorge Amado, edi??o de 1977, que conta com os desenhos de Carlos Bastos. A abordagem ? interdisciplinar porque a inten??o do escritor era construir um painel art?stico, hist?rico-cultural e humano da urbe baiana, por isso foram utilizadas diversas fontes de conhecimento, de linguagens art?sticas, a fim de compreender um imagin?rio, gestado na realidade e na inven??o. A cidade ? amplamente divulgada quando o escritor se prop?e a mostr?-la para uma turista imagin?ria, para que ela venha a conhec?-la em sua concretude. Por tais aspectos, o texto parece configurar um guia tur?stico, contudo, a sua caracter?stica l?rica, entremeada ao mist?rio, permite constatar a sua qualidade ficcional. Al?m disso, a obra ? um testemunho hist?rico-cultural, por discutir quest?es do passado e das que s?o prementes para a d?cada em que o guia foi atualizado, visto que a cidade do Salvador se urbanizou ao longo do s?culo XX e com ela cresceram problemas de car?ter social e econ?mico.