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La jeunesse de Grétry et ses débuts a ParisLong, Pauline. January 1920 (has links)
Thèse--Geneva. / Includes bibliographical references.
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The Historical and Pedagogical Significance of Excerpts by André-Ernest-Modeste Grétry (1741-1813)Youngs, Jennifer (Soprano) 05 1900 (has links)
This collection of 9 vocal works, taken from the oœuvre of André-Ernest-Modeste Grétry (1741-1813), was chosen for their utility in teaching undergrad voice majors. This collection offers a group of songs that are attractive in their simplicity allowing the time in their lessons to be devoted to the instruction of French pronunciation. Grétry's attention to detail in the setting of French prosody provides undergraduate singers with a collection of songs that offer an immediate understanding as to the nuances of the French language. With funding from an I-GRO grant through the University of North Texas, research was conducted in the archives of the Bibliothèque nationale de France, and work continued in the Grétry Museum in Liège, Belgium. The primary sources found within these locations formulated valuable insights into to the life and influence of Grétry, and provided first-hand experience with research techniques within foreign libraries. This research has solidified the relationship between Grétry's compositional style and its usefulness within the undergraduate voice studio.
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Du silence à l'ouvrage, coudre le poids des matériaux modestes / Silence at work, stitching the weight of modest materialsLombarde, Elodie 05 December 2014 (has links)
Coudre le poids des matériaux modestes est l’enjeu plastique de mon travail depuis plusieurs années. Par une extraction et une exploration du modeste au sein d’assemblages cousus, s’est ouvert un questionnement sur la sculpture. La thèse Du silence à l’ouvrage, témoigne de leur passage de futiles à surfaces planes au sein de suspensions et interroge leur fragilité et poids théorique. En détournant les usages traditionnels, je couds des assemblages qui silencieusement interroge le quotidien, le savoir-faire, l’ordre apparent des choses et des représentations. Je tisse une constellation d’interprétations, de formes et de références dont la force symbolique et politique se révèle dans le modeste. Les formes sculpturales découlent de ce préexistant, négocient avec lui et l’agencent. Elles ne naissent pas d’une modification provenant de l’extérieur mais de la matérialité des matériaux les composant. Une chute où les matières racontent leur tragédie et épuisent leur possible, pour devenir des formes empathiques aux poids symboliques. Mes recherches exposent les assemblages cousus pour révéler les tensions inhérentes à la matière et sa provenance. / Stitching the weight of modest materials is the fundamental question; it is the heart of my research these past several years. Modest mediums are able to raise questions about sculpture by extraction and exploration of their materiality in stitched assemblies. The thesis Du silence à l’ouvrage shows their passage from futile object to flat surface in suspensions and tell their fragility and their theoretical weight. Turning away from traditional uses, I sew assemblies that silently asks every day, knowledge, the apparent order of things and representations. I weave a constellation of interpretations, shapes and items whose symbolic and political force is revealed in the modest. Sculptural forms derive from the pre-existing, negotiates with it and arranges it. The sculpture is born more from an external change than from the materiality of its components. It is a fall where materials recount their tragedy and deplete their potential becoming empathetic forms of symbolic weight. My research demonstrates stitched assemblies and reveals the tensions inherent in the material and its provenance.
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Poetik des autobiografischen Blogs / Poetics of the BlogMichelbach, Elisabeth 01 March 2019 (has links)
No description available.
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