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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Cinematografando o consumo :as narrativas e pr?ticas culturais dos clientes de videolocadoras de Natal (RN)

Gomes, Jochen Mass Xavier 11 October 2005 (has links)
Made available in DSpace on 2014-12-17T14:20:20Z (GMT). No. of bitstreams: 1 JochenMXG.pdf: 639201 bytes, checksum: 981a57c3f8fe0cd1f996fba80e5d4d41 (MD5) Previous issue date: 2005-10-11 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The present work is an exercise of analysis of cultural practices related to movie consume by the clients of video rental stores in Natal city (Rio Grande do Norte, Brazil). With sociology of practice as support, especially that one which develops from the seminal works of Anthony Giddens and Pierre Bourdieu, we have searched, from the apprehension of the narratives build up by these actors from the movies they attend, to point the way they build exercises of reflexivity and creativity in the reception of works commonly identified as products of the so called mass culture . This path allows us, in the steps of Nestor Garcia Canclini, researcher in reception within Latin-American context, create and, somehow confirm the hypothesis that consume is also useful for thinking . In order to get to this result, we have carried out a camp research that used instruments and techniques both quantitative and qualitative. After the data analysis we came to the conclusion that consume of movies taken as commercial type and as not very noble in the environment of cultural production, also impels exercises of creativity and social reflexivity / O presente trabalho ? um exerc?cio de an?lise das pr?ticas culturais relacionadas ao consumo de filmes pelos clientes de videolocadoras da cidade de Natal (RN). Tendo por suporte uma sociologia da pr?tica, especialmente aquela que se desdobra a partir das obras seminais de Anthony Giddens e Pierre Bourdieu, buscamos, a partir da apreens?o das narrativas constru?das por esses atores dos filmes a que assistem, apontar como eles constroem exerc?cios de reflexividade e criatividade na recep??o de obras comumente identificadas como produtos da chamada cultura de massas . Esse caminho nos possibilita, seguindo as indica??es de Nestor Garcia Canclini, estudioso da recep??o no contexto latino-americano, construir, e, de algum modo comprovar, a hip?tese de que o consumo tamb?m serve para pensar . Para chegar a esse resultado, realizamos uma pesquisa de campo que se serviu de instrumentos e t?cnicas tanto quantitativos quanto qualitativos. Ap?s a an?lise dos dados, chegamos ? conclus?o de que o consumo de filmes tidos como comerciais e como produtos pouco nobres no ?mbito da produ??o cultural, tamb?m impulsiona exerc?cios de criatividade e reflexividade social

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