The focus of this thesis is the examination of whiteness as a dominant identity and subject position. Whiteness has conventionally assumed a normative, monolithic status as the template of humanity. Recent theorising has attempted to specify and denaturalise whiteness. In order to participate in this fracturing of whiteness, I analyse examples in which it functions as a site of contested and ambiguous contradiction. To this end, I use contemporary monstrosity to examine whiteness. Monstrosity is a malleable and culturally specific category of difference that measures alterity, and by displaying discursive functions in an extreme form offers insight into the ways in which deviance and normativity operate. I argue that the conjunction of whiteness and monstrosity, through displaying whiteness in a negative register, depicts some of the discursive operations that enable whiteness to attain such hegemonic dominance. I deploy theories of marginalisation and subjectivation drawn from a variety of feminist, critical race, and philosophical perspectives in order to further an understanding of the discursive operations of hegemonic and normative subject positions. I offer a brief history and overview of both the history and prior conceptualisations of monstrosity and whiteness, and then focus on two particular examples of contemporary white monstrosity. I closely examine the representation of monstrosity in serial killer films. The figure of the serial killer is typically a white, heterosexual, middle class male whose monstrosity is implicitly reliant upon these elements. In my discussion of the recent phenomenon of fatal shootings at high schools in North America, I investigate the way the massacre at Columbine High School functions as the public face of the phenomenon and for the unique interest it generated in the mass media. I focus on a Time magazine cover that featured a photograph of the adolescent perpetrators under the heading The Monsters Next Door, which condensed and emblematised the tension that they generated. It is through the perpetrators uneasy occupation of dual subject positions???namely the unassuming all American boy and the contemporary face of evil???that their simultaneous representation as average and alien undermines the notion of whiteness as neutral and invisible.

Thesis (M.A.). / Written for the Dept. of Art History and Communication Studies. Title from title page of PDF (viewed 2008/03/12). Includes bibliographical references.

Thesis (MA (Psychology))--University of Pretoria, 2004. / Includes bibliography.

M.A. / Domestic abuse is a global and growing problem (World Health Organization WHO, 2002). The extent and magnitude, as well as effects of domestic abuse are, however, underreported especially within South Africa (Prinsloo, 2007). Awareness has been raised by initiatives such as Sixteen Days of Activism on Violence Against Women campaigns driven by POWA (People Opposed to Women Abuse), yet the rates of abuse stay alarming. In light of the occurrence of abuse as well as the limited resources available, some women kill an intimate partner after a prolonged period of abuse. The specific aim of the study was to uncover the psychological factors that contribute or are associated with the killing of an abusive partner by women. This was done by using multiple case studies and unstructured interviews. Participants were sourced from the Department of Correctional Service in the Western Cape Province. The participants utilised for the research included three women who killed their abusive intimate partner, and who were incarcerated at Pollsmoor Correctional Facility at the time of the interview. In-depth interviews were conducted and the data was analysed in order to derive themes. Once the themes were established, results were compared to relevant research in the field as a means to establish the psychological factors associated with women who kill an abusive intimate male partner. 5 The results indicated that certain primary psychological factors present in the sample group of interviewed women namely: development of Post Traumatic Stress Disorder, experiences of coercive control, interrelational conflict and substance abuse. Secondary themes or factors found included cultural perceptions and a lack of resources. From the results obtained, a conclusion was made that women who kill an abusive intimate male partner, are often compelled to do so due to underlying factors and as a means of survival. Furthermore, culture appears to have a prominent influence as it informs the manner and acceptable means to deal with domestic abuse. Although the research contributes to the pool of knowledge regarding women who kill an abusive intimate male partner in South Africa, more is needed especially in the development of intervention programs and support.

No description available.

The study analyzed a convenience sample of published accounts of death penalty cases and life without parole cases. The objective of the study was to explore factors that influence the selection of cases for coverage in books, think tank reports (e.g., Heritage Foundation), and periodicals and factors related to coverage of homicides resulting in a death penalty sentence or a life without parole sentence (often termed “America’s other death penalty”). Since this study was exploratory, hypotheses were not offered. However, prior research on the death penalty and on life without parole offered several clues. For example, since black offender/white victim homicides were more likely to result in a death penalty sentence, it was expected that such homicides would more likely to be covered. Since conservatives were more likely to favor the death penalty and liberals were likely to oppose it, it was expected that coverage would vary by how conservative or liberal the coverage source. For example, how the Heritage Foundation covered cases was expected to be different from coverage by Human Rights Watch. In summary, my study revealed opposite results of previous research studies. The results of my study are probably skewed because of the small sample size. A bigger sample size would more than likely resulted in more accurate and reliable results.

Public perceptions about serial homicide are more mythical than fact. Myths about serial homicide are perpetuated through several sources, especially the entertainment media which is a dominant and influential mythmaker. The number of films depicting serial killers and serial killing themes has increased dramatically in recent years. However, the reality of these films is debatable. This research examines the reality, or lack thereof, of the most recent films involving a serial killing theme. Hickey provides a wealth of statistical information on a number of serial killers and serial killings. A content analysis of the fifty top grossing serial killer movies made between 1980 and 2001 was conducted using variables from Hickey research. Research shows similarities and differences between variables, however, results concludes the entertainment media does not accurately portray serial homicide.

When Mark David Chapman assassinated John Lennon in December of 1980, he explained that he had to kill him in order to promote the reading of J. D. Salinger's novel, The Catcher in the Rye. Chapman's belief that he could become Salinger's protagonist, Holden Caulfield, is the genesis for this research. The concept that a person could identify with a novel or character in a novel to such an extent that he or she would commit murder is an extraordinary allegation.In order to further explore this accusation, this research focuses on three novels: Alexandre Dumas, pere's The Count of Monte Cristo, J. D. Salinger's The Catcher in the Rye, and Stephen King's Rage. Michael Sullivan, Mark David Chapman, John Hinckley, and Scott Pennington read one of these literary works before committing, or attempting to commit, murder.This project traces the cognitive processes of these men in an effort to understand why reading a specific novel lead to a murder. By delving into the minds of these murderers, it can be determined if the novel itself is a motive, an impetus, for the crime, or a scapegoat. / Department of English

A sample (N = 428) of university students was introduced to a stranger that fit the public persona of either John Wayne Gacy or Ted Bundy in a vignette. The meetings between students and strangers in vignettes were similar to those in which serial killers might entrap victims. In addition to varying criminal type (Gacy or Bundy), the race and gender of the strangers were also varied in the 2 x 2 x 2 experiment. Differences among subjects in their ratings of personality traits of the strangers and how subjects expected to behave toward these persons were examined by ANOVA. Focus group discussions provided further insights about how individuals size up and react to "respectable" strangers who fit the public personas of well-known serial killers. Results suggested that young adults in the 1990s are highly vulnerable to victimization by serial murderers. / Department of Sociology

If, as author Toni Morrison believes, we tell stories about what we find most terrifying, then our cultural narratives suggest an overwhelming preoccupation with the murderous mother ??? the monster in our minds. This dissertation examines some of the most powerful and enduring stories told about the murderous mother and considers how these stories are shaped by the unconscious fears and fantasies that dominate the cultural psyche. Revolving around the idea of infanticide as an ???imaginary??? crime, this dissertation uncovers the psychoanalytic foundations of the obsessive telling and consumption of stories of maternal child-murder in Western culture and contends that infanticide narratives can be read as symptoms of psychocultural dis(-)ease. Underlying all stories about the murderous mother is an unconscious fear of infanticide and fantasy of maternal destructiveness that is repressed in the individual psyche. These fears and fantasies are expressed in our cultural narratives. Chapter 1 examines fairytales as the literary form that most clearly elaborates individual fears and psychic conflict and locates the phantasmic murderous mother within psychoanalytic narratives of individuation. Chapter 2 shows how individual fears and fantasies of maternal monstrosity are transferred to society and revealed in the myths through which our culture is transmitted. Chapters 3 and 4 focus on the particular neuroses of ancient Greek society and early modern culture and consider stories of the murderous mother that most powerfully reflect anxieties of maternal origin and fantasies of maternal power. Chapters 5 and 6 shift to a contemporary setting and consider stories that reveal, in differing ways, how the murderous mother haunts the cultural psyche. Examining a variety of texts and drawing material from a spectrum of disciplines, including law, literature, criminology, theology, philosophy, and medicine, this dissertation concludes that it is only by exposing the underpinnings of our cultural stories about the murderous mother that we can hope to break free from the unconscious attitudes that imprison us. Emerging from this study is an original and important theoretical framework concerning conceptualisations of infanticide, the ways in which we imagine maternal child-murder and the limits of that imagination, and how we might escape the murderous maternal monster buried deep in the labyrinths of the mind.