Seriemördare är rovdjur som fascinerar samhället på grund av deras farlighet. Forskning fokuserar främst på seriemördaren och offret blir obemärkt. Studier om mordoffrets karakteristika är få och befintlig forskning har fokuserat på få variabler om offret. Syftet med studien var att ta reda på om seriemördare begår mord på offer som uppvisar liknande egenskaper och visa hur variationen ser ut hos olika typer av seriemördare. Utifrån seriemördare från kända listor genomfördes en deskriptiv analys av offrens egenskaper. Resultatet visade att det typiska offret för män var en obekant, vit, vuxen kvinna som befann sig inom hans bekvämlighetszon. För kvinnor var det typiska offret en bekant, vit, vuxen man som befann sig inom hennes bekvämlighetszon. Majoriteten av seriemördare dödar inte utifrån bestämda offerkategorier utan varierar istället, vilket korresponderar med vad tidigare studier på området har kommit fram till kring offrets egenskaper. Att förstå hur mordoffret väljs ut ökar förståelsen om seriemördaren.

Multiple murder has attracted comparatively little attention amongst academic researchers. The present study offers a description of the phenomenon of Multiple Homicide in England and Wales over a 10 year period based on interviews with perpetrators and study of archival records. Results were analysed in two ways: First, using conventional statistical methods, and second, using multiple sequential functional analysis to challenge existing typologies, highlight the role of psychological process and to emphasise the important role of environmental events. The analysis revealed a very heterogeneous population although experiences such as social isolation and frustration were not uncommon. Unlike the perpetrators described in many American studies histories of physical and sexual childhood abuse and neglect were not the norm in this population and were felt to have little association with multiple murder. The issues raised by the methodology and the implications of the study for profiling, identification of possible offenders, treatment targets, and future areas of research are discussed.

Made available in DSpace on 2017-07-10T17:56:15Z (GMT). No. of bitstreams: 1 Daniel_Ivori_de_Matos.pdf: 962028 bytes, checksum: 5ec80654284dfad44b9059a0ba85f72f (MD5) Previous issue date: 2012-02-27 / In this study we intend, through film analysis, to understand how the movie industry has represented the Serial Killers, discussing the aspects that compose it and that constituted diverse views on the subject. Immediately film analysis led us to reflect on representations spread over the years about the Serial Killers, for better understanding of what aspects are present in these productions and appearing in the social imaginary. To this problematization noting as cinema dialogue with the cinema itself, in addition to treating social characteristics that are actually identified as belonging to these individuals, that is, showing how the film itself through the decades approached this subject. Therefore, we propose a study of image analysis that seeks to understand how the movie industry represents some questions, thus revealing aspects that make up an imaginary cast often by violent scenes of murders that boost the attendance of crowds to theaters. In this study will seek an analysis of how serial killers are represented in film, or are prepared to note how the representations of these individuals in the social imaginary and that impacts and changes caused by the strategies of language/esthetics of narrative film, so that the film turned out to be the main reference on the subject. / Visamos nesta pesquisa, através da análise fílmica, perceber como a indústria cinematográfica representou os Serial Killers, discutindo os aspectos que o compõem e que constituíram visões diversas sobre o tema. Logo a análise fílmica nos levou a refletir a respeito das representações disseminadas ao longo dos anos frente aos Serial Killers, para melhor compreensão sobre quais aspectos estão presentes nessas produções, e que figuram no imaginário social. Para tal problematização percebendo como o cinema dialoga com o próprio cinema, para além do tratamento social das características que são apontadas como de fato pertencentes a estes indivíduos, ou seja, mostrando como o cinema por si só através das décadas abordou este assunto. Deste modo, propusemos uma pesquisa de análise de imagens que busca compreender como a indústria do cinema representa certas questões, assim revelando os aspectos que compõem um imaginário moldado muitas vezes por cenas violentas de assassinatos que impulsionam a ida de multidões aos cinemas. Busca-se nesta pesquisa uma análise de como os Serial Killers são representados no cinema, ou seja, como são elaboradas as representações destes indivíduos no imaginário social e que impactos e transformações causaram através das estratégias da linguagem/estética da narrativa cinematográfica, de modo que o cinema acabou se tornando o principal referencial sobre o assunto.

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Orientador: Silvana Vieira da Silva / Banca: Julio Cesar Pimentel Pinto Filho / Banca: Karin Volobuef / Resumo: Essa dissertação dispõe-se a estudar o romance O perfume do escritor alemão Patrick Süskind, publicado pela primeira vez em 1985. Tem-se o objetivo de demonstrar como essa obra, que antecipa no subtítulo ser a história de um assassino, se configura em romance policial. Para viabilizar o trabalho, busca-se subsídio na teoria da literatura policial e na história desse gênero, permitindo então estabelecer semelhanças e distinções. Antes, porém, discorre-se brevemente sobre os variados gêneros que compõem O perfume, que leva ao extremo a definição de romance, ou seja, uma composição híbrida por excelência. A obra em questão mescla, além das duas categorias principais do romance policial, a saber, enigma e negro, os gêneros predecessores a ele. O perfume rompe as convenções da ficção policial, com isso, aproximá-lo do gênero possibilita que outros romances sejam analisados pelo mesmo viés e possam eventualmente ser considerados também romances policiais, embora aparentemente estejam distantes do romance policial tradicional / Abstract: This essay intends to study one of Patrick Süskind's novels, Perfume, published for the first time in 1985. Our goal is to show how this work, which subtitle foresees the story of a killer, is configured in a crime novel. To make this concrete, we look for some data in the theories of the crime novel and in the history of this gender, which allow us to establish similarities and distinctions. Previously, however, we briefly expose the several literary genders that compose Perfume, carrying the definition of the novel too far; in other words, a hybrid composition par excellence. The work at issue blends, besides the two main categories of the crime novel (the mystery and the noir one) the predecessor genders to it. Perfume tears the conventions of crime fiction; then, approaching this novel to the gender makes it possible for other novels to be analyzed the same way, so that they can occasionally be considered crime novels as well, although apparently far from the traditional crime stories / Mestre

Extant literature, while plentiful on the topic of serial homicide in general, does not adequately examine the phenomena of healthcare professionals who serially murder their patients. Using a sample of 58 healthcare serial killers located within North America, South America and Europe between the years of 1970-2010, this study examines notable pre- and post-offence behaviours of healthcare serial killers. Patterns related to offender etiology, victim cultivation, crime scene behaviour and techniques of evasion were explored. The findings from this study suggest that the pre- and post-offence behaviours of healthcare serial killers can be examined from the theoretical framework of confidence men or ‘con men.’ The findings from this study also suggest that healthcare serial killings and offenders who perpetrate them continue to be elusive and warrant additional scholarly attention to reduce their likelihood of engaging in homicide undetected for extended periods of time. Policy implications are also discussed. / UOIT

This paper analyzes Bret Easton Ellis’ American Psycho (1991), and more specifically, the protagonist-narrator Patrick Bateman. He is analyzed through the theoretical framework known as narratology, and more specifically, the designation of “unreliable narrator,” in order to analyze the interplay between the character and the postmodernist society of which he is a product. This paper also uses the critical approach of close reading as a method. Close reading will be used in order to analyze Bateman and his narration. This essay will argue that in American Psycho, the protagonist-narrator Bateman’s loss of control over reality is described as arising because of how postmodern society works to fit people into a mould and remove individuality. Bateman displays the excesses of the 1980s, and he conforms to the expectations of postmodern society, which emphasizes consumerism and trends but no substance. He lives in a postmodern society that highlights materialism, consumerism, and reality versus hyperreality. He tries to find his identity, away from superficiality and wealth, but fails. He takes out his frustration on people who are in a lower social class than him, and he murders and tortures his victims as a result. Bateman does not only live like someone out of a magazine, but he also copies serial killers, but: he has no real identity or even original method of murder. Bateman takes on an identity as a serial killer and imitates their crimes. He finds himself torn between the postmodern reality and the reality he creates in his mind.

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This study sets out to explore the relationship between news media coverage on serial killers and their behavior. As a result of the lack of previous research on this topic, utilizing past research on a few historically well-known serial killers and news media reports about those serial killers, this study attempts to determine if news media has any effect on a serial killer’s behavior prior to apprehension. After a review of the history of serial murder and the past findings about serial murderers, as well as background on the history of the media coverage of crime, this study will look closely at the media coverage and behavior of Dennis Rader, the BTK Killer; David Berkowitz, Son of Sam; and John Allen Muhammad and John Lee Malvo, the D.C. Snipers. These three cases received unparalleled attention from the media and involved a unique two-way communication between the offenders and the media/police. The relatively new role of the Public Information Officer in law enforcement agencies will be briefly reviewed to examine the expansion of their role in relation to considering the impact the media has on serial murderer behavior. The subsequent findings of this research will aid in increasing knowledge of serial killer behavior in relation to news media coverage so that news media can be a potential tool used by law enforcement to better control and predict serial killer behavior and aid in their apprehension.

Made available in DSpace on 2016-04-28T20:38:15Z (GMT). No. of bitstreams: 1 Klaylian Marcela Santos Lima Monteiro.pdf: 1147567 bytes, checksum: 05c2fcd53418463043381bdc1b9cc12d (MD5) Previous issue date: 2012-06-29 / The present study aimed, in general, to investigate, under a psychoanalytic approach, the main processes that characterize the constitution of subjectivity of serial killers, linking them to the role that they play the ancient super-ego and the effects of stunning. As the first specific objective, there were submitted, from data collected in interviews, the aspects of the schizo-paranoid position and their repercussions in the manner that act serial killers, in this way, investigating the role of destructive fantasies, of defenses, besides the questions about the object-victims, passing by the theme of hate. The second specific objective was to study, from data collected in interviews, the ancient super-ego and its modes of action in those points related to sadism, to the criminal tendency, and the implications of the ancient super-ego on the psyche of the serial killers, besides the compulsion to repetition in the compulsive act of serial killers. The last of the objectives was the development of an interrelation between the data collected in the interview and the role of stunning in the psyche on the ancient superego demands. Search relevancy is justified, among other reasons, by the fact that it does not exist yet, in Brazil, psychoanalytic readings on this theme, in despite of the growing number of serial homicides and the need for improvement of clinical methods of early approach to children and adolescents who exhibit cases antisocial features. Such studies were marked out especially by kleinian and post-kleinian theoretical structure. It was noted that the psychic configuration of the serial killers, based on the model of ancient super-ego, takes them to destructive behaviors displayed in front of the victims, in particular, the ability to stunning. The data were obtained through interviews with serial killers prisoners in penitentiary units of the States of Rio de Janeiro and São Paulo / O presente estudo objetivou, de modo geral, investigar, sob um enfoque psicanalítico, os principais processos que caracterizam a constituição da subjetividade dos assassinos seriais, relacionando-os ao papel que neles têm o superego arcaico e os efeitos da sideração. Como primeiro objetivo específico, foram apresentados, a partir dos dados colhidos nas entrevistas, os elementos relacionados à posição esquizo-paranóide1 e suas repercussões no agir dos assassinos em série, neste sentido, investigando o papel das fantasias destrutivas , das defesas, além das questões referentes às vítimas-objeto, passando pelo tema do ódio. O segundo objetivo específico foi estudar, a partir dos dados colhidos nas entrevistas, o superego arcaico e seus modos de atuação, naquilo que se relacionam ao sadismo, à tendência criminosa e implicações do superego arcaico no psiquismo dos assassinos em série, além da compulsão à repetição no agir compulsivo dos homicidas seriais. O último dos objetivos, foi o desenvolvimento de uma interrelação entre os dados colhidos na entrevista e o papel da sideração no psiquismo diante das demandas do superego arcaico. A relevância da pesquisa justifica-se, entre outras razões, pelo fato de ainda não existirem, no Brasil, investigações psicanalíticas sobre este tema, apesar do número crescente de homicídios seriais e da necessidade de aperfeiçoamento dos métodos clínicos de abordagem precoce a crianças e adolescentes que apresentam quadros de característica antissocial. Tais estudos foram balizados, especialmente, pelo arcabouço teórico kleiniano e pós-kleiniano. Observou-se que a configuração psíquica dos homicidas em série, embasada sob os moldes do superego arcaico, leva-os aos comportamentos destrutivos apresentados diante das vítimas, em especial, à capacidade de sideração. Os dados foram obtidos por meio de entrevistas com assassinos seriais reclusos em unidades prisionais dos Estados do Rio de Janeiro e São Paulo