This study examines the ways in which museums and memorials within South African society commemorate events of the past. Various examples of museums and memorials are chosen and identified according to the ways in which they embody postmodern or modern thought. Postmodern and modern museums are deconstructed according to various post-structural tenets so as to arrive at a broader understanding on how they are able to remain a continuously relevant and vital part of contemporary society. / Art History, Visual Arts and Musicology / M.A. (Art History)

This study examines the ways in which museums and memorials within South African society commemorate events of the past. Various examples of museums and memorials are chosen and identified according to the ways in which they embody postmodern or modern thought. Postmodern and modern museums are deconstructed according to various post-structural tenets so as to arrive at a broader understanding on how they are able to remain a continuously relevant and vital part of contemporary society. / Art History, Visual Arts and Musicology / M.A. (Art History)

19th century dime museums were a North American phenomenon that flourished in urban centres from the mid- to late-1800s. Named thusly due to their low admission cost, dime museums provided democratic entertainment that was promoted to all classes as affordable and respectable. The resulting facilities were crammed with art, artifacts, rarities, living human curiosities, theatre performances, menageries, and technological marvels. The exhibition Dr. Soanes’ Odditorium of Wonders strives to recapture the spirit and aesthetic of the dime museum to invoke wonder in the viewer and to combine art, artifacts, and oddities to provoke questions about the boundary between education and amusement. Both the academic and curatorial texts utilize a mix of methodological approaches appropriate to museology, art history and cultural history: theoretical research into historiographical issues concerning theories of display and spectacle; archival research and discourse analysis of historical documents, and material culture analysis (including the semiotics of display). / iv, 60 leaves : ill. ; 29 cm

Bibliography: pages 184-192. / Within academia it is now accepted that personal experiences, as well social construction influence the way people perceive the world, and thus the research process and findings. Research, no matter how empirical, is not immune to personal quess work and conclusions. The same however, can be said for the establishment of museums and monuments which are meant to commemorate events, or epochs in the history of a nation. For in the establishment of the museum or monument the curators and researchers do choose those events which are deemed important enough as history to be preserved for prosperity. The following thesis is an investigation of the Afrikaans Taal museum, or Afrikaans Language Museum situated in Paarl, Cape Province. The museum aims to reproduce a history of the Afrikaans language, culminating in the eventual recognition of Afrikaans as an official language. In the thesis though, I argue that by choosing to represent certain events in the history of the language, and excluding others, the museum becomes a symbol of/for Afrikanerdom. If South Africa is to heal its wounds caused by Apartheid and the Armed Struggle, all monuments and museums established during the reign of the National Party will have to be investigated, and the feasibility of their existence called into question.