published_or_final_version / abstract / Literary and Cultural Studies / Master / Master of Arts

Chan Ka Yan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves p. 93-100). / Discography: p. 101. / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction: Resistance & Incorporation in Subcultural Studies --- p.1 / Research Objective --- p.1 / The Case --- p.2 / Conceptualizing Subcultures --- p.3 / Resistance: An Antagonistic Relation between Subculture and Dominant Culture --- p.9 / Incorporation: An Exploitative Relation between Subculture and Dominant Culture --- p.12 / A Critique on Post-war Youth Subculture Studies --- p.15 / Local Studies on Subcultures and Alternative Music --- p.17 / Conceptual Framework --- p.21 / Research Methods --- p.22 / Major Argument and Outline of Paper --- p.28 / Chapter Chapter 2 --- Subcultural Discourse: Textual Analysis on LMF Music --- p.30 / Lazy Clan: Dominant Values vs. Subterranean Values --- p.31 / Hong Kong for Sure: Distrust of SAR Government --- p.34 / Challenging Music Industry --- p.35 / Attacking the Media: 'Uknuwudafuckimsayin' --- p.36 / Dramatized Masculinity --- p.38 / Subcultural Resistance? --- p.40 / Chapter Chapter 3 --- Youth's Body as a Battleground: Reception Studies --- p.45 / Domination --- p.50 / Negotiation --- p.57 / Resistance --- p.66 / "Conclusion: Discursive Struggle - Domination, Negotiation and Resistance" --- p.70 / Chapter Chapter 4 --- Dialectic between Incorporation and Excorporation --- p.73 / LMF in Mainstream Record Industry --- p.73 / LMF in Advertisements --- p.75 / LMF in Media --- p.77 / Conclusion: Dialectic of Incorporation and Excorporation --- p.80 / Chapter Chapter 5 --- "Conclusion: Populist Resistance, Multiple Identities and Imagined Authenticity" --- p.84 / Populist Resistance --- p.85 / Multiple Identities --- p.87 / Imagined Authenticity --- p.89 / References --- p.93

Yeung, Hiu Yan Dorcas. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 166-173). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgements --- p.iv / Table of Contents --- p.v / Tables and Figures --- p.vii / Chapter Chapter 1. --- Introduction / Chapter 1.1. --- Background --- p.1 / Chapter 1.2. --- Objectives and research questions --- p.8 / Chapter 1.3. --- Significance --- p.11 / Chapter 1.4. --- Chapters overview --- p.12 / Chapter Chapter 2. --- The Scene of Classical Music and Cultural Policy in Hong Kong / Chapter 2.1. --- Defining classical music and beyond --- p.16 / Chapter 2.2. --- Development of orchestras and classical music in Hong Kong --- p.17 / Chapter 2.3. --- Models of cultural policy and policy in Hong Kong --- p.21 / Chapter 2.4. --- Supporting arts groups --- p.29 / Chapter 2.5. --- Current funding policy --- p.31 / Chapter Chapter 3. --- Literature Review / Chapter 3.1. --- Introduction --- p.38 / Chapter 3.2. --- Theorizing state and arts - the field of cultural production --- p.38 / Chapter 3.3. --- Arts administration --- p.47 / Chapter 3.4. --- Amateur --- p.51 / Chapter 3.5. --- "Chapter summary: Amateur arts group, administration and the field" --- p.58 / Chapter Chapter 4. --- Methodology / Chapter 4.1. --- In-depth interviews --- p.60 / Chapter 4.2. --- Documentation --- p.63 / Chapter 4.3. --- Limitations --- p.63 / Chapter Chapter 5. --- Being (and Surviving as) an Amateur: Case Studies of Music Groups / Chapter 5.1. --- Introduction --- p.65 / Chapter 5.2. --- Estimating number of amateur music groups --- p.65 / Chapter 5.3. --- The spectrum from professional to hobbyist --- p.67 / Chapter 5.4. --- The need for resources --- p.76 / Chapter 5.5. --- From beliefs to action --- p.89 / Chapter 5.6. --- Models of operation --- p.96 / Chapter 5.7. --- Chapter summary --- p.105 / Chapter Chapter 6. --- Between What We Want and How They Do: Matching with the Administrative Habitus / Chapter 6.1. --- Introduction --- p.107 / Chapter 6.2. --- The significance of arts administration --- p.107 / Chapter 6.3. --- The mechanism --- p.110 / Chapter 6.4. --- Getting around the system --- p.124 / Chapter 6.5. --- Arts administration as a field --- p.131 / Chapter 6.6. --- Negotiating with the administration --- p.140 / Chapter 6.7. --- Chapter summary: Mapping the field --- p.144 / Chapter Chapter 7. --- Conclusion / Chapter 7.1. --- Conclusion --- p.149 / Chapter 7.2. --- Implications on cultural policy --- p.154 / Chapter 7.3. --- Implications on amateur and amateur activities --- p.158 / Chapter 7.4. --- Limitations and future direction --- p.159 / Appendixes --- p.163 / References --- p.166

published_or_final_version / abstract / toc / English Studies / Master / Master of Arts

published_or_final_version / Music / Master / Master of Philosophy

published_or_final_version / Chinese Historical Studies / Master / Master of Arts

by Wong Siu Ling, Gabriella. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1992. / Includes bibliographical references (leaves 64-69). / Chapter CHAPTER ONE --- INTRODUCTION --- p.1 / Chapter CHAPTER TWO --- THE RECORD INDUSTRY --- p.6 / Chapter CHAPTER THREE --- LITERATURE REVIEW --- p.15 / Chapter CHAPTER FOUR --- THEORETICAL FRAMEWORK AND HYPOTHESES --- p.23 / Chapter CHAPTER FIVE --- METHODOLOGY --- p.37 / Chapter CHAPTER SIX --- FINDINGS --- p.44 / Chapter CHAPTER SEVEN --- DISCUSSION --- p.52 / BIBLIOGRAPHY --- p.64 / Chapter APPENDIX 1 --- List of Big Corporations and Independents --- p.70 / Chapter APPENDIX 2 --- Production cost of a Standard L.P. record --- p.74 / Chapter APPENDIX 3 --- Categories of song types --- p.75 / Chapter APPENDIX 4 --- Comparison of songs from Big Corporations and the Indies by year --- p.78 / Chapter APPENDIX 5 --- Comparison of songs from Big Corporations and the Indies from 1980- 1985 (51) 1986 -1991 (52) --- p.91

黎美倫. / 論文(碩士) -- 香港中文大學硏究院音樂學部, 1995. / 參考文獻: leaves 139-142. / Li Meilun. / Chapter 第一章 --- 引言 --- p.1 / Chapter 第二章 --- 佛敎在中國之發展槪況 --- p.5 / Chapter 第一節 --- 佛敎之傳入 --- p.5 / Chapter 第二節 --- 佛敎在各朝代之發展槪況 --- p.6 / Chapter 1. --- 漢代佛敎 --- p.6 / Chapter 2. --- 魏晉佛敎 --- p.7 / Chapter 3. --- 南北朝佛敎 --- p.8 / Chapter 4. --- 隋唐佛敎 --- p.9 / Chapter 5. --- 宋明佛敎 --- p.13 / Chapter 6. --- 晚淸及民國年間之佛敎 --- p.14 / Chapter 第三章 --- 佛敎在香港之發展槪況 --- p.17 / Chapter 第一節 --- 發展歷史 --- p.17 / Chapter 第二節 --- 香港佛敎寺院分佈及分類 --- p.21 / Chapter 第四章 --- 佛敎儀式之介紹 --- p.23 / Chapter 第一節 --- 佛敎儀典 --- p.23 / Chapter 第二節 --- 道場懺法 --- p.26 / Chapter 第三節 --- 朝暮課誦 --- p.27 / Chapter 1. --- 早晚課的意義 --- p.27 / Chapter 2. --- 早晚課常用的經文 --- p.27 / Chapter 3. --- 早晚課進行的程序 --- p.47 / Chapter 4. --- 早晚課中使用之法器 --- p.48 / Chapter 5. --- 早晚課誦的記譜法 --- p.49 / Chapter 第五章 --- 實地考察：志蓮淨苑之朝暮課誦 --- p.52 / Chapter 第一節 --- 志蓮淨苑簡介 --- p.52 / Chapter 1. --- 位置 --- p.52 / Chapter 2. --- 歷史 --- p.52 / Chapter 3. --- 寺內位置分佈 --- p.54 / Chapter 4. --- 寺內佛事活動 --- p.56 / Chapter 5. --- 寺內僧人活動 --- p.59 / Chapter 6. --- 寺內所採用之法器 --- p.60 / Chapter 第二節 --- 志蓮淨苑的早課程序 --- p.65 / Chapter 1. --- 儀式目的 --- p.65 / Chapter 2. --- 儀式進行日期 --- p.65 / Chapter 3. --- 儀式進行時間 --- p.65 / Chapter 4. --- 儀式進行地點 --- p.65 / Chapter 5. --- 儀式參予人數 --- p.66 / Chapter 6. --- 儀式中採用語言及聲音 --- p.66 / Chapter 7. --- 儀式中使用物件 --- p.67 / Chapter 8. --- 儀式中參予者的動作 --- p.67 / Chapter 第三節 --- 志蓮淨苑的晚課程序 --- p.72 / Chapter 1. --- 儀式目的 --- p.72 / Chapter 2. --- 儀式進行日期 --- p.72 / Chapter 3. --- 儀式進行時間 --- p.12 / Chapter 4. --- 儀式進行地點 --- p.72 / Chapter 5. --- 儀式參予人數 --- p.72 / Chapter 6. --- 儀式中採用語言及聲音 --- p.72 / Chapter 7. --- 儀式中使用物件 --- p.73 / Chapter 8. --- 儀式中參予者的動作 --- p.73 / Chapter 第六章 --- 朝暮課誦之音樂分析 --- p.79 / Chapter 第一節 --- 梵唄的定義及功能 --- p.79 / Chapter 第二節 --- 早課的曲目分析 --- p.80 / Chapter 1. --- 《爐香讚》的音樂分析 --- p.86 / Chapter 2. --- 《佛號》的音樂分析 --- p.89 / Chapter 3. --- 《回向偈》的音樂分析 --- p.92 / Chapter 4. --- 《彌陀偈》的音樂分析 --- p.96 / Chapter 5. --- 《繞佛》的音樂分析 --- p.100 / Chapter 6. --- 《念聖號》的音樂分析 --- p.103 / Chapter 7. --- 《三皈依》的音樂分析 --- p.107 / Chapter 8. --- 《彌陀讚》的音樂分析 --- p.112 / Chapter 第三節 --- 晚課的曲目分析 --- p.115 / Chapter 1. --- 《四生登於寶地》的音樂分析 --- p.117 / Chapter 2. --- 《普賢警眾偈》的音樂分析 --- p.120 / Chapter 3. --- 《伽藍讚》的音樂分析 --- p.125 / Chapter 第四節 --- 早晚課音樂的分析結果 --- p.128 / Chapter 1. --- 調式方面 --- p.128 / Chapter 2. --- 音域方面 --- p.130 / Chapter 3. --- 旋律方面 --- p.130 / Chapter 4. --- 曲式結構方面 --- p.132 / Chapter 5. --- 節奏方面 --- p.132 / Chapter 6. --- 唱法方面 --- p.133 / Chapter 7. --- 表情方面 --- p.133 / Chapter 8. --- 異音性和聲方面 --- p.134 / Chapter 9. --- 演唱方式方面 --- p.134 / Chapter 10. --- 法器伴奏方面 --- p.135 / Chapter 第五節 --- 音樂在早晚課儀式中之運用及功能 --- p.136 / Chapter 1. --- 音樂與信仰的關係 --- p.136 / Chapter 2. --- 音樂與訊息的關係 --- p.136 / Chapter 3. --- 音樂與調節氣氛的關係 --- p.136 / Chapter 第七章 --- 結語 --- p.138 / 參考書目 --- p.139 -142 / 附錄一.香港佛敎聯合會´ؤ九九二年度法事表 --- p.143 / Chapter 二. --- 香港佛光協會一九九三年法事表 --- p.144 / Chapter 三. --- 香港的佛學講座時間表 --- p.145

蔡懿嫻. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 246-256). / 附中英文摘要. / Cai Yixian. / Lun wen (zhe xue shuo shi) -- Xianggang zhong wen da xue, 1999. / Can kao wen xian (leaves 246-256). / Fu Zhong Ying wen zhai yao. / 緒論 --- p.1 / Chapter (一) --- 硏究源起 --- p.1 / Chapter (二) --- 中國佛教音樂的硏究現況 --- p.1 / Chapter (三) --- 本選題的意義及硏究目的 --- p.5 / Chapter (四) --- 本論文採用之硏究方法 --- p.6 / Chapter 第一章 --- 佛教及其音樂在中國之發展槪況 --- p.8 / Chapter 第一節 --- 佛教之傳入 --- p.8 / Chapter 第二節 --- 佛教音樂在中國的發展槪況 --- p.10 / Chapter (一) --- 漢代至東晉的初弘階段 --- p.10 / Chapter (二) --- 南北朝的建立階段 --- p.12 / Chapter (三) --- 唐代的繁盛及定型化階段 --- p.13 / Chapter (四) --- 宋元至近代的衰微階段 --- p.15 / Chapter 第二章 --- 佛教在香港的發展槪況 --- p.18 / Chapter 第一節 --- 香港的三大古刹與佛教在香港的歷史槪況 --- p.18 / Chapter 第二節 --- 1900年至1940年佛教在香港的發展槪況 --- p.20 / Chapter 第三節 --- 戰後佛教在香港的發展 --- p.22 / Chapter 第三章 --- 香港的佛教儀式及法事音樂 --- p.24 / Chapter 第一節 --- 香港的佛教儀式 --- p.24 / Chapter (一) --- 《朝暮課誦》及《二時臨齋儀》 --- p.24 / Chapter (二) --- 佛教定期舉行的法事 --- p.25 / Chapter (三) --- 佛教不定期舉行的重要法事 --- p.26 / Chapter 第二節 --- 香港佛教法事音樂 --- p.28 / Chapter 第三節 --- 香港佛教法事音樂的傳授 --- p.29 / Chapter 第四章 --- 《焰口》佛事及其音樂 --- p.34 / Chapter 第一節 --- 《焰口》佛事簡介 --- p.34 / Chapter (一) --- 《焰口》佛事之起源 --- p.34 / Chapter (二) --- 《焰口》佛事之經文版本 --- p.34 / Chapter (三) --- 《焰口》佛事之舉行時間及地點 --- p.36 / Chapter (四) --- 《焰口》佛事之目的 --- p.36 / Chapter 第二節 --- 佛教天童精舍之法會 --- p.37 / Chapter (一) --- 佛教天童精舍之簡介 --- p.37 / Chapter (二) --- 天童精舍之《焰口》佛事 --- p.39 / Chapter (三) --- 《焰口》佛事之參與人員 --- p.41 / Chapter (四) --- 實地考查佛教天童精舍之《焰口》佛事 --- p.41 / Chapter (五) --- 《焰口》佛事之程序 --- p.42 / Chapter (六) --- 《焰口》佛事之音樂記譜 --- p.73 / Chapter 第五章 --- 《焰口》佛事音樂之形態分析 --- p.185 / Chapter 第一節 --- 《焰口》佛事的唱誦形式及經文分類 --- p.185 / Chapter (一) --- 《焰口》佛事的唱誦形式 --- p.185 / Chapter (二) --- 《焰口》佛事的經文分類 --- p.187 / Chapter 第二節 --- 《焰口》佛事梵唄的調式與音階 --- p.193 / Chapter (一) --- 調式 --- p.193 / Chapter (二) --- 調性的轉移 --- p.193 / Chapter (三) --- 音階與音域 --- p.194 / Chapter 第三節 --- 梵唄速度特點 --- p.198 / Chapter (一) --- 散一緊一快一慢 --- p.198 / Chapter (二) --- 散板 --- p.199 / Chapter (三) --- 固定節拍 --- p.199 / Chapter 第四節 --- 旋律的發展手法 --- p.199 / Chapter (一) --- 典型旋律型的運用 --- p.199 / Chapter (二) --- 典型旋律型的變化 --- p.203 / Chapter 第五節 --- 梵唄的結構型態 --- p.205 / Chapter (一) --- 單句反覆變奏體 --- p.205 / Chapter (二) --- 上下句反覆變奏體 --- p.205 / Chapter 第六節 --- 曲調運用手法 --- p.211 / Chapter (一) --- 一曲一詞 --- p.211 / Chapter (二) --- 一曲多用 --- p.211 / Chapter (三) --- 一詞多調 --- p.216 / Chapter (四) --- 套曲 --- p.227 / Chapter 第七節 --- 《焰口》佛事打擊法器的運用 --- p.229 / Chapter (一) --- 《焰口》佛事的打擊法器 --- p.229 / Chapter (二) --- 《焰口》佛事打擊法器的伴奏方式 --- p.232 / Chapter 第八節 --- 儀式音樂在佛教儀式中的意義 --- p.234 / Chapter 第九節 --- 《焰口》佛事與外圍文化的關係 --- p.235 / 總結 --- p.243 / 參考書目 --- p.246

Tang, Cheuk Pan. / "December 2010." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 95-101). / Abstracts in English and Chinese; some appendixes includes Chinese. / Abstract --- p.i / Abstract (Chinese Translation) --- p.ii / Acknowledgements --- p.iii / Contents --- p.iv / Chapter Chapter One --- Introduction --- p.1 / Chapter 1 --- Background and Issues --- p.1 / Chapter 1.1 --- Karaoke-A Big Business / Chapter 1.2 --- Karaoke's Significance within the Community / Chapter 2 --- Literature Review --- p.6 / Chapter 2.1 --- Medium of Karaoke / Chapter 2.1.1 --- MV / Chapter 2.1.2 --- Karaoke / Chapter 2.2 --- "Identities, Mass Society Theory and Mass Culture Theory" / Chapter 3 --- Methodology and Approach --- p.19 / Chapter 3.1 --- Research Questions and Analytical Framework / Chapter 3.2 --- Data Collection / Chapter 3.2.1 --- Participation Observation / Chapter 3.2.2 --- Individual Interviews and Group Discussion / Chapter 3.2.3 --- Other Findings - Questionnaires / Chapter 3.3 --- Limitations / Chapter 3.4 --- Translations / Chapter Chapter Two --- Cantopop and Karaoke Boxes in Hong Kong --- p.26 / Chapter 1 --- An overview of Cantopop in Hong Kong before Karaoke --- p.27 / Chapter 1.1 --- Change of Population of Hong Kong 1940s to 1970s / Chapter 1.2 --- Music of Hong Kong before 1970s / Chapter 1.3 --- Germination of Cantopop - 1970s / Chapter 1.4 --- Cantopop and Hong Kong 1980s / Chapter 1.5 --- "Cantopop and Hong Kong 1990s - 2000s, a Different Music Scene" / Chapter 2 --- A Historical Review of Karaoke Boxes Businesses in Hong Kong of the 1990s - 2000s --- p.38 / Chapter 2.1 --- Karaoke Boxes' Heyday and Exclusive Right Tryout / Chapter 2.2 --- Karaoke Boxes of the Big Two / Chapter 2.3 --- "Neway, California Red and K-net" / Chapter 3 --- Implication of the Development of Cantopop and Karaoke Box Businesses --- p.45 / Chapter 4 --- Karaoke Boxes - A Reflection of Consumption Culture of Hong Kong --- p.46 / Chapter 4.1 --- Indoor Consumption Culture / Chapter 4.2 --- Standardization and Personalization / Chapter 4.3 --- Fast Food Culture / Chapter 4.4 --- From Businessmen to Consumer / Chapter Chapter Three --- Overwhelming of the Karaoke Boxes Chains in Hong Kong --- p.51 / Chapter 1 --- A common Term: K-Song --- p.54 / Chapter 2 --- Interviews and Discussions of K-Song --- p.58 / Chapter 2.1 --- Individuals / Chapter 2.2 --- Group Discussions / Chapter 3 --- The implication of the Term K-Song --- p.61 / Chapter 3.1 --- """I am not one of them"" - As a Tool for Construction of Identity" / Chapter Chapter Four --- The Karaoke's Goers in Hong Kong --- p.66 / Chapter 1 --- Emotional Satisfaction of a Performer in a Karaoke Room --- p.66 / Chapter 1.1 --- Lyrics and Role Play / Chapter 1.2 --- Desire to Perform / Chapter 2 --- Audience in Karaoke --- p.73 / Chapter 2.1 --- A Desirable Place for Social Gathering / Chapter 2.2 --- Certainties in Karaoke Boxes as a Social Activity / Chapter 2.3 --- Bonding between Participants in the Karaoke Room / Chapter 3 --- Why Karaoke? Intention and Behavior in Karaoke Room --- p.77 / Chapter 3.1 --- Results from Interviews and Questionnaires / Chapter 3.2 --- Interpretation of Results from Participant Observation: Affect and Cognition of Customers towards Karaoke Boxes 4 The Goer's Goal --- p.80 / Chapter Chapter Five --- Conclusion --- p.84 / Chapter Appendix I --- Questions Used in Interviews and Discussions --- p.88 / Chapter Appendix II --- Questionnaires Used --- p.89 / Chapter Appendix III --- Summary of Questionnaire Results --- p.91 / Chapter Appendix IV --- Phonetic Transcriptions & English Translations of Chinese Terms --- p.93 / Bibliography --- p.95