Lung Man Wai. / Thesis submitted in: December 2005. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references. / Abstracts in English and Chinese. / Abstract --- p.ii / Acknowledgements --- p.v / "Figures, Tables, and Examples" --- p.viii / Romanization --- p.ix / Abbreviations --- p.x / Chapter Chapter I --- Introduction --- p.1 / Chapter a. --- Related Studies --- p.10 / Chapter b. --- The Model --- p.17 / Chapter c. --- Methodology --- p.19 / Chapter d. --- Chapter Summary for the Thesis --- p.20 / Chapter Chapter II --- "Musicians, Service Seekers and Agents" --- p.23 / Chapter a. --- Training Backgrounds of Musicians --- p.25 / Chapter b. --- "The Network of Musicians and the ""Key Musicians""" --- p.33 / Chapter c. --- Discipline --- p.39 / Chapter d. --- Summary: How Can Musicians Obtain More Gaidong Performing Opportunities? --- p.45 / Chapter e. --- "Money vs. Dignity, Professional Ethics, and Competitions" --- p.46 / Chapter f. --- Service Seekers and Agents --- p.49 / Chapter Chapter III --- The Music of Gaidong --- p.56 / Chapter a. --- Repertoire --- p.57 / Chapter b. --- "Collections of Pieces - The Gaidong ""Fake Books""" --- p.67 / Chapter c. --- Choices of Music --- p.78 / Chapter d. --- Combinations of Instruments --- p.89 / Chapter e. --- Performance Practice and Improvisation --- p.92 / Chapter Chapter IV --- "Venue, Occasion and Audience" --- p.105 / Chapter a. --- Venue: Outdoors vs. Indoors --- p.107 / Chapter b. --- Occasion: Center of Attention vs. Background Music --- p.109 / Chapter c. --- The Role of the Host --- p.111 / Chapter d. --- The Audiences --- p.115 / Chapter e. --- Requests for Songs by Audience Members --- p.117 / Chapter Chapter V --- Influence from the Environment -Two Case Studies and the Impact of the Twelve Girls Band --- p.124 / Chapter a. --- "Case Study One: Chinese New Year Celebration at Hong Kong International Airport,2004" --- p.125 / Chapter b. --- Case Study Two: The Standard Chartered Bank Board Visit Staff Dinner --- p.129 / Chapter c. --- Other Examples of Gaidong Affected by the Twelve Girls Band --- p.139 / Chapter d. --- The Twelve Girls Band --- p.144 / Chapter e. --- Other Environmental Factors --- p.149 / Chapter Chapter VI --- The Model: The Ecology of Gaidong --- p.155 / Chapter a. --- Mutualism and Competition --- p.160 / Chapter b. --- The Extended Model --- p.161 / Chapter Chapter VII --- Conclusion --- p.164 / Appendix 1 List of Gaidong Performances in which the Author Participated --- p.170 / Appendix 2 Contents of the Gaidong Po --- p.175 / Appendix 3 Contents of the Blue Score --- p.181 / Appendix 4 Contents of the MLCO Gaidong Score Album --- p.183 / Appendix 5 Music Pieces Used in Gaidong: The Combination of Contents of Three Gaidong Scores --- p.184 / Appendix 6 Selected Scores from the MLCO Gaidong Score Album --- p.192 / Appendix 7 Agenda for Standard Chartered Bank Staff Dinner gaidong (Case Study2) --- p.196 / Appendix 8 Selected Scores Used in the Standard Chartered Bank Staff Dinner gaidong (Case Study2) --- p.198 / Appendix 9 A Copy of the Audience Members' Handwritten Requests for Gaidong No.84 --- p.200 / Character List and Glossary --- p.201 / References Cited --- p.205 / Websites --- p.210 / Supplementary Materials: / Chapter a. --- The Blue Book Scores / Chapter b. --- The Gaidong po Scores

Fung Chui Bik. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 1-7 (3rd gp.)). / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter One: --- Literature Review --- p.5 / Chapter Chapter Two: --- Methodology --- p.23 / Chapter Chapter Three: --- Historical Background / Chapter 3.1 --- The emerging of Indie music in Hong Kong --- p.26 / Chapter 3.2 --- New wave of DIY --- p.31 / Chapter Chapter Four: --- The Mediations & Active Prosumers --- p.38 / Chapter 4.1 --- The Mediations of Producers-consumers --- p.40 / Chapter 4.2 --- The Mediations of Professional-consumers --- p.52 / Chapter 4.3 --- The Mediations of Media workers --- p.62 / Chapter Chapter Five: --- Different Modes of Indie Prosuming --- p.70 / Chapter 5.1 --- Disciple --- p.73 / Chapter 5.2 --- Practitioner --- p.77 / Chapter 5.3 --- Critical Prosumer --- p.83 / Chapter Chapter Six: --- Conclusion一 A New Indie Culture --- p.86 / References and Bibliography / "Appendix I，II，III, IV"

published_or_final_version / Architecture / Master / Master of Architecture

This paper presents an overview of the concepts and strategies in the original composition, The Harbour of Incense, a cycle of three movements for different groups of instruments. Each movement addresses an aspect of the musical cultures of Hong Kong. The first movement Taan Go for Harp Solo explores the sound world of the folk genre saltwater song; the second movement Jat1 Wun2 Sai3 Ngau4 Naam5 Min6 for Flute and Piano highlights the musicality of Cantonese language; the third movement Daa Zaai for Oboe, Clarinet in B-flat, Bassoon, and Percussion, is inspired by the keyi music used in the Taoist funeral. The paper discusses how to bring together Southeast Asian aesthetics and contemporary Western compositional techniques, as well as how to communicate this unique cultural experience to performers and audiences from other backgrounds. It provides the transcriptions of two saltwater songs and an excerpt of keyi music, and illustrate how they inform the structures, textures, and melodic gestures of the composition. The nine tones of Cantonese language are also explored for generating melodic materials, metric plans, and articulation writing.

林詠璋. / 呈交日期: 2004年7月 / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻 (p. 307-323). / Cheng jiao ri qi: 2004 nian 7 yue / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts also in English. / Lin Yongzhang. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. 307-323).

葉賜光 = A study on the folk songs of Sai Kung and its neighbouring areas ... / 稿本(據電腦打印本複印) / Thesis (M.A.)--香港中文大學, 1989. / Gao ben (ju dian nao da yin ben fu yin) / Includes bibliographical references (leaves 253-262). / Ye Ciguang = A study on the folk songs of Sai Kung and its neighbouring areas ... / Thesis (M.A.)--Xianggang Zhong wen da xue, 1989. / 嗚謝 --- p.i / 序 --- p.iii / 地圖索引 --- p.v / 歌謠譜例索引 --- p.vi / 歌詞例子索引 --- p.viii / 圖表索引 --- p.x / 音樂例子索引 --- p.xiii / 照片索引 --- p.xiv / Chapter 第一部分： --- 論文 / Chapter 第一章 --- 前言 / Chapter 第一節 --- 研究地區之讓擇 --- p.1 / Chapter 第二節 --- 過去及目前之研究 --- p.2 / Chapter 第三節 --- 研究目標 --- p.5 / Chapter 第四節 --- 資料來源 --- p.6 / Chapter 第二章 --- 歌謠之概念及分類 / Chapter 第一節 --- 歌謠之定義及概念 --- p.10 / Chapter I --- 過往學者對「民歌」所下之定義 --- p.11 / Chapter II --- 筆者對西貢地區歌謠所作之定義 --- p.14 / Chapter III --- 粤省與西貢地區歌謠之稱謂問題 --- p.16 / Chapter 甲 --- 「粤謳」 --- p.16 / Chapter 乙 --- 「粤風」 --- p.17 / Chapter 丙 --- 「粤歌」 --- p.18 / Chapter 第二節 --- 歌謠分類之概念及分類方法 --- p.22 / Chapter I --- 歌謠分類的一些概念 --- p.22 / Chapter II --- 台灣歌謠之一般分類方法 --- p.24 / Chapter III --- 過往國內歌謠之「三分法」 --- p.25 / Chapter IV --- 近期國內歌謠「色彩區」之劃分 --- p.26 / Chapter V --- 廣東省（粤）歌謠的分類 --- p.29 / Chapter VI --- 本港歌謠之分類 --- p.30 / Chapter VII --- 筆者對西貢歌謠之分類方法 --- p.32 / Chapter 甲 --- 歌謠劃分之層次 --- p.32 / 第一級分類： 體系 --- p.33 / 第二級分類： 歌謠方言色彩區 --- p.33 / 第三級分類： 體裁 --- p.34 / 第四級及五級分類歌類及歌目 --- p.35 / 第六級分類： 歌名 --- p.37 / Chapter 第三章 --- 西貢歌謠尋根 / Chapter 第一節 --- 西貢地區人口組成的一些資料 --- p.42 / Chapter 第二節 --- 本地人與蛇歌 --- p.45 / Chapter I --- 「輋」字，「畬」字及類似字之字義 --- p.46 / Chapter II --- 目前國內及廣東省畬族的狀況 --- p.47 / Chapter III --- 西貢地區蛇歌之特色 --- p.49 / Chapter IV --- 福建畬歌之特色 --- p.54 / Chapter V --- 浙江畬歌之特色 --- p.56 / Chapter VI --- 西貢「九龍蛇話山歌」命名之推想 --- p.59 / Chapter 甲 --- 源出於浙江九龍山龍泉縣？ --- p.60 / Chapter 乙 --- 源出於粤北九連（龍）山一帶地區？ --- p.60 / Chapter 丙 --- 源出於粤北九峰山以南之瑤區？ --- p.61 / Chapter 丁 --- 源出於本港九龍城附近一帶地區？ --- p.62 / Chapter 第三節 --- 客家人與客家歌謠 --- p.65 / Chapter I --- 客籍人士之遷徙過程 --- p.66 / Chapter II --- 西貢客家山歌的特色 --- p.68 / Chapter III --- 梅縣地區客家山歌之特色 --- p.71 / Chapter 第四節 --- 蛋家與蛋家歌謠 --- p.77 / Chapter I --- 西貢地區漁民之狀況 --- p.77 / Chapter II --- 「蛋家」與「蛋名」沿革 --- p.79 / Chapter III --- 「蜑」乃「龍蛇」之後？ --- p.81 / Chapter IV --- 廣東蛋民的分佈 --- p.82 / Chapter V --- 西貢漁民所採用之方言 --- p.83 / Chapter VI --- 西貢蛋歌之特色 --- p.84 / Chapter VII --- 客家及鶴佬漁民漁歌之特色 --- p.89 / Chapter 第四章 --- 歌唱場合 / Chapter 第一節 --- 歌唱場合之概念 --- p.94 / Chapter 第二節 --- 本地及客家山歌之歌唱場合 --- p.98 / Chapter I --- 戶外及田間之山歌 --- p.99 / Chapter II --- 攔路歌 --- p.100 / Chapter III --- 情歌及艷情歌 --- p.102 / Chapter IV --- 老人山歌 --- p.106 / Chapter V --- 鬥歌 --- p.107 / Chapter 第三節 --- 圍頭歌之歌唱場合 --- p.110 / Chapter I --- 月令歌 --- p.111 / Chapter 甲 --- 唱古人 --- p.113 / Chapter 乙 --- 唱節氣 --- p.117 / Chapter 丙 --- 唱花木、茶菓及字眼 --- p.120 / Chapter 丁 --- 唱魚名鳥名及十二生肖 --- p.123 / Chapter 戊 --- 唱過番 --- p.124 / Chapter II --- 猜謎歌 --- p.125 / Chapter 甲 --- 猜字眼 --- p.126 / Chapter 乙 --- 猜古人 --- p.127 / Chapter III --- 圍名歌 --- p.127 / Chapter IV --- 節日吉慶 --- p.129 / Chapter 甲 --- 祝壽 --- p.129 / Chapter 乙 --- 中秋 --- p.130 / Chapter 丙 --- 過年 --- p.132 / Chapter 第四節 --- 本地及客家「歌堂歌」及「靈堂歌」之歌唱場合 --- p.135 / Chapter I --- 哭嫁與坐歌堂 --- p.136 / Chapter 甲 --- 開口喊天喊地 --- p.138 / Chapter 乙 --- 第一次哭辭 --- p.139 / Chapter 丙 --- 坐凳頭 --- p.141 / Chapter 丁 --- 上頭 --- p.143 / Chapter 戊 --- 第二次哭辭 --- p.144 / Chapter 己 --- 出閣 --- p.146 / Chapter II --- 「靈堂歌」之歌唱場合 --- p.150 / Chapter 第五節 --- 蛋家之歌唱場合 --- p.153 / Chapter I --- 捕魚及行船歌 --- p.153 / Chapter II --- 蛋家風俗歌謠及其歌唱場合 --- p.158 / Chapter 甲 --- 哭嫁 --- p.159 / Chapter 乙 --- 迎娶 --- p.161 / Chapter 丙 --- 耍歌堂 --- p.164 / Chapter III --- 咸水歌 --- p.166 / Chapter 甲 --- 咸水字眼歌 --- p.167 / Chapter 乙 --- 歎姑妹 --- p.169 / Chapter 丙 --- 艇仔歌 --- p.170 / Chapter 第五章 --- 西貢歌謠音樂及歌詞結構的固定因素與非固定因素 / Chapter 第一節 --- 歌謠中「歌詞」之「固定」與「非固定」因素 --- p.175 / Chapter I --- 歌謠「歌詞」中的「固定」因素、格式、條數規限 --- p.176 / Chapter II --- 有「固定格式歌謠」中的「非固定」因素 --- p.182 / Chapter 甲 --- 七言四句、三句半及五句板的例子 --- p.182 / Chapter 乙 --- 七言四句變五言四句的例子 --- p.186 / Chapter 丙 --- 月令歌的例子 --- p.188 / Chapter 丁 --- 長篇歌謠的例子 --- p.188 / Chapter III --- 「沒有固定格式歌謠歌詞」中之「固定」與「非固定」因素 --- p.198 / Chapter 甲 --- 漁民歌謠的例子 --- p.198 / Chapter 乙 --- 風俗歌謠的例子 --- p.202 / Chapter IV --- 歌謠固定與非固定「襯字」、「襯詞」、及「襯句」 --- p.205 / Chapter 甲 --- 客家歌謠例子 --- p.205 / Chapter 乙 --- 本地歌謠例子 --- p.209 / Chapter 丙 --- 蛋家歌謠例子 --- p.212 / Chapter 第二節 --- 歌謠在「音樂」上的「固定」與「非固定」因素 --- p.215 / Chapter I --- 有固定曲調歌謠的固定與非固定因素 --- p.215 / Chapter 甲 --- 單句式的歌謠例子 --- p.215 / Chapter 乙 --- 雙句式的歌謠例子 --- p.218 / Chapter 丙 --- 三句半、四句式及五句板例子 --- p.222 / Chapter 丁 --- 歌詞次序調換的例子 --- p.225 / Chapter 戊 --- 詩詞句法與音樂句法的配合情況 --- p.228 / Chapter II --- 「沒有基本曲調」中的固定與非固定因素 --- p.234 / Chapter III --- 「襯字」 、「襯詞」、「襯句」與「音樂」之配合 --- p.239 / Chapter 甲 --- 歌謠中「不重要」的「襯字」、「襯詞」和「襯句」 --- p.239 / Chapter 乙 --- 歌謠中「重要」的「襯字」、「襯詞」和「襯句」 --- p.239 / Chapter 第三節 --- 固定與非固定因素於歌謠中之作用及意義 --- p.243 / Chapter I --- 「基本曲調」對歌謠流傳之重要性 --- p.243 / Chapter II --- 「襯字」的功能 --- p.245 / Chapter III --- 歌謠的「版本」問題 --- p.246 / Chapter 第六章 --- 結語 --- p.248 / 中文參考書目 --- p.253 / 英文參考書目 --- p.261 / 第二部份：地圖及歌謠譜例 --- p.262-336

by Ip Pui Yee. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 87-93). / Chapter I --- Articulating Hong Kong Culture/Identity --- p.1 / Chapter II --- Popular Culture and Cultural Identification --- p.17 / Chapter III --- Sam Hui in Use --- p.39 / Chapter IV --- Identity Formation as Voice Formation --- p.59 / Chapter V --- Cultural Identity and The Ordinary --- p.82 / Bibliography --- p.87 / Appendix --- p.94

李潔嫦. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998. / 參考文獻: leaves 99-106. / Li Jiechang. / 撮要 --- p.iii / Chapter 第一章 --- 地水南音源流槪說 / Chapter 一´Ø --- 引言 --- p.一 / Chapter 二´Ø --- 南音的起源和發展 --- p.二 / Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四 / Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代） / Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八 / Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九 / Chapter 三´Ø --- 七十年代 --- p.二五 / Chapter 四´Ø --- 八十年代至今 --- p.二八 / Chapter 第三章 --- 地水南音的音樂風格 / Chapter 一´Ø --- 引言 --- p.四三 / Chapter 二´Ø --- 唱詞結構 --- p.四四 / Chapter 三´Ø --- 板面及過序的處理 --- p.四八 / Chapter 四´Ø --- 《霸王別姬》音樂結構分析 --- p.五四 / Chapter 五. --- 《客途秋恨》：語言聲調與旋律的關係 --- p.六八 / Chapter 第四章 --- 近代唱者個案：杜煥及唐健垣 / Chapter 一´Ø --- 杜煥的生平及唱腔風格 --- p.七八 / Chapter 二´Ø --- 唐健垣的生平及唱腔風格 --- p.八三 / Chapter 三´Ø --- 結論 --- p.九十 / Chapter 第五章 --- 結論 --- p.九四 / 參考書目 --- p.九九 / 附錄一《霸王別姬》唱腔旋律記譜 --- p.一零七 / 附錄二 《霸王別姬》的唱腔分析 --- p.一一七 / 附錄三《客途秋恨》的唱腔分析 --- p.一三一 / 表目 / 表2-1 六十至八十年代南音演出及硏討會資料 --- p.三五 / 表2-2 香港灌錄及發行的南音唱片目錄 --- p.三七 / 表2-3 八十至九十年代南音演出和講座資料 --- p.三九 / 表3-1 --- p.五五 / 表3-2 --- p.五七 / 表3-3 --- p.六五 / 表3-4 --- p.六九 / 表3-5 --- p.七二 / 表4-1杜煥生平年表 --- p.八二 / 表4-2唐健垣生平年表 --- p.八八

by Tsai Yee-Ah, Eva. / Thesis (M.B.A.)--Chinese University of Hong Kong, 1997. / Incldues bibliographical references (leaves 108-112). / ABSTRACT --- p.iii / ACKNOWLEDGEMENTS --- p.vi / TABLE OF CONTENTS --- p.vii / LIST OF TABLES --- p.ix / LIST OF FIGURES --- p.x / CHAPTER / Chapter I. --- INTRODUCTION --- p.1 / Objectives --- p.2 / Chapter II. --- MARKET ANALYSIS --- p.4 / Overview of the Music Industry in Hong Kong --- p.4 / Hong Kong Classical Music Market and the Trends --- p.6 / Definition of Classical Music --- p.6 / Classical Music Becomes More Popular --- p.8 / More Record Stores in Hong Kong Selling Classical CDs --- p.10 / New Ways of Promoting Classical Music --- p.13 / New Classical Music Repertoires and the Trends --- p.15 / More Young Classical Performers --- p.16 / Major Classical Companies in Hong Kong --- p.17 / Bertelsmann Group --- p.17 / EMI --- p.19 / HNH Internationa] Ltd --- p.22 / PolyGram --- p.25 / Sony --- p.28 / Warner --- p.32 / Chapter III. --- RESEARCH METHODOLOGY --- p.37 / Secondary Data --- p.37 / Primary Data --- p.38 / Experience Survey --- p.38 / Sample Survey --- p.38 / Limitations of the Research --- p.42 / Research Design --- p.42 / Data Collection --- p.43 / Data Analysis --- p.44 / Chapter IV. --- RESEARCH FINDINGS AND DATA ANALYSIS --- p.48 / Response Rate --- p.48 / Outcome of Self-Administered Questionnaire Survey --- p.48 / Data Analysis --- p.49 / Editing --- p.49 / Coding --- p.50 / RESEARCH FINDINGS --- p.50 / Demographic Information of 200 Successful Respondents --- p.50 / Respondents' Opinions of HMV --- p.53 / Respondents' Usage Patterns of Classical CDs --- p.55 / Brand Name of the Record Company --- p.55 / Price --- p.60 / Selection Criteria in Buying Classical CDs --- p.61 / places for Buying Classical CDs --- p.72 / Reasons for Buying Classical CDs --- p.74 / Opinions of Sony's Classical CDs --- p.77 / Preferred Promotional Methods --- p.81 / Information Channels in Receiving Information about Classical CDs --- p.84 / Maximum Price Willing to Pay --- p.88 / Preferred Tangible Changes or Improvements --- p.89 / Conclusion --- p.91 / Competitive Profile --- p.91 / Market Profile --- p.92 / Customer Profile --- p.93 / Product Profile --- p.94 / Company Profile --- p.95 / Chapter V. --- "MARKETING PLAN FOR SONY'S CLASSICAL DIVISION, 1997-1998" --- p.97 / Target Markets --- p.97 / Marketing Objectives --- p.98 / Product Objectives --- p.98 / Pricing Objectives --- p.99 / Communication Objectives --- p.100 / Distribution Objectives --- p.105 / Monitoring System --- p.107 / Conclusion --- p.108 / APPENDIX --- p.110 / BIBLIOGRAPHY --- p.133

徐焯賢. / 論文(哲學碩士) -- 香港中文大學人類學部, 1997. / 參考文獻: leaves 73-76. / Xu Zhuoxian. / Chapter 第一章 --- 總論 --- p.1 / Chapter 甲. --- 硏究課題 / Chapter 乙. --- 文獻回顧 / Chapter 丙. --- 硏究方法 / Chapter 第二章 --- 香港粤曲曲藝社的槪況一一以觀華遊樂社爲例 --- p.14 / Chapter 甲. --- 觀華遊樂社的背景資料 / Chapter I. --- 名稱由來 / Chapter II. --- 成立經過和歷史 / Chapter III. --- 會員人數 / Chapter IV. --- 日常活動 / Chapter V. --- 宗旨 / Chapter VI. --- 組織架構 / Chapter 乙. --- 活動描述 / Chapter I. --- 操曲 / Chapter II. --- 敎授老人中心 / Chapter III. --- 公開演出 / Chapter 丙. --- 小結 / Chapter 第三章 --- 觀華遊樂社與香港社會的關係 --- p.34 / Chapter 甲. --- 觀塘社區發展 / Chapter 乙. --- 整體粤曲粤劇發展 / Chapter 丙. --- 九七回歸帶動的身份認同 / Chapter 丁. --- 小結 / Chapter 第四章 --- 觀華遊樂社與個人社會空間的關係 --- p.50 / Chapter 甲. --- 前言 / Chapter 乙. --- 個人資料 / Chapter 丙. --- 參加觀華的重要性 / Chapter I. --- 觀華成員身份的確立 / Chapter II. --- 社區身份 / Chapter III. --- 中國文化身份 / Chapter 丁. --- 小結 / Chapter 第五章 --- 總結一一個人、社會與曲藝社 --- p.69 / 參考書目 --- p.73