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香港寶蓮禪寺廣東燄口佛事音樂個案研究: 儀式中音樂的神聖與世俗. / Musical study on the Cantonese Buddhist yankou ritual of Po Lin Monastery in Hong Kong: the sacred and profane in ritual music / Xianggang Bao lian chan si Guangdong yan kou fo shi yin yue ge an yan jiu: yi shi zhong yin yue de shen sheng yu shi su.January 2007 (has links)
陳韋燕. / "2007年12月". / 論文(哲學碩士)--香港中文大學, 2007. / 參考文獻(leaves 266-272). / "2007 nian 12 yue". / Abstracts in Chinese and English. / Chen Weiyan. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (leaves 266-272). / Chapter 第一章: --- 緒論 --- p.1 / Chapter 第二章: --- 佛樂在中國的變遷 --- p.10 / Chapter 第一節: --- 佛教音樂 --- p.11 / Chapter 第二節: --- 佛教音樂在中國 --- p.12 / Chapter 第三節: --- 香港佛教 --- p.16 / Chapter 第三章: --- 瑜伽燄口佛事 --- p.20 / Chapter 第一節: --- 「燄口佛事」 --- p.20 / Chapter 第二節: --- 「廣東燄口」 --- p.24 / Chapter 第四章: --- 寶蓮禪寺廣東燄口佛事個案記錄 --- p.48 / Chapter 第一節: --- 寶蓮禪寺 --- p.48 / Chapter 第二節: --- 儀式的空間 --- p.54 / Chapter 第三節: --- 儀式參與者 --- p.57 / Chapter 第四節: --- 儀軌、音聲與動作 --- p.61 / Chapter 第五節: --- 儀式的全程 --- p.63 / Chapter 第六節: --- 儀式的紀錄 --- p.74 / Chapter 第五章: --- 寶蓮禪寺廣東燄口佛事個案音樂分析 --- p.191 / Chapter 第一節: --- 器樂方面 --- p.191 / Chapter 第二節: --- 聲樂方面 --- p.196 / Chapter 第三節: --- 唱曲運用特點 --- p.230 / Chapter 第四節: --- 法器及樂器的運用 --- p.237 / Chapter 第六章: --- 儀式音樂的神性與世俗 --- p.239 / Chapter 第一節: --- 儀式音樂的硏究 --- p.239 / Chapter 第二節: --- 燄口佛事中音樂的運用 --- p.241 / Chapter 第三節: --- 廣東燄口佛事音樂的地域性和跨地域性特點 --- p.244 / Chapter 第四節: --- 儀式音聲的神性與世俗:音樂的多層次核心與非核心關係 --- p.256 / Chapter 第七章: --- 總結 --- p.263 / 參考書目 --- p.266
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Traditional folksongs in an urban setting: a study of Hakka Shange in Tai Po, Hong KongCheung, Kwok-hung, Stephen, 張國雄 January 2004 (has links)
published_or_final_version / abstract / toc / Music / Master / Master of Philosophy
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Chaozhou Xian shi yue in Hong Kong: a case study of the music division of the Hong Kong Chiu Chow Merchants Mutual Assistance Society, Ltd.January 2002 (has links)
by Law Bing Kuen Anthony. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 100-105). / Discography: p. 107. / Abstracts in English and Chinese. / List of Tables --- p.iii / Abbreviations --- p.iv / Introduction --- p.1 / Concepts --- p.5 / Previous Studies on Xianshiyue --- p.6 / Fieldwork --- p.10 / PART ONE: CULTURAL AND SOCIAL BACKGROUND --- p.19 / Chapter Chapter One: --- Hong Kong --- p.20 / The Rise of Modern Hong Kong: Hong Kong in the Nineteenth Century --- p.21 / Formation of Norms and Values --- p.27 / Chapter Chapter Two: --- The Chaozhou Community of Hong Kong --- p.30 / The Name --- p.30 / The Area --- p.31 / The People and Culture --- p.32 / Migration of Chaozhou People to Hong Kong --- p.35 / Social Organization of the Chaozhou Community --- p.41 / The Chiu Chow Merchants Mutual Assistance Society --- p.43 / PART TWO: XIANSHIYUE --- p.48 / Chapter Chapter Three: --- Xianshiyue in Hong Kong --- p.49 / "The Music Division of the Hong Kong Chiu Chow Merchants Mutual Assistance Society (the ""MD"")" --- p.51 / From Waijiang Traditions to Chaozhou Traditions --- p.56 / Performances in the Music Club Context --- p.61 / Performances in the Concert Hall Context --- p.72 / Performances in the Chaoju Context --- p.76 / Performances in the Gatherings of the Parent Organization --- p.80 / Summary of the Performance Contexts of Xianshiyue in Hong Kong --- p.82 / Chapter Chapter Four: --- The Music of Xianshiyue --- p.84 / Setting Up the Temperament --- p.86 / Tuning Process as Social Process --- p.90 / Conclusion --- p.93 / Glossary of Chinese Characters --- p.96 / Bibliography --- p.100 / Appendix A: An Inquiry on the Place of Origin of Hong Kong Chinese People --- p.109 / Appendix B: Newspaper cutting Showing Ethnic Stereotypes --- p.110
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