Global ETD Search

11	Tough guys, rock stars, and messiahs genre and gender in the Hollywood musical, 1966-1983 / Kessler, Kelly Kay. Staiger, Janet, January 2004 (has links) (PDF) Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisor: Janet K. Staiger. Vita. Includes bibliographical references. Also available from UMI.
12	Crafting utopia and dystopia : film musicals 1970-2002 / Malone, Travis B. January 2006 (has links) Thesis (Ph.D.)--Bowling Green State University, 2006. / Includes bibliographical references (leaves 271-287) Includes filmography (leaves [288]-294)
13	Modes of production in post-war cantonese cinema : bricolage and sing-song comedy Ng, Stephanie Yuet Wah 01 January 2013 (has links) No description available. China History and criticism History Hong Kong Motion picture music Motion pictures Musical films Opera Cantonese
14	五十年代香港粤語歌唱片類型研究. / 50年代香港粤語歌唱片類型研究 / Wu shi nian dai Xianggang Yue yu ge chang pian lei xing yan jiu. / 50 nian dai Xianggang Yue yu ge chang pian lei xing yan jiu January 2008 (has links) 張琬琪. / "2008年2月". / "2008 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 119-121). / Abstract also in English. / Zhang Wanqi. / Chapter 第一章 --- 導論 --- p.1-11 / Chapter 1. --- 粤語歌唱片的硏究價値 --- p.2-3 / Chapter 2. --- 本土粤語歌唱片硏究槪說 --- p.3-8 / Chapter 3. --- 歌唱片類型硏究的意義 --- p.8-11 / Chapter 第二章 --- 類型來源與構成 --- p.12-38 / Chapter 1. --- 香港電影史與「歌唱片」的起源 --- p.13-15 / Chapter 2. --- 解構「全部歌唱片」 --- p.15-25 / Chapter 3. --- 歌唱片戰後復興的外緣因素 --- p.25-30 / Chapter 4. --- 類型混合：「全部歌唱片」及其後之「歌唱喜劇」 --- p.30-37 / Chapter 5. --- 總結 --- p.37-38 / Chapter 第三章 --- 音樂風格與歌曲敘事 --- p.39-68 / Chapter 1. --- 粤曲：從舞台到電影 --- p.41-44 / Chapter 2. --- 全部歌唱：粤曲代替對白 --- p.44-49 / Chapter 3. --- 撰曲人在歌唱片中所扮演的角色 --- p.49-55 / Chapter 4. --- 電影與粤劇：從分裂到整合 --- p.55-58 / Chapter 5. --- 粤劇音樂的電影化 --- p.58-66 / Chapter 6. --- 總結 --- p.66-68 / Chapter 第四章 --- 角色典型化與演員形象 --- p.69-96 / Chapter 1. --- 演員、角色與類型電影 --- p.71-73 / Chapter 2. --- 粤劇對歌唱片角色塑造的影響 --- p.73-74 / Chapter 3. --- 芳艷芬：「賢妻良母」形象的一致性 --- p.75-80 / Chapter 4. --- 任劍輝：「女扮男裝」的戲迷情人 --- p.80-88 / Chapter 5. --- 演員形象的社會作用 --- p.88-95 / Chapter 6. --- 總結 --- p.95-96 / Chapter 第五章 --- 結論 --- p.97-109 / Chapter 1. --- 粤語歌唱片與粤劇文化 --- p.98-100 / Chapter 2. --- 歌唱片由盛轉衰的原因 --- p.100-102 / Chapter 3. --- 歌唱片對日後電影的影響 --- p.102-109 / 附錄：電影廣告 --- p.110-118 / 參考書目 --- p.119-121 Motion pictures and theater Musical films--History and criticism Operas, Chinese--History and criticism Operas, Chinese--History and criticism
15	The Cantonese "youth film" and music of the 1960s in Hong Kong. January 2011 (has links) Chan, Pui Shan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 113-118). / Abstracts in English and Chinese; appendixes includes Chinese. / Acknowledgements --- p.ii / Abstract --- p.iii / Chapter Chapter 1: --- The Political and Social Influence on the Development of Hong Kong Film Industry and the Cantonese Cinema in the 1950s and the 1960s --- p.1 / Chapter Chapter 2: --- Defining the Genre: Three Characteristics of Hong Kong Cantonese Youth Film --- p.24 / Chapter Chapter 3: --- The Functions and Characteristics of Song in Cantonese Youth Film --- p.53 / Chapter Chapter 4: --- The Modernity of Cantonese Cinema and the City (Hong Kong) --- p.87 / Chapter Conclusion: --- Hong Kong Cantonese Youth Film and the Construction of Identity --- p.104 / Appendix 1 --- p.107 / Appendix 2 --- p.109 / Appendix 3 --- p.111 / Bibliography --- p.112 Motion pictures and youth--History Youth in motion pictures Musical films--History Music and youth--History Songs, Cantonese--History and criticism
16	Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical Wellborn, Brecken 12 1900 (has links) This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these textual representations. Cinema Film Musical Musical Film Cultural Studies African-American Representation Representation of Women Queer Representation Genre Studies Twenty-First Century Acoustic-Realist Musical Animated Fairytales Camp Musi-Comedy Family-Oriented Musical Formalist-Prestige Musical Music Video-Epic Neo-Nostalgic Spectacle Pop Performer Biopic Soundtrack-Dance Musical Tween-TV Musical African Americans in motion pictures. Women in motion pictures. Sexual minorities in motion pictures.

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