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Keys and modes, functions and progressions in Mussorgsky's Boris GodounovCarr, Maureen A. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.
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Evolution of style in the songs of Modest MussorgskyFox, Andrew Criddle, January 1974 (has links)
Thesis (Ph. D.)--Florida State University, 1974. / Vita. Includes bibliographical references (p. 135-137).
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Mussorgsky's Pictures at an exhibition : an analytical and performance study /Lee, Chen-Tien January 1993 (has links)
No description available.
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The influence of Moussorgsky on DebussyYaffe, Anna. January 1935 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1935. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves i-v at end).
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Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned CycleNagachevskaya, Svetlana January 2009 (has links)
This research is consecrated to Mussorgsky's famous cycle of character pieces, Pictures at an Exhibition. The author of this study examines, analyzes, and compares divergent perceptions about Mussorgsky's renowned cycle that have emerged among Mussorgsky scholars in Russia and abroad. Due to the fact that there is such an array of diverse viewpoints about Pictures at an Exhibition, some of which are conflicting or even contradictory, there is need to collect, expose, and discuss these findings. Therefore, the purpose of this study is to come to a better understanding of Mussorgsky's composition through a thorough examination of internal evidence and through studying the various insights presented by numerous Mussorgsky researchers. The discoveries shared by Western and Russian scholars will then help performers create a more authentic interpretation of Pictures at an Exhibition based on a solid foundation of knowledge. The other goal of this study is to introduce viewpoints and ideas shared by Russian researchers in the materials that are unavailable in English. These numerous findings shared by Russian scholars may help popularize and promote Mussorgsky's work among the non-Russian readers and performers, as well as introduce Russian perception about Mussorgsky's cycle. Another objective of this document is to study and analyze the composer's score markings, in order to draw performers' attention to this important link between a performer and the composer. Mussorgsky's detailed score markings represent a unique message, in which the composer gives direct and explicit instructions toward interpretation. Therefore, a wise performer would choose to pay close attention to these suggestions in order to create a meaningful performance.This document is organized in three chapters. Chapter I represents an overview of the life and traditions of Russian society in the 18th and 19th centuries; it describes the beginning of the nationalistic movement in Russian music and outlines some significant facts from Mussorgsky's life. Chapter II is dedicated to the genesis and structural analysis of Pictures at an Exhibition. Chapter III explores the divergent perceptions about Mussorgsky's suite expressed by Russian and Western researchers. Illustrations by Victor Hartmann and other Russian painters accompany this document as well as a many musical examples.
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The shaping of Modest Moussorgsky's musical language : an assimilation of social, artistic and folk influences /Benbalit, Tatiana I. January 2006 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2006. / Includes bibliographical references (leaves 144-147).
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Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal LiteratureQuick, Matthew G. 10 October 2014 (has links)
No description available.
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Mussorgsky's Pictures at an exhibition : an analytical and performance study /Lee, Chen-Tien, January 1993 (has links)
Thesis (D.M.A.)--Ohio State University, 1993. / Includes bibliographical references (leaves 102-105). Available online via OhioLINK's ETD Center
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The Song Cycles of MoussorgskyBlank, Florette Mary 01 1900 (has links)
This study outlines the history of and development of Russian music, leading into the song cycles of Modest Petrovich Mussorgsky.
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Das Schicksal von Mussorgskis Oper Chovanščina im Kontext der europäischen Opernkultur Ende des 19. bis Ende des 20. JahrhundertsGurewitsch, Wladimir 14 March 2017 (has links) (PDF)
In diesem Auditorium ist es nicht nötig, die Bedeutung des Opernschaffens Mussorgskis für die Musikkultur unseres Jahrhunderts zu erklären. Wenn wir aber von seinen Opern und deren Aufführungen in Europa sprechen, dürfen wir nicht übersehen, daß den Löwenanteil der Popularität dem Autor nur ein Werk brachte, Boris Godunov. Sowohl für die Ontologie als auch für die Gnoseologie der modernen Opernkunst ist aber das Schicksal des zweiten Kunstwerks des russischen Komponisten, der Chovanščina, nicht weniger interessant.
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